Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.
- Premios
- 10 premios ganados y 32 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
28 Days Later successfully takes the zombie genre to a new level, this movie is far more than just a horror flick. There are some great characters, that you actually care about, some you'll like, some you'll be glad to see killed, but all solidly performed.
The story is well written and avoids the clichéd cheesy scripts that are too often attached to the horror genre. And I must add that the direction is exactly what you would expect from 'Danny Boyle' top class.
For me though the real difference between this movie and many others made in this genre is as follows - The infected (the zombie like folk) are more menacing, they turn instantly and they move fast, a combination that would instill fear in every one of us.
I don't mean to run down the zombie movie genre - I am a huge fan of most of these films, but lets be honest its been done to death, re-animated and done again, and this was the first movie to break the mould and transcend to a new level.
If you like your horror flicks, then this is certainly worthy of your attention.
9/10
The story is well written and avoids the clichéd cheesy scripts that are too often attached to the horror genre. And I must add that the direction is exactly what you would expect from 'Danny Boyle' top class.
For me though the real difference between this movie and many others made in this genre is as follows - The infected (the zombie like folk) are more menacing, they turn instantly and they move fast, a combination that would instill fear in every one of us.
I don't mean to run down the zombie movie genre - I am a huge fan of most of these films, but lets be honest its been done to death, re-animated and done again, and this was the first movie to break the mould and transcend to a new level.
If you like your horror flicks, then this is certainly worthy of your attention.
9/10
I'm amazed there are so many negative reviews of this film; I thought it succeeded on every level. It's artistic and atmospheric, with a great pace, sympathetic characters, and a fantastic climax. The music is very nicely done, and, to me, the eerie opening scenes of the empty London streets are worth the price of admission all on their own. I'm a stubborn viewer, and, normally, when a film benefits from early critical buzz in the manner that this one did, I find some excuse not to like it. But not this time; I'm completely impressed. (Incidentally, I think it's interesting that while most horror films these days seem to have been inspired by knockoffs of knockoffs, "28 Days Later" apparently owes more to John Wyndham's classic disaster novel "The Day of the Triffids" than to anything else. And that's a good thing.) HIGHLY recommended.
As it so happens, 28 Days Later is the best zombie movie in the last few decades. Probably since Romero's classics, if I recall accurately. It stands up on its own in a genre which is frequently plagued by a sort of innate stupidity, a consequence of one too many dead people. Otherwise how could one explain the fact that the most acclaimed zombie films are parodies of the genre?
28 Days Later shares a striking resemblance with Resident Evil, in that it kind of starts where RE left off: after one of the most exciting intro sequences I have ever witnessed (!), a lonely average-Joe, (Jim in this particular case) wakes up in a deserted London and takes a jolly good walk through the intimidatingly empty streets. Man-kind seems to have been wiped out by a contagious virus which induces a sort of blind rage upon those who fall prey to it. As may have guessed by now, this will be a story of survival.
While most horror films will offer a relatively exciting ride with little more than sparse scares, Danny Boyle's movie sheds a new light on the survival instinct of human beings which can damned well spook the living hell out of you - even if not in the traditional sense. Looking at Children of Men might offer some insight into what it feels like to have no future and this itself may clear the way to appreciating 28 Days Later.
I guess it's one of those rare horror films which not only enlighten the viewer with nice, gory slaughters but also with a share of psychological goodies. 28 Days Later doesn't forget "the Master" either and offers an obvious and unobtrusive tribute to Dawn of the Dead. All around the movie keeps you going because it is an immersive experience and not just a "poke-your-finger" kind of experience.
28 Days Later shares a striking resemblance with Resident Evil, in that it kind of starts where RE left off: after one of the most exciting intro sequences I have ever witnessed (!), a lonely average-Joe, (Jim in this particular case) wakes up in a deserted London and takes a jolly good walk through the intimidatingly empty streets. Man-kind seems to have been wiped out by a contagious virus which induces a sort of blind rage upon those who fall prey to it. As may have guessed by now, this will be a story of survival.
