El pasado nos condena

After a series of hardships Hank (Billy Bob Thornton) finds himself alone in the world, with his only son committing suicide and his ever-nagging father always riding him about every little thing. Hank is a prison guard that works on death row at a maximum-security prison where his son was also a guard. While at one of his favorite diners, he comes across a waitress whose luck is no better than his own. Leticia (Halle Berry) has also recently had to deal with the death of her husband who was on Hank's watch on death row. Leticia's son passed away shortly after his father when a car hit him as he was walking home from the diner with his mom. Hank helps her out the night he died and they form an emotional relationship. Director Mark Forster did a wonderful job showing us how in every situation some good can come out and to never give up when it seems all is lost. The character choice was great, Billy Bob Thornton is a passionate actor along with Halle Berry's flare. Tragedies like these happen every day and it was good to see some of the struggles each character faced and the positive that came from this. Monster's Ball had little suspense but all of the tragedy made up for that. Seeing outside of the box is what made this movie so interesting. Hank's father was racist toward the African American race which made the plot a little more suspenseful. The interest that I had in this movie was that it showed a person's will to move on even after a life shattering experience. The story line was catchy but for me the movie started off kind of slow. Once the plot got going, it seemed to hold me in my seat and I didn't find myself wanting to leave the room. All in all, this was a good movie. I wouldn't have given it a five out of five stars, but it earned a firm three. With this, I would definitely watch this movie again.

I just finished seeing this movie for the first time. I'll begin by saying that it's been some time since a film got the reaction out of me this one did. For the first 45 minutes, I was convinced this movie was intent on trying to be the most depressing story ever told. For the next 45 minutes, I was still interested, but my overall opinion was hanging on the ending..of which I was very skeptical, as I knew what was left to be revealed. Then, it was over. Boy, they just don't make enough of 'em that good, folks.

When you see a movie for the first time after it's already won mad Oscars, you end up judging performances based on that. Most times, it doesn't help their cause. Kim Basinger in LA Confidential (another movie I love) springs to mind. Up to the last 10 minutes of this movie, my opinion was that Halle had done a real nice job...it was an interesting character, and she certainly hadn't done anything to screw it up. Then, came that moment on the back steps...and that look...and that immediate realization that sometimes we're just along for the damn ride, and there ain't a whole lot anybody can do about it but try and hang on and not get run over. That five seconds defines this movie...if it doesn't work, the whole thing crashes. I applaud her craft--she totally nailed it.

This is definitely Billy Bob's best performance since Sling Blade...a movie so good, it almost becomes cliche in your memory. There are times here when he carries himself with a beaten-down grace that is just brilliantly complex. Who knows where this character would end up in the hands of another actor, but I can't think of one that would have left me feeling the same way.

For those of you who don't get this movie--be it for the lack of attention to certain strings of logic in what appears to be a real small town; or for its refusal to spell out for you what somebody may be thinking from moment to moment, let alone from day to day...well, I'm sure the next Matrix is gonna be real good, too. I'm just glad that there are still folks out there making movies that can totally exist on a back porch with a pint of ice cream.

I give this film a 9.

Independent filmmaking is alive and well and evident in Monster's Ball. This film had a minuscule $4 million budget, a terrific script and a director not afraid to take some risks. Billy Bob Thornton and Halle Berry practically donated their time they were paid so little. The result is a powerful and disturbing film that walked off with a boatload of awards, not the least of which was a best actress Oscar for Berry.

Director Marc Forster conjures a forceful presentation with stark sets, next to nothing in the way of props and other set decoration, and a non existent soundtrack. Forster does it with innovative use of the camera, sharp editing and most importantly excellent actor direction. Forster could have done better at character development and the ending is nebulous and unsatisfying, but these shortcomings can be partially forgiven for the films many assets.

This is an actors' showcase, with outstanding performances all around. Heath Ledger makes a short but intense appearance as the son that Hank (Billy Bob Thornton) despises. Ledger pumps the character full of repressed anger and disappointment, simultaneously resenting him and seeking his father's approval. Peter Boyle is despicable as Hank's bigoted and self centered father. Billy Bob Thornton delivers his best performance since `Sling Blade' with a complex character torn between his prejudices and his attraction to Leticia (Halle Berry).

Of course the big story here is Halle Berry. Berry shows once again that she is not just another pretty face. I first took serious notice of her after seeing her performance in `Introducing Dorothy Dandridge', a little seen TV movie in which she won both a Golden Globe and an Emmy. After that marvelous dramatic performance, I was surprised that she couldn't land roles any better than `Swordfish' and `X-Men', which tapped nothing more substantial than her looks.

In this film, Berry is sexy and alluring, but these are only incidental attributes. She displays a full range of emotions from vibrant elation and unbridled passion, to utter despondency. She practically rips her heart out and throws it at the camera. She can convey volumes with a single look, or come completely unglued with equal impact. Her Oscar for this performance was richly deserved and had nothing to do with her race as so many have rationalized. She just flat out won it going away. As good as Nicole Kidman was in `Moulin Rouge', it wasn't even close.

This is an excellent film that is worth seeing for the acting alone. I rated it a 9/10. It is a compelling and deeply disturbing drama that serious film lovers will surely enjoy.

Monster's Ball is a compelling film of family conflict, rage and redemption. Halle Berry throws herself into this role like a prizefighter who leaves it all in the ring, and wins by unanimous decision. Billy Bob Thornton gives an electrifying performance as a man grappling with his demons and wanting his better self to emerge victorious.

This movie is a study in ambiguity. The characters are complex with human imperfection, no one (with the exception of Hank's father, played by Peter Boyle) emerging as completely likable or entirely bad. Hank's son played by Heath Ledger fulfills the adage that no good deed goes unpunished, and it's never clear that anyone truly gets whats coming to them.

I'm not sure one should read too much into this movie as a study of attitudes towards race in today's America, but as a portrayal of human frailty and the continuing quest for hope and optimism, Monster's Ball is a can't-miss film experience.

What are you repulsed by? Perhaps it's having sex with women of African origin inspite of the fact that you are a White male raised in a racist culture that dehmanises them. Add to this predicament, that you are a retired, widowed prison corrections officer who's only son kills himself because he feels he's failed you because he is not racist enough. Even worse, you become enligthtened enough to realise that .. you were ALWAYS wrong.

This is a brilliant story told from the rather selfish perspective of the White male. Mark Forster has directed a tour de force so intricate and psychologically honest that the story literally TELLS itself. Indeed, I'd bet this story organically spewed from souls of screenwirters Milo Addica & Will Rokos. They won't top this fete anytime soon. Such a gateway of insight only comes around once in a lifetime.

As a huge fan of David Mamet and Sam Shepard I am biased to appreciate a well balanced story, illustrated with terse dialogue, structured acting and effective filmic devices (i.e., the use of "white" paint", "black" coffee and "chocolate" ice cream in the film).

Any film student will also appreciate the poetic use of foreshadowing and irony in this film. This truly is SOLID filmaking that takes real chances with provocative subject matter.

The acting is superb more because of the Direction. To be certain: this is a Director's Film. Every aspect of Thorton's and Berry's performances is the result of very savvy Direction and attention to dramatic detail.

Kudos to Mr. Forster. I look forward his upcoming film "Neverland" with great anticipation.