Sunshine State

SUNSHINE STATE is about Big Ideas. Grief, it even has a Greek chorus to comment on the action- how's that for being self-important! But since these ideas are delivered in such a heavy-handed way, it's oddly like watching a pageant put on by a civics class at Beverly Hills High School.

The story deals with a small town in Florida where real-estate developers are threatening to change the way of life. Other than the beach, the town doesn't have much going for it. Characters talk a lot about how they either got out or wish they had gotten out. There's a local pirate festival that nobody but the stressed-out lady who's ramrodding it seems to care about. But for some reason this mosquito infested area is supposed to inspire developers to want to spend wads and wads of money turning it into a hot tourist spot.

Out of respect for the actors, I didn't name any names. Sigh. If this had been done on Broadway it would have closed opening night and been forgotten. But that's the curse/blessing of film. SUNSHINE STATE will be around to haunt these good people for the rest of their careers. Between cable, tape, dvd's and whatever the future may bring, they'll have to explain to their grandchildren why they bet on a dead horse like this. Now THAT would make an interesting movie.

Interesting, multi-faceted story of the lives of folks on Florida's Plantation Island. Many compelling characters populate this film: some sad, some funny, all very real. Great cast includes Edie Falco (The Sopranos), Angela Bassett, Timothy Hutton, James McDaniel, Alan King and Mary Steenburgen. Writer/director John Sayles seems (in my view) incapable of making a bad film. As with all filmmakers, some are better than others. This one falls somewhere in the middle. Sayles has made such excellent films in the past: Eight Men Out, Matewan, Lone Star, and Limbo (to name a few), that when he simply makes a good film it can somehow seem a bit disappointing. Certainly not for all tastes, Sunshine State impressed me, and I give it a 4 (out of 5).

One of those movies which goes nowhere with elegance. It touches on all the basic concerns of humanity: love, race, age, parents, and real estate. More than that, it handles all of them with honesty and kindness.

This movie should be watched late at night when the mind no longer knows where it wants to go. You can let it drift over you like a soft summer breeze. Hopefully in that state you will accept the fact that there is really no graceful resolutions or summations in life, just a review of how we dealt with all the little things which seemed so large at the time. The selection of actors for the movie also reflects the tone. Many very good artists who are drawn from television rather than the box office are able to use this vehicle to show us what they are really capable of.

John Sayles' films are always interesting. He provokes his audiences to think about what he shows on the screen. This is his latest attempt to draw our attention to the perils of overdevelopment in Florida by unscrupulous people who have nothing invested in the areas where they go to disrupt the lives of different communities, like the one presented in the film. Unfortunately, nothing changes for the better. In many cases it only brings unwanted growth, crime, tackiness in the name of progress. There are very old towns in the Sunshine State that are targeted to be sold by the locals in power as it's the case with the fictional Delrona Beach who, no doubt, are in cahoots with the developers. We can't help but wonder why would anyone in the right mind would go along with those who want to transform these laid back little towns on both Florida coasts and change them into the boring gated communities and condos that dot the landscape. The Greek Chorus led by Alan King and cronies are incredibly on target. They couldn't care less what was there before as long as they can golf every day in the immaculate courses created for their pleasure. Edie Falco is a revelation in this film. She's the one that goes in and out of the different groups with a sense of belonging to the town, obviously not making a very lucrative living out of a beach motel that has seen better days. Even though she has left the town for her own reasons she has come back to run the family business. Angela Bassett is the prodigal daughter who comes back to face her past and have a confrontation with her mother. Mary Alice plays her role of the mother with such dignity that we see right through this mother the hurt and disappointment her daughter has caused in her life. It's a joy to see both of these actresses play their parts in such a restrained manner. There are no hysterics between them, just the bitterness caused by events fate has dealt them. The rest of the cast is wonderful. Mary Steenburgen, Ralph Waite, Jane Alexander, Bill Cobbs are all perfectly cast for their roles. Again, Mr. Sayles has given us a slice of life, and in doing so, he has tackled the task with great panache.

... the fast forward button is definitely your friend on this one. This is basically a good story with some interesting characters, but most of the scenes are waayy tooo loooong! The plot revolves around the struggle between greedy developers and the good folks of Plantation Island, Fl. Of course we get the standard weaving of personal struggles into the bigger story line, and this is where this picture fails. Many of these sub-plots go on forever and are never resolved. It's almost like the director decided after 2 1/2 hours "gee I guess I better end the movie now". This film features many very good, well known actors (Edie Falco, Gordon Clapp, Mary Steenburgen, just to name a few), and they all do a excellent jobs, given the overall weakness of the script. I give this movie a 5/10.