The Badge

What a sleeper. I mean, until two days ago, I had never heard of this movie before. I rented it not knowing how it would turn out. Pleasantly surprised. Pretty straight forward and to the point, a homophobic local sheriff "stumbles" on a murder investigating a traffic accident. The murdered woman turns out not to be a woman at all, but a he/she. Then this movie takes off like a roller coaster, all of which I will not go into detail (go rent it). Some of the things that these lawmen do is absolutely unbelievable, but that is the fun of this one. It is not to be taken too serious.

This film never had a chance as a commercial feature, but it should have been seen in spite of some weak parts. Robby Henson, directing his own material, proves he can tell a good story. If one adds to this the atmosphere of crooked politicians in Louisiana, the possibilities are endless.

The film holds one's interest until one realizes who is the person who killed Mona. The director gives a clue while the sheriff is going in a different direction, either voluntarily, or just to tease us. The other thing that is not resolved is the relationship between Darl and Carla, his stranged wife, and with his daughter, who is hanging out with the wrong crowd.

"The Badge" is a much better film than some of the trash that is being shown these days. The film owes a great deal to Billy Bob Thornton, who is the epitome of this rural sheriff. Mr. Thornton acts instinctively; he is a natural and he makes this character his own.

Also notable in the film is Patricia Arquette, who plays Scarlett, the stripper with a heart in its right place. William Devane's character should have been a lot more slimier because that's what we are expecting of him.

Will look forward to the next film by this promising director.

This film is a solid bit of detective fiction with a Cajun noir flavor to it. Lots of shady characters trying to manipulate folks in order to keep sleazy secrets hidden get in the way of a sometimes earnest but morally mixed-up Louisiana sheriff.

If you like Raymond Chandler's stories, this should prove pleasing. Yes, the film is paced slowly, but as the sheriff in hot water finally realizes the only way to regain his honor (and perhaps his job) is by solving the case, the action picks up. Billy Bob Thornton gives another perfect performance, and Patricia Arquette is stronger than ever. Very nice directorial touches balance storytelling and artistry very well.

A good evening's entertainment.

They should've tried to let the public view this one in the theatres but I guess it wouldn't have made much success considering Monster's Ball totally overshadowed it. There are a lot of similarities between these 2 movies, not just the fact that BBob Thornton is in both, although he was definitely much better in the former. He pulls in a fine one in this movie, as usual but I wouldn't say it's his best role yet. I don't see Patricia Arquette too often so I don't really know how good an actress she is; in this movie, she's passable. William Devane usually plays the villains but this time, he plays a crooked judge but he doesn't really quite have that evil persona that he usually has. I kind of miss that. The other supporting cast members were rather good especially the real murderer. If you're perceptive enough, you'll probably know it's him somewhere along the movie but if not, just watch to the end. The movie might test your patience and seem like it would end in predictability but just sit it out. It's not a great movie but it's a good one.

Patricia Arquette and Billy Bob Thorton are at their best in this gritty, quasi-noir crime drama set in Louisiana. Thorton's character is similiar to the one that he played in Monster's Ball. This role however was more sympathetic but not as complex. Arquette is good at playing characters that live on the edge but still manage to be morally strong and honest. She also has an extremely potent sex appeal that is simultaneously mature and girlish. The story is a coplex one with lots of twists and turns. There are secrets in the small town of LaSalle Parrish and they are artfully revealed by the director whose style is a little clunky but engaging nonetheless. I recommend this movie. It's message of tolerance is very important and could not have been more clearly stated.