Señales

M. Night Shyamalan has done it again, and this time, better. If 'Unbreakable' left skepticism about the young director, `Signs' will make you a believer again.

Mel Gibson and his family, one boy, one girl, and Gibson's younger brother (Joaquin Phoenix) take residence in the small town of Bucks County, Pennsylvania. Gibson's wife is not a member of this household (we find out why, later). Shot over and around a 'Walton's-style' house and surrounded by crops, we get the eerie feeling that we are to be entangled here for the next two hours. Immediately, the children notice gigantic perfect circular shapes or signs as we like to call them, appearing within the crops. Is this a hoax or War of the Worlds? And, that's all you need to know. The rest of film will dazzle you with style, suspense, and downright scariness.

The key ingredients to this recipe for storytelling is one half Close Encounters of the Third Kind, a dash of Stephen King, sprinkled with Orson Wells. Shyamalan also uses Hitchcock like close ups, wicked camera angles, and a blasting score. You are locked in as soon as the movie begins. You will tilt your head in wonder and confusion, as characters in the film do. There is a deep desire to figure this all out, while your stuck in the middle of nowhere, nowhere being Bucks County.

The picture gives us two ultimate dilemmas to wrestle with. Two basic questions we must ask ourselves. Are our daily occurrences and the paths we choose Coincidence? Or, are is it just plain Luck? Shyamalan weaves these posing questions into a subplot, with trickery until the end. From scene to scene, he leaves no fades to black. As one scene ends the other smartly begins. That's what keeps the audience watching as if we were tucked tightly into our beds and rapidly turning pages of a good book. Each page is significant. This movie isn't just about crops. That's what makes Shyamalan such a keen filmmaker. He has the talent and ability to fog up the film, and distract you with different propositions.

Shyamalan uses technique to peak his story, rather than dialogue. His masterful and favorite formula is the usage of flashbacks, which gives the audience a chance to catch up on what they might have missed. He emphasizes his points by re-occurring scenes and replaying them for the grand effect, the 11th hour, until he hits you with the finale. Whether you believe the outcome or not, you cannot deny his aptitude for storytelling.

This nervous and paranoid feature film with a heart-pounding ending is terrific. I was still thinking about it when I left the theater. You too, will enjoy the ride. But, when it's over, say your prayers, get into bed, pull the sheets over your head, breathe a sigh of relief, and close the book!

This is definitely one of the best movies that I have seen in years. The dialogue is smart, the camera work is perfect and the information and background setting are divulged to the audience at precisely the right pace and exactly the right moment. Mel Gibson turns in his best performance that I can remember and so does Pheonix, who is extremely funny and plays a very real and well defined character. The movie is coincidently the scariest movie that I can remember seeing in theatres, and the scary moments are guaranteed to haunt you for a few days afterwards at least, but the movie is so much better than that and its so much more than a movie about aliens. As everyone knows from reviews, "Signs" means more than just crop signs, but "signs" are never portrayed in a cheesy way, but in a realistic and honest sense, and capturing such a deep topic without going overboard or making a mockery of it seems very hard these days, so that makes the film all the more impressive. Basically, its just awesome, it really is. Go see it.

I don't think this film deserved the poor reviews that some gave it. I've only seen 3 of Night Shylaman's films (6th Sense, Unbreakable) and this one is the most sophisticated in my mind in terms of the director manipulating the viewers into seeing and believing what he wants you to believe.

This is not Gibson's worst film by any means. If anything he gets to try to portray an understated, confused, and emotionally scarred character and I think he soft-sells it very well. Joaquin Phoenix also has a similar character to play and he too soft-sells it well. That was probably not an accident as their calm, sullen personalities contrast with the unbearable situation they find themselves in.

If you haven't already, see it - and keep an open mind.

The plot of the movie was very interesting and so mysterious. The storyline was very well written, totally different than any other alien movies. The filming location of the movie was basic, just an old farmhouse, but I really liked it! The characters were very interesting, so likeable and well-developed. The casting was really good and the acting was nice. The opening scene of the movie was kinda intense and totally unexpected. Overall, it was an unexpected movie that didn't had many plot twists nor jumpscares. But, it was very intense and so creepy (especially, the scenes that the aliens were shown in the screen). Alien's design was just fine, not very realistic but they were terrifying. In my opinion, it's probably one of the best alien movies I have ever seen! It was so good and I would definitely, recommend it to anyone. Last but not least, the ending scene was totally unexpected and kinda shocking.

During the course of the film Joaquin Phoenix's character remarks that the situation they're in seems like The War Of The Worlds. It certainly is, but the small picture of it.

Whereas H.G. Wells wrote on the grand scale about what nations and governments were doing to fight an alien invasion, M. Night Shyamalan's Signs concerns itself with the small picture, what is happening in one tiny corner of the world, to be precise Bucks County, Pennsylvania and very specifically Mel Gibson and his family.

One day farmer Gibson who used to be a minister woke up and found that his cornfield had been systematically decimated and a precise geographical pattern was laid out that could be seen from the air. He concluded it was some kind of prank which would have been the normal reaction of anyone. But when reports of the world wide similar crop defilings and then sitings of shadowy alien figures than the world is in a crisis mode.

But the world is on the back-burner for Gibson. He was a clergyman but gave it up after the death of his wife who was hit by a drunk driver. He's got his own issues to deal with if he can get himself, his children Rory Culkin and Abigail Breslin and brother Joaquin Phoenix through the ordeal. All this without knowing how the world in general is coping. Gibson and the family can only speculate and that's where imaginations run wild.

I have to say that Mel Gibson does a thoroughly good job as an everyman caught up in a global crisis. When War Of The Words was made by George Pal in the Fifties, the leads Gene Barry and Ann Robinson were scientists who had vital information for the survival of the world. The globe is still at risk in Signs, but Mel and his family can't worry about that, just in keeping themselves alive.

Signs is thinking science fiction ranking up there with the best work of Ray Bradbury and John Heinlein. It's both entertaining and engrossing, you can't ask for more from a film.