Hukkle

It's hard to describe this film. It's quite unique. The closest I can compare it to are maybe the Cremaster films of Mathew Barney, but it's really something all of its own.

Hukkle is kind of a symphony of sights and sounds, without any real dialogue. It's just rhythms and patterns and cause and effect, and it's very very cool. Often funny, often disturbing, always fascinating. It's sort of like a nature documentary, with humans as just one of the subjects, just one part of the ecosystem. And underneath it all, there's a strange murder mystery.

I saw this film as part of the Seattle International Film Festival. I hope it gets a wider release, because I'd like to see it again. I want to work out some of the details that I missed the first time through.

Hukkle is the first feature film of hyper-talented young director Gyorgy Palfi, and is a real masterpiece, the likes of which very rarely come out of the hands of a lively, extroverted 30-year-old. It is one of a kind, cannot really be compared to anything before it; you better judge it by itself. Hukkle does not have dialog or narration at all, what it has is pure rhythm. An old man who sits out in front of his country shack in rural Hungary starts hiccuping, thus setting the pace of the film. If one pays the attention Hukkle deserves, finds out that beyond the series of beautifully breathtaking pictures and unique sound effects the feature does have an underlying story unfolding. A murder mystery to be precise. Cinematorgaphy is at its best, while the mostly amateur cast makes the piece very documentary-like. This is wonder captured on film. A must see for all movie-admirers. It makes me very proud I once knew the guy who is to be credited for all this excitement.

This film challenges the idea that we need dialogue to define human interaction, or even interaction between humans, animals and the environment. There simply is no dialogue, just a bit of murmuring in the background and some singing near the end. It may sound boring, but isn't because you are constantly wondering what will happen next.

The movie covers the life of a small Hungarian village during the course of, more or less, one day. You see the people, the animals, underground, underwater, in the air, everything. Camera angles are exploited relentlessly to show every little thing, from a car door being unlocked to a fish striking at a swimming frog.

Because of the lack of dialoge, many things are up to the viewer's interpretation. One person may come up with a completely different view of what happened in the movie than another, even if they were watching it together. I watched this with my girlfriend, the red-haired queen of late night cinema, and we had a terrific argument over our differing opinions on what exactly had transpired in the movie. During the argument, she seized a burning stick from the fireplace and commenced beating me with it to emphasize her point, thereby proving the supremacy of a piece of wood over well-constructed film criticism.

This film should be seen by anyone who enjoys experimental film in any way, or simply wants to see something different but not boring. It is not over-repetitive, nor is it slow moving in any way. I applaud the director who can not only conceive of such a movie, but execute it in an interesting and watchable way.

...and even then the Hukkle keeps its own regular rhythm at the very end.

As a kid, I remember there used to be a visual game in magazines where a photograph zoomed in extremely tight or shot from an odd angle was presented, and you had to guess what the object was. This film features many such shots...and in its speechless stroke of genius, the story itself is presented that way as well.

Let me state that this movie is clearly not for everyone, at first it reminded me of the beloved Ann Arbor Film Festival, which hosts many fine but often fiercely independent short films. But "Hukkle", while succeeding in its artful attack, moves beyond that.

But it does so slowly...

The film moves almost at the pace of the tiny Hungarian village where it was mostly shot. Indeed from the DVD extras, I get the sense that Gyorgy Palfi wanted to have the film linger even longer in spots. The (human) actors are all non-professional; while I believe the pig, cat, snake, mole and frog were all professional. The frog also was apparently delicious, at least according to the famished catfish.

I really want to resist saying more, I'm just trying to figure out a way to direct the people who would enjoy this film toward it. I suspect that if you ever entertained notions of attending film school, you would enjoy this. Rambunctious creativity is on display, as it was in "Daisies" which I recently watched and reviewed. Similarly, just seeing a village might appeal to some folks like myself living in the United *Sprawl* of America.

In that village, we see some folks living with plastic sheets as part of their homes. I don't think this could have been made anywhere ...nor by anyone else. Palfi's approach on screen is gentle but, I don't know, proudly peculiar?? Or maybe peculiarly proud? He likely was a city mouse out in the country, but he was welcomed in to their wine caves, their apiaries and those plastic thatched houses, but more importantly the lives of the sturdier folks occupying them.

With the DVD you get a couple of bonus tracks, the subtitled commentary by Palfi and his cinematographer was very insightful on several levels. It almost seemed at times like the film was not only a riddle from Palfi to us the audience, but a puzzling challenge to Gergely Poharnok and the rest of the crew!

Additionally Palfi's voice, it's genuinely genial tone but never mawkishly so, while I don't speak Hungarian, I was curious to see him interact with the villages...and that is also in the Extras!

I eagerly look forward to more of his work, the Taxidermist is not readily available yet...but hopefully soon. Oh, and here is a plug for having Palfi film an adaptation of "The Thought Gang" - a fine book by Tibor Fischer!

This film has grown from a 6 to a 7.5/10 for me...still rising!!

Thurston Hunger

Two more comments...

1) Would love to track down the music (and field recordings) to this.

2) Funniest scene in the film...the very un-Hollywood police chase!!

I am happy that so many people from different countries have liked this Hungarian film - which is quite rare. I loved it, it is very cool, innovative and fascinating. The photography and sound design are excellent. I think it is not by chance that the first member of the crew named in the opening credits is precisely the sound designer.

You have to have some patience to get really into the film, but afterward, it is really worth it. Lots of black humor about eating and being eaten. In fact, eating does not mean anything good in this film...

The morale of the story is well summarized in the closing folksong "Ki az urát nem szereti" (Who does not love her husband). The only time where words are used in this film to say something....

And yes: "Hukkle" does not mean anything on Hungarian, it is an onomatopoetic (sound-imitating) word that imitates the sound of a hickup. (The real Hungarian word for hickup is "csuklás".)