While most horror films will offer a relatively exciting ride with little more than sparse scares, Danny Boyle's movie sheds a new light on the survival instinct of human beings which can damned well spook the living hell out of you - even if not in the traditional sense. Looking at Children of Men might offer some insight into what it feels like to have no future and this itself may clear the way to appreciating 28 Days Later.
I guess it's one of those rare horror films which not only enlighten the viewer with nice, gory slaughters but also with a share of psychological goodies. 28 Days Later doesn't forget "the Master" either and offers an obvious and unobtrusive tribute to Dawn of the Dead. All around the movie keeps you going because it is an immersive experience and not just a "poke-your-finger" kind of experience.
This, I have to say, was one of the better viral-zombie films I have seen. The plot was highly un-original, but extremely well made. The acting was powerfully preformed, the filming having many "diagonally tilted camera view" scenes, giving off more suspense, without the reliance on the overly used "scary music". Also, the addition of the alternate ending gave a strong closing to the film. This is the kind of movie that you end up feeling physically drained after seeing your first time. It will suck you in until the end, every time. I seriously recommend seeing this if you enjoy zombie films, you will not be disappointed.
28 Days Later is clearly composed of two distinctive parts. The first part deals, in a very dynamic and effective way, of the survival itself after the catastrophe, and one gets easily carried away by the journey of the group. Then, as soon as they get to the military "base", the scenario takes a turn, the rhythm, the tension drop, and the atmosphere of the movie shifts completely, not necessarily in a good way, with this storyline of a chaotic society capable of the worst atrocities.
While the first part seems rather better than the second, the brutal transition between the two is what stands out, so much that it seems like two different movies. The outcome also turns out to be a bit abrupt and would have deserved a lit more thinking and a better integration with the rest of the plot. It is a shame because there certainly was a more subtle way of associating these elements to create a more logical, fluid and homogeneous movie.
Finally, it should be noted that this feature was shot using DV cameras (except for the last few minutes at the cottage) which explains the roughness of the image and its lack of detail.
While the first part seems rather better than the second, the brutal transition between the two is what stands out, so much that it seems like two different movies. The outcome also turns out to be a bit abrupt and would have deserved a lit more thinking and a better integration with the rest of the plot. It is a shame because there certainly was a more subtle way of associating these elements to create a more logical, fluid and homogeneous movie.
Finally, it should be noted that this feature was shot using DV cameras (except for the last few minutes at the cottage) which explains the roughness of the image and its lack of detail.
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
See how IMDb users rank the feature films directed by Danny Boyle.
¿Sabías que…?
- TriviaFor the scenes on the motorway, the production got permission to shoot on the M1 on a Sunday morning between 7.00am and 9.00am. The police gradually slowed traffic in both directions. Using 10 cameras, the filmmakers managed to capture a total of one minute of usable footage.
- ErroresWhen the camera pulls back to show Manchester aflame, a row of flashing lights is visible in the distance. It's the police keeping traffic back so that the road looks empty. About 2 seconds later, a car drives by in the distance.
- Citas
[Jim enters a dark abandoned church when he sees writing on the wall]
Writing on a Wall: 'Repent, The End Is Extremely Fucking Nigh'
- Créditos curiososOther than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle.
- Versiones alternativasFox Searchlight attached an alternative downbeat ending to all 1400 US prints of the film, while it was still in U.S. release. The revised ending was the one that appeared in the original script, but the script's ending was ditched in favor of a happy ending after it did not test well. Director Danny Boyle decided "We can't do this to people, because it was such a tough journey anyway."
- ConexionesEdited into Cent une tueries de zombies (2012)
- Bandas sonorasEast Hastings
Performed by Godspeed You! Black Emperor (as Godspeed You Black Emperor)
Appears courtesy of Kranky, Ltd.
Written by Efrim Menuck, David Bryant, Roger Tellier-Craig, Thierry Amar, Mauro Pezzente, Aiden Girt, Bruce Cawdon, Sophie Trudeau and Norsola Johnson
Published by Rough Trade Publishing
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Devastación
- Locaciones de filmación
- Schwabenpark, Kaisersbach-Gmeinweiler, Baden-Württemberg, Alemania(as 'Cambridge Primate Research Centre')
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 45,064,915
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,061,858
- 29 jun 2003
- Total a nivel mundial
- USD 74,945,045
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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