Narc: Calles peligrosas

The good-cop-bad-cop pairing in movies is so well-worn, that it has practically become a Hollywood institution. Thankfully 'Narc' powerfully smashes the stereotype.

Persuaded back into active service by his bosses, ex narcotics cop Nick Tellis (Jason Patric) finds himself investigating the murder of a fellow officer alongside live-wire new partner Henry Oak (Ray Liotta).

The coupling of Tellis and Oak feels so realistic, you actually understand each character's resentment at being pitched together.

It's this natural mistrust which erases the legacy of Lethal Weapon style buddy relationships, and instead harks back to classic '70s cop movies such as 'Serpico'.

'Narc' bristles with energy, from its heart-stopping hand-held opening chase to its brutal, bloody showdown, all the while framed by cold claustrophobic street scenes.

Director Joe Carnahan probes deep into the characters to discover what drives these men to lay their lives on the line, day in, day out.

It helps that the performance of both leading men is superb. Patric's troubled, introspective Tellis is torn between his loving family and his empathy for the dead undercover cop.

However, it's Liotta - Oak by name, oak by stature - who dominates the film with a career-best performance. Intimidating and brutal but never inhuman, he forces you to remember just how powerful a cinematic presence he can be, given the right material.

'Narc' is a fast-paced, original, gritty thriller that will leave you wanting another fix. 9/10

Gritty, hard-edged police thriller from writer-director Joe Carnahan. Held responsible for a deadly bust that went awry, dedicated, veteran Detroit narcotics officer (and family man) Patric is reinstated by Internal Affairs on the condition that he aid hotheaded renegade lieutenant Liotta in the investigation of a slain officer whose story doesn't seem to add up. A gripping, in-depth, and vividly atmospheric look at the notoriously brutal drug underworld and realm of police corruption. A solid genre film with a sturdy, poised performance from Patric, and an aggressive, forceful performance from Liotta. Plot gets overly convoluted at times but it still entertains. ***

Seeing that Ray Liotta is one of my favourite actors, I was pretty sure this movie was going to be very good. And it is a good movie. It is dark, well acted and it tells a story of how far some people are willing to go to honour the memory of a friend and colleague. One cop, Nick Tellis, suspended after a stray bullet hits a pregnant woman, is put on a murder investigation of an undercover cop. He teams up with bad ass cop Henry Oak and together they try to solve it. But if everything as it seems? Both lead actors in this movie, Jason Patrick and Ray Liotta, do a great job. You really get the feeling like you are in the movie instead of just watching it. Most of all, the characters are believable and that is so important for a movie like this. If you like thrillers with a dash of action and drama, you will enjoy this movie. I know I did. I rate this movie 7/10

This film reminded me of those cop films from the late 60's and 70's like "The Seven Ups" and "The French Connection" but this film is really dark and dirty. One thing that stands out is the cinematography that I'll describe later. Film opens with a cop chasing a suspect into a park and when shots are fired at one another a pregnant woman gets hit. Month's later the force wants him back to work with an older cop and investigate a cop killing. Jason Patric and Ray Liotta star in this film and its directed by Joe Carnahan who employs a very good visual style to an already familiar story. The film has a dark and gritty look about it that suggests a touch of "Film Noir". One scene in particular stands out and its the one where Patric and Liotta are in a cafe having coffee and talking. The scene is dimly lit with both characters seemingly in shadows. It suggests that both are shadowy figures and have something to hide. Carnahan creates a dark mood for the film that I found very effective. Nothing seems forced here and it creates an indelible aura of bleakness. These are the streets that these cops work in everyday and you can understand some of the personality flaws of the characters. Ray Liotta stands out here and its the type of performance that reminds us why Scorsese cast him in "Goodfellas" in the first place. He gained 25 pounds for the role and along with Tom Cruise and a host of others helped produce this film. All the hard work paid off and I hope studios remember him with more work. He's always been a terrific actor and its hard to forget those eyes of his when he sinks his teeth into a role like this. They're was some talk of him being nominated for an Academy award in the supporting category which would be wrong. Both he and Patric are in the film about the same amount of time. They are both starring roles and its not a supporting performance. Some people complained of the dark edge and mood of the film but thats exactly what I liked about it. Well photographed and very well acted, this is a solid cop film that people should check out.

It took me ages before I could get around to seing this film, but now that I have, I don't know why..

This is a very brutal movie, but a very honest one. In something that in some scenes can almost be described as dogma style, the story is about two cops workings as narcs in the underground. Jason Patric and Ray Liotta are both amazing in thier parts, they both manage to get thier characters out in a way that you actually SEE the persons they portray, instead of "just" the actors playing another role as we sadly see so very often in film these days....they actually ACT!!! Bigtime cudos for these two - I always liked both of them, but this might be the best achievements from them both so far - and especially with Ray Liotta, that says a LOT..

I recommend this film highly...NOT for children though ;-) 7/10