Agrega una trama en tu idiomaSupernatural thriller in which a detective investigating the strange disappearance of a businessman uncovers evidence that the living aren't alone. And the terrible hidden secrets of those w... Leer todoSupernatural thriller in which a detective investigating the strange disappearance of a businessman uncovers evidence that the living aren't alone. And the terrible hidden secrets of those who also vanished before. Suspense with unpredictable end.Supernatural thriller in which a detective investigating the strange disappearance of a businessman uncovers evidence that the living aren't alone. And the terrible hidden secrets of those who also vanished before. Suspense with unpredictable end.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Carolina Pettersson Ruiz
- Laura García
- (as Carolina Pettersson)
David Sánchez del Rey
- Niño 1
- (as David Sánchez)
Javier Bódalo
- Niño 3
- (as Javier González)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Nos Miran is a very good and interesting film that has creepy elements but it is not the all-out horror some people do not like. It is similar to The Sixth Sense, and like The Sixth Sense it gives us something to think about for days.... or months.... or possibly years. I have watched it six times, and every time I like it a lot. It does not start very fast, but it is interesting from beginning to end. I enjoy it very much, and if you like films like The Sixth Sense, you cannot leave Nos Miran out of your life.
(This review was originally written by me in Spanish and then I translated it to English. Because of differences between the languages, some parts of the review may sound choppy.... I am not a professional translator, but I translated my original Spanish review to English to the best of my ability. I am putting this in the review in protest that IMDb.com would not allow me to submit a review that had both the Spanish and this English translation, despite the movie being in Spanish and my desire to allow people who may primarily speak Spanish to understand my review better.)
(This review was originally written by me in Spanish and then I translated it to English. Because of differences between the languages, some parts of the review may sound choppy.... I am not a professional translator, but I translated my original Spanish review to English to the best of my ability. I am putting this in the review in protest that IMDb.com would not allow me to submit a review that had both the Spanish and this English translation, despite the movie being in Spanish and my desire to allow people who may primarily speak Spanish to understand my review better.)
I've seen this movie twice and liked it a lot both times, even more on second viewing. It's definitely not for everyone, especially gorehounds. It's pace is deliberate and while you probably won't get any "jump out of your seat" scares you do get some spooky moments and an overall creepy atmosphere. I agree that the film starts out like a police drama but as Juan delves deeper into the disappearance of a married man, he uncovers the startling fact that thousands of citizens from Spain have disappeared throughout the years without a trace. From there, the story starts to take a different spin and we also are introduced to the former detective who handled the case. He just happens to be locked away in a psychiatric facility where he mutters just two words over and over again, "Nos Miran" or "They're Watching". I'm sure many will probably turn their noses up at the ending as it may seem "hokey" or too "hollywood" to them but I love it. I think it works perfectly and if I may respectfully disagree with the other review, I found all the questions neatly answered and resolved at the conclusion. I'm not sure I can recommend this one as I'm not certain it's everyones cup of tea, but I really like it.
Disturbing and somewhat weird. That's what I would say about this one. Carmelo Gómez is at his best, but there was something that I didn't like when the film ended around 03:00 AM... 'Nos miran' is one of the new terror spanish movies, with a similar atmosphere to 'The Others' by Amenábar or 'The Nameless' by Balagueró (both of them are must-see). But there is something about the script I really don't like... The story starts as a typical detective movie, with Carmelo Gómez trying to find out what happened with Barreiros, a married man who disappeared three years ago. After finding nothing, he looks for stories of other people who disappeared... and then his life turns weird...
The story is interesting. Bun when the movie ended, I couldn't help thinking "How? When? Where?..." The end is not well explained and that's why I think it could have been much better.
The story is interesting. Bun when the movie ended, I couldn't help thinking "How? When? Where?..." The end is not well explained and that's why I think it could have been much better.
I was curious about this film, which I watched in DVD format. The film is based on a book by Javier Garcia Sanchez, "Los Otros", which by the way, it's the title of a better known film, "The Others", by Alejandro Amenabar. What I still don't know is whether Amenabar was inspired on this novel, or as the IMDb page indicates, he wrote his own screen play.
Directed by Norberto Lopez Amado, this film came out after the more commercially successful Amenabar's movie. It's strange to have two movies about more or less the same theme filmed by two totally different directors, giving also two different accounts. If you haven't seen the movie, stop reading right here.
"Nos Miran" is a horror story. It starts in a flashback when we see a group of children playing in a railroad yard. Young Juan loses a dare and must lie flat on his back while an incoming train goes over him. At the same time, his young sister disappears in mysterious circumstances. The story goes forward as we watch a grown up Juan, now married to Julia, with two children of his own, a boy, and a girl. Juan works for the police department where he is given the task of solving the mystery surrounding the disappearance of a wealthy man.
