Syostry

I think this is a very good movie because it expresses the soul of Russia, the way I'm imagining Russia. There are not very long dialogs in the film, only very short and pointed conversations between people exists. Furthermore people very rarely laugh, the mood seems to be authentic Russian, with a little bit depression in it all the time.

The shots Sergej Budrov makes are also excellent, they are very impressive and get you in something like a state of trance. The acting is also good, from the cool Russian Mafia gangster to the two young sisters all actors play their roles convincing and no one is overacting.

So if you have about an hour time, go watch this fine Russian movie.

• In remembrance of Sergej Budrov -

Syostry is a melancholic and touching movie, which gets quite close to the new Russian reality. The reality where a teenager girl dreams of becoming whether a sniper in Chechnya or a bodyguard for a new Russian (gangster).

Oksana Akinshina, who plays the older sister, has something inevitably tragic in her appearance (watch Lilja 4-ever by Lukas Moodysson). She reminded me Jean Seberg form the J.-L. Godard's Breathless and Juliette Biinoche from the L. Carax' Les Amants du Pont-Neuf. This movie is the second and last film shot by Sergei Bodrov Jr., who got a cult status (just like Victor Tsoy whose music he had used in Syostry), when he was reported missing in 2002 after the avalanche accident.

Directed by gangster movie heartthrob Sergei Bodrov Junior, this might be expected to be a shoot-'em up gangster caper movie. It isn't - in very Russian fashion, it's more about characters and issues than shooting, and while there are a couple of violent incidents, the pace is slow and the tone solemn.

The two sisters at the centre of the film - thirteen year old Sveta, poor and abandoned by her father, who longs to go off and be a sniper in the army, and spoilt eight-year old Dina, doted on by her gangster father - represent two very different aspects of modern Russia: the old, poor but moral; the young, cynical and money-obsessed. Sveta lives in a shabby home with her grandmother. Dina gets to live in a lavish apartment with their mother, and goes off to violin lessons. Not surprisingly, there's no love lost between the two.

But adversity, in the form of gang rivals on the search of some missing money and with few scruples about how to get their hands on it, throws the two together, plunging them into the Dickensian world of Russia's underground - dangerous and uncertain - and makes them value each other more than they ever have before. A couple of very naturalistic performances from the two makes this a fine, touching film.

This is one of the best movies from the early year of the new millennium, not just Russian point of view but also movies in general.

Two sisters are forced to work with each when their parents abandoned them after the mafia hunts them, the mafia hunts the sisters. A road walk adventure and to find themselves.

Also it's one of Sergey Budrov last movie before the accident that killed him, Rest In Peace to one of the best actors.

A film that no longer conveys anything to the public.