El último castillo

Love this film.

Obvious plot and direction but weirdly worked perfectly.

Has a very steady tempo and it's always fab when there isn't any manufactured 'surprises'.

Apparently bombed at the box office but it's certainly a grower.

Definitely worth a watch.

If I think of Robert Redford, I think of actors like Barbra Streisand, Jane Fonda, Marlon Brando or Paul Newman. I think of 1960's and -70's blockbuster movies like "Butch Cassidy and the Sundance Kid" or "All the President's Men". And not to forget the "Sundance Film Festival" that Redford created with a name that he took from the former mentioned movie.

If I think of Robert Redford, I also think of the more than excellent movie "Brubaker". A movie in which he becomes warden of a prison that was a haven of corruption and abuse of the inmates.

In the movie "The Last Castle", we see Redford again feature in a prison movie. And this time it is not a '60's or '70's movie, but one from the early 21st century. And Redford's acting is still as great as ever!

The storyline behind the movie is unfortunately a bit too "standard". It doesn't tell a true story and neither does it put you on the edge of your seat. It is pretty predictable actually. I think the storyline was not really worthy of an actor as Redford.

But I have to admit that the movie is entertaining. This to the level that I give it 7.3 stars (rounded down to 7). It is the interaction between the two lead actors, Redford and James Gandolfini - the latter is very known for his role in Sopranos - that makes this movie an interesting one to watch.

In an era when most new filmmakers seem less concerned with story than with figuring out new and creative ways to possibly damage their camera equipment, it's encouraging to see someone like Rod Lurie come along. A former film critic, Lurie has emerged in the last few years as a maker of old-fashioned "good movies well made". He impressed me last year with the political drama "The Contender", and this year he brings us "The Last Castle", a prison picture that overcomes some dramatic potholes to provide a solid two hours' worth of entertainment.

The castle in question here is a maximum security military prison, home to the armed forces' toughest offenders. The whole place is ruled by Col. Winter (James Gandolfini), a tinpot tyrant who delights in turning his prisoners against one another. Make them forget they are soldiers, make them forget they are MEN, and you will win...that's Winter's philosophy. Then, a monkey wrench is thrown into the works, in the form of Gen. Eugene Irwin (Robert Redford), a much-decorated three-star general court-martialed for a battlefield infraction. Irwin immediately sees Winter for what he is, and as his weeks in the prison wear on, he begins to realize that he is surrounded by SOLDIERS, tough, competent, and ready to fight. All they need is a general to get behind...and a villain to rally against.

"The Last Castle" is a character-driven piece, and is carried by the strengths of its performances. Robert Redford takes a character who is admittedly rather sketchily written and, through sheer force of his charisma and personality, turns him into someone quirky and specific. Irwin is more like the Sundance Kid than any character Redford has played in some time: a rebel battling against a system that has arrayed insurmountable odds against him. This time, however, Irwin is a product of the system, and he knows its rules. Redford conveys that wisdom with a bemused grin or a mere flex of his craggy but still handsome face. This, folks, is star power.

The actors surrounding him put in equally fine work. James Gandolfini is miles away from "The Sopranos" as the despotic Col. Winter, and makes him a fine villain, loathsome yet pathetic and curiously affecting at the same time. Mark Ruffalo comfortably wears the role of the prison bookie, a cynic whose father was a Vietnam P.O.W. with Irwin, and Clifton Collins, so creepy and evil as the assassin Frankie Flowers in "Traffic", turns in a drastically different turn here as a stuttering corporal who first recognizes Irwin's greatness.

Lurie helms this material with assured confidence. He gives the film a gritty, authentic look and feel, he knows how to recognize a dramatic moment and pay it off, and he handles the film's quieter scenes and its boisterous action payoffs with equal elan. Any way you slice it, it's just good filmmaking.

Though David Scarpa and Graham Yost spike their screenplay with memorable moments and fine dialogue, they shoot themselves in the foot with third-act implausibilities (you'll find yourselves asking more than once, "Now how did they manage to throw THAT together?") and an abrupt finale that leaves too many unanswered questions.

Still, even with these problems, "The Last Castle" is a solid, rousing piece of mainstream entertainment. It's well-made, it tells a good story without insulting your intelligence or your good taste, and it showcases some fine acting by veterans and newcomers alike. And I bet Lurie didn't even break any of his cameras. I'm sure Dreamworks appreciates that, if nothing else.

It did that very well, and is worth seeing for at least one reason. Although Robert Redford puts in a solid performance, James Gandolfini steals this movie with his simpering, bully-boy performance. Despite knowing from the opening scene that he will undoubted lose against Redford's disgraced general, Gandolfini's depiction of a man in authority but with little power is very subtle and worth watching.

The end of the movie was stupid!!!

Gandolfini is just perfect in that movie. It worth to watch this movie for his extraordinary performance. Redford is, for sure a great actor, but Gandolfini is the real star of this movie.