In pursuit of this goal, Juan discovers a link to the case when he is referred to go to an insane asylum to try to talk to the police detective that was involved with the case, originally, and now is a lunatic. The only thing he gets out of this person is: "They're watching us".
This is a Gothic tale where reality and the perception of life in other dimensions blend to give a spooky feeling that yes, we are in reality being watched. But is the director referring to an abstract idea, or is he giving his own input in why people in his own country disappeared because of political turmoil? Knowing that Spanish directors, in general, love to have their own input about how they feel about their country, one wonders if the "disappeared ones" are the ones that either had to go away for fear of their lives, or are they the ghost of the "disappeared" in the civil conflict?
Although the film has a vague ending, it creates an atmosphere of mystery and menace lurking behind everything in Juan's house. We don't ever know what really happened with Juan. All we know is that he has been wounded in a leg, but that is not the reason for his demise.
Carmelo Gomez does his best work, in one's humble opinion, in this movie. His performance is multi layered. He expresses his confusion and his fear in a way that he hasn't done before. Either he responded to the material, or to the director, or he liked what he is doing here. Iciar Bollain, has nothing to do in the movie. The veteran Margarita Lozano is also totally wasted, as she stays away from the mystery that is at the center of the action in her own house. The children, Manuel Lozano and Carolina Petterson, are good in their portrayal of Alex and Laura.
Directed by Norberto Lopez Amado, this film came out after the more commercially successful Amenabar's movie. It's strange to have two movies about more or less the same theme filmed by two totally different directors, giving also two different accounts. If you haven't seen the movie, stop reading right here.
"Nos Miran" is a horror story. It starts in a flashback when we see a group of children playing in a railroad yard. Young Juan loses a dare and must lie flat on his back while an incoming train goes over him. At the same time, his young sister disappears in mysterious circumstances. The story goes forward as we watch a grown up Juan, now married to Julia, with two children of his own, a boy, and a girl. Juan works for the police department where he is given the task of solving the mystery surrounding the disappearance of a wealthy man.
In pursuit of this goal, Juan discovers a link to the case when he is referred to go to an insane asylum to try to talk to the police detective that was involved with the case, originally, and now is a lunatic. The only thing he gets out of this person is: "They're watching us".
This is a Gothic tale where reality and the perception of life in other dimensions blend to give a spooky feeling that yes, we are in reality being watched. But is the director referring to an abstract idea, or is he giving his own input in why people in his own country disappeared because of political turmoil? Knowing that Spanish directors, in general, love to have their own input about how they feel about their country, one wonders if the "disappeared ones" are the ones that either had to go away for fear of their lives, or are they the ghost of the "disappeared" in the civil conflict?
Although the film has a vague ending, it creates an atmosphere of mystery and menace lurking behind everything in Juan's house. We don't ever know what really happened with Juan. All we know is that he has been wounded in a leg, but that is not the reason for his demise.
Carmelo Gomez does his best work, in one's humble opinion, in this movie. His performance is multi layered. He expresses his confusion and his fear in a way that he hasn't done before. Either he responded to the material, or to the director, or he liked what he is doing here. Iciar Bollain, has nothing to do in the movie. The veteran Margarita Lozano is also totally wasted, as she stays away from the mystery that is at the center of the action in her own house. The children, Manuel Lozano and Carolina Petterson, are good in their portrayal of Alex and Laura.
Well, I am surprised that there are only seven comments so far. So I am adding another one even though I didn't plan to write one.
This movie is pretty good, entertaining. However, it has some scenes that don't make sense. For example, when Juan was outside with his family, all of sudden, he saw something strange. He just followed that strange thing without even saying goodbye to his family. Then, somehow in the end, he ended up in his office?
And in the end, what is the reason that he wants to lock his own children? That doesn't seem to make much sense, either.
The concept is good, maybe someday someone from Hollywood can make another version of this movie.
This movie is pretty good, entertaining. However, it has some scenes that don't make sense. For example, when Juan was outside with his family, all of sudden, he saw something strange. He just followed that strange thing without even saying goodbye to his family. Then, somehow in the end, he ended up in his office?
And in the end, what is the reason that he wants to lock his own children? That doesn't seem to make much sense, either.
The concept is good, maybe someday someone from Hollywood can make another version of this movie.
¿Sabías que…?
- TriviaTodas las entradas contienen spoilers
- ErroresThere are scenes of Juan Garcia in his car with his daughter, Laura. Shots from the front of the car show Laura near to the middle of the back seat. However shots of Laura in the rear-view mirror show her positioned next to the rear door as well as showing a roof pillar that does not exist in the front shots.
- ConexionesReferences El sexto sentido (1999)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- We Are Being Watched
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,494,927
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta