Sunshine State

THE SUNSHINE STATE (2002) ***1/2 Edie Falco, Angela Bassett, Timothy Hutton, James McDaniel, Jane Alexander, Ralph Waite, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Tom Wright, Mary Alice, Richard Edson, Marc Blucas, Miguel Ferrer, Charlayne Woodard, Alan King, Alexander Lewis. Indie king original John Sayles scores once again in this expertly acted exploration of social class structure, facing past sins and not-so-rosy futures, interracial communities and ultimately the human condition with equal parts stark comedy and poignant drama. Falco and Bassett shine respectively as Floridian natives – one who never left the small resort town, the other finding out the old adage ‘you can never go home again' – and should be ear-marked for awards season.

Where Robert Altman wields gigantic casts like a battering ram, bombarding audiences with overlapping dialogue and showing off with tricksy camerawork, John Sayles draws us in to his richly observant tales by keeping things simple. He is a fine storyteller.

Sunshine State is a perfect example of why Sayles' laid-back approach works so well. This is a flowing, intriguing character study with a wry script delivered by a uniformly excellent and ego-free cast.

There is little by way of drama here, just a snapshot of a beachtown community in which lives frequently change but whose heart stays the same. Sit back and soak up the atmosphere.

... the fast forward button is definitely your friend on this one. This is basically a good story with some interesting characters, but most of the scenes are waayy tooo loooong! The plot revolves around the struggle between greedy developers and the good folks of Plantation Island, Fl. Of course we get the standard weaving of personal struggles into the bigger story line, and this is where this picture fails. Many of these sub-plots go on forever and are never resolved. It's almost like the director decided after 2 1/2 hours "gee I guess I better end the movie now". This film features many very good, well known actors (Edie Falco, Gordon Clapp, Mary Steenburgen, just to name a few), and they all do a excellent jobs, given the overall weakness of the script. I give this movie a 5/10.

One of those movies which goes nowhere with elegance. It touches on all the basic concerns of humanity: love, race, age, parents, and real estate. More than that, it handles all of them with honesty and kindness.

This movie should be watched late at night when the mind no longer knows where it wants to go. You can let it drift over you like a soft summer breeze. Hopefully in that state you will accept the fact that there is really no graceful resolutions or summations in life, just a review of how we dealt with all the little things which seemed so large at the time. The selection of actors for the movie also reflects the tone. Many very good artists who are drawn from television rather than the box office are able to use this vehicle to show us what they are really capable of.

This view of community and change in a small Florida beach community is another incisive look at American standards by a broadminded, experienced filmmaker. It's as solid an ensemble piece as one could want, with enough humor, insight and local color to be another enlightening look at American values by an expert chronicler of such things. The many reviewers who seem to find it tedious should probably re-analyze it as an allegory of the average American experience. Another exemplary work by John Sayles.