Nadie te oye. Perfume de violetas

I think "Perfume de Violetas" is a crude reality of what happens in the life of many young girls, not only in Mexico City, but in many big cities among Latin America. This type of films are very under estimated in today's film industry. I think that like in many other occasion is a form of showing the authorities what the society is afraid to demand. I'm proud as a Mexican of what the Mexican writers and film makers are doing now, by far the best work that new generations had seen lately. I wonder why sponsors don't support films that doesn't show pretty, well known artist or doesn't have nudity scenes. I hope I didn't waste this space that could be for somebody else's opinion..

The main character, Yessica, is a tomboy who is often in trouble. As a result, she is transferred to a new school, where she meets Miriam, who lives with her mother in what seems to Yessica like luxury. While Miriam's mother's main concern is saving enough money to get a better television, Yessica doesn't even have a bedroom to sleep in or money for the most basic school supplies. When Yessica's step-brother arranges for her to be raped, things go from bad to worse. In her environment she doesn't feel like there is anyone she can tell, so she must suffer silently, which reminded me of how the women in "Missing Young Woman" were often not missed.

This film, which was Mexico's nomination for best foreign language film of 2001, is difficult to watch, but it's worth the effort. My notes also indicate that I liked the soundtrack. Seen at Cinequest (the San Jose, CA film festival) on 2/27/2002.

Yessica is a troubled teenage tomboy who moves schools again after being expelled for hitting her teacher. She lives in poor conditions with her brother Jorge, mother and two other very young siblings and she befriends the sweetly naïve Miriam who appears to Yessica to be living in luxury with her mother. The two become very good friends and spend a lot of time together. One day Jorge agrees to set up Yessica to be raped by one of his friends in exchange for money and afterwards threatens Miriam to keep quiet about it. Yessica's increasing reliance on Miriam puts pressure on their relationship.

What starts as a comment on the problem of sexual abuse in Mexico's cities turns into more of a specific dramatic story that is good for the most part but gets weaker as it goes. For the most part the film looks at the friendship between Yessica and Miriam and how both it and Yessica herself are changed when she is repeatedly raped by her brother's friend. For the vast majority of the film this is very involving and seems very real and rather moving; this changes a little near the end where events go further than they really should in the aim of bringing the film to a dramatic close, but it's point is still made. It is not really easy to get into mainly because Yessica is never once made an easy character to feel for – she is troubled, unpleasant and difficult and the film rightly challenges us that these characteristics may not be there, they may have been caused and we are wrong to judge her or label her. The plot maybe lacks enough going on to fill out the time and parts of the second half feel like they drag a little bit, but this is a minor problem and it is hard to lose interest due to the nature of the story.

The characters are pretty well drawn despite being a little bit basic outside of the lead two. Both Yessica and Miriam change over the duration of the film. Yessica is the most convincing but Miriam's is harder to understand despite also being engaging and interesting. It is fortunate that both characters are very well acted. Ayala takes the hardest role and manages to make it work well; she wins the audience's sympathy but not by just becoming pathetic or needy. Gutiérrez is sweeter and a more sympathetic character and manages to be realistic even when the plot turns and makes her character more difficult to follow along with. The rest of the cast are good with their smaller roles and I didn't think there were any bad performances in the piece.

Overall this is a difficult film but one that is worth seeing. The plot deals with an important issue and manages to do it well despite overextending itself towards the end. The performances are natural and really drive the film. It is far from perfect and it is lacking in several areas but it is involving and important enough to be worth a watch at least once.

After watching PERFUME DE VIOLETAS one wonder's if Mexican Cinema can go beyond portraying the sour and depressing stories of urban life. This is not the first entry of the "true life" story gender. Not withstanding looking at the film the cinematic process stands-out beyond anything else. The actresses are great, if one considers that this was their film debut, the surprise is even bigger, great work by the director. The photography also adds to the realm of desperation and reality, a careful camera work with saturated images and colors, changing the lighting and atmosphere between the homes of the two girls. Probably the low point of the film is the music use. It's so directed to the marketing of the soundtrack that make's you wonder if there was other consideration in its use. When the image and the song show the same thing then one or the other is overstating and therefore a waste. Good work and an appalling ending. Its going for the Oscar but probably will be left before the nominees, but it's worth watching.

"Yessica" (Ximena Ayala) is friends at school with "Miriam" (Nancy Gutiérrez) even though the two are really chalk and cheese. The latter is a more restrained lass whilst her friend is more of a boisterous creature. That might be because she lives with her mum and her step-dad and his son "Jorge" (Luis Fernando Peña). Now he's a total creep and makes an arrangement that will pimp out the young girl to his bus driving mate so he can earn some money for a pair of trainers! Despite the fact that she is taken from the street in broad daylight and assaulted on the floor of his bus, there is no effort made by anyone to bring the culprits to book as she, herself, is so embarrassed by the whole experience that she cannot tell anyone. Her rather toxic method of dealing with things is to become even more emotionally attached to "Miriam" and in so doing she starts to make problems for her friend that causes that girl's mother (Arcelia Ramírez) to intervene - and that makes the vulnerable girl even more so. This is quite a savage indictment on attitudes of sexual entitlement by a man whose treatment of the young girl is brutal and cavalier. He has no fear of retribution and as the young "Yessica" goes further off the rails the behaviour of the truly odious brother becomes quite sickeningly effective. That she is violently robbed of her innocence is tragic enough; the fact that she has no recourse to seek help, solace and/or legal redress is punchily portrayed here by a potent performance from Ayala and an unpleasant, under-your-fingernails, one from Peña. It's not a graphic film, but the message is writ large and offers a thought provoking critique of innate and obnoxious societal attitudes to sex.