Musas sangrientas

I received a copy of "Suspended Animation" in the mail earlier this week. It was postmarked from a company in New York, with attached sheets of paper naming the cast and crew, and an interview with the director, John D. Hancock, from Phantom magazine.

I'm still not quite sure why I was sent a copy, and I'm not really that sure how I was sent a copy. I don't have any mailing address on my Website, and I don't have it listed publicly on the Internet. I can only assume the DVD was given to me so that I could review the film. But it's a puzzling affair of how that company in New York got my address.

The movie was filmed in 2001 and given a limited theatrical release in October of 2003. I believe that the DVD I received is a preview DVD of what will hit stores some time in 2004. Perhaps the company in New York thought I'd review the DVD, too? I suppose I can, although there's nothing to review -- it has fine quality and sound, basic picture menus, and a single theatrical trailer. It probably doesn't need much more.

The film is about an animator named Tom Kempton (Alex McArthur), and his fascination with his own kidnapper. It all starts when Tom and his buddies are out on their snowmobiles during winter. Tom gets behind and flips his snowmobile when he's trying to catch up; he seeks shelter in a nearby log cabin, which is home to a pair of strange sisters -- one rather obese and the other frail and sickly. They slip Tom a drug and he wakes up tied to a chair. It's then that he realizes the sisters are cannibals, and that they plan to make him their next meal.

After making a daring escape with the help of his friends, Tom finds himself unable to move on with his life. He can't think of anything but the small sister, Vanessa, who kidnapped him and chopped off his pinky finger (which was successfully re-attached, or so I can only assume). Tom hunts down Vanessa's adopted child, draws her as a cartoon out of fascination, and eventually fights and helps murder her serial killer son, Sandor (Fred Meyers), who has a pimple-popping scene so stomach-turning it could rival the most gruesome horror films.

The only thing worse than the killer getting up one last time for another scare is the two-killer theory. Here, it's a three-killer theory. There's a surprise twist at the end that leaves open one of three options: the remaining killer is one of the sisters, back from their graves, their brother, or Vanessa's daughter. And, if you're enough of a horror freak, you may even think it's Sandor coming back from the grave.

I've got to say that though the surprise ending didn't surprise me, I was expecting something else to happen. I expected something much cleverer and much more startling than what did happen at the end. I had worked out a complex theory of who the real killer might be and it never happened. By the time the credits started to roll, I wasn't quite sure what the message of the film was. First it starts out as a sort of "Misery Redux," then it turns into "Deliverance" on snowmobiles, then it turns into "Single White Female," then it turns into "Psycho," then it turns into nothing. Is the point that the gene for wanting to kill people runs in families? Is it that you should not dig deeper into matters already resolved? Or is it just a wandering horror-thriller that isn't sure what it wants to be?

The movie was penned by Dorothy Tristan, John Hancock's wife. It's based on her novel, which I have never heard of -- and now I can understand why. I'd like to give "Suspended Animation" a good review because I enjoyed the beginning as a sort of remake of "Misery," and I feel bad picking on a movie sent to me in hopes I would do the opposite. But if I followed that, it would be nothing but a bribe.

I won't be totally unkind to the movie. John Hancock, the man behind Robert De Niro's "Bang the Drums Slowly" and the cult family classic "Prancer" (also very dark), directs well -- for what it's worth. And to be fair, "Suspended Animation" has a few interesting scenes, but the casting of Alex McArthur never helps much, and the flimsy script only harms what could have been a really tense and scary movie.

2.5/5 stars.

I watched this movie with little to no expectations and was very surprised at how much I enjoyed it. There is such creepy dark humor within the script that you laugh as you cringe. A crusty tale of backwoods cannibals, how can that be anything but entertaining? As if the sisters weren't bad enough, when the boy enters the picture we are treated to yet another level of twisted heredity. Fred Meyers as Sanders is probably the most disgusting personification of "The Bad Teen" I have ever seen. Those zits!

Thomas Kempton's last line is the perfect end to the numerous horror flicks we have all seen. Why won't they just die?!

During the early passages of John Hancock's `Suspended Animation,' you think you've got it figured out: It's `Deliverance' meets `Misery.' But the pleasure in experiencing `Suspended Animation' comes from the way Hancock and his screenwriter, wife Dorothy Tristan, throw you a curveball, taking the film somewhere unexpected. If the first half of `Suspended Animation' reveals the very nature of evil, then the second act is about the obsession with it. Hancock and Tristan show how, for some, closure can't be reached until the evil that fuels relentless nightmares is confronted and dissected. The film stars Alex McArthur as Tom Kempton, a Hollywood animator with a beautiful wife, Hilary (Hancock veteran Rebecca Harrell), a stunning home, but a somewhat stalled career. Needing a vacation, Tom heads to northern Michigan for a snowmobile trip with two buddies, Jack (Dan Riordan) and Cliff (Jeff Puckett), but the excursion takes an unexpected detour when Tom's snowmobile crashes in the forest. Tom stops by a nearby cabin for help, only to fall into a trap set by two deadly serial-killer sisters, Vanessa (Laura Esterman) and Ann (Sage Allen) Boulette. They've killed before and are ready to make Tom their latest victim. Hancock and Tristan take almost fiendish delight in seeing how far they can go to make audiences squirm here, particularly since sharp objects are lying about, along with jars containing parts of the human anatomy no man would like removed. Tom survives the ordeal - after a dynamite snowmobile chase that features not just an ax, but an avalanche - but can't let go of what happened to him. He meets the sisters' brother, Philip (J.E. Freeman), who is doing time in jail, then tracks down the daughter of one of the sisters, Clara (Maria Cina), a waitress and aspiring actress whose son, Sandor (Fred Meyers), may have picked up a few nasty habits from his disturbed relatives. For all its squeamish moments, `Suspended Animation' becomes a fascinating glimpse into depravity and insanity. A bizarre, unsettling dynamic unfolds between the Boulettes, who foster a considerably warped notion of the concept of `family.' That leads to an impressively restrained, surprisingly quiet finale, where Tom witnesses the tragedy of the Boulette family unfold before him, even as his life, and that of his wife, are in danger. McArthur is quite good; `Suspended Animation,' however, belongs to the ladies. Esterman and Allen, as the two sisters, create a dangerous, at times hilariously unstable team. You're never sure when the two might explode, while Esterman, later on, takes Vanessa to another level, revealing a desperation that is sad and pathetic. Cina is a find. Her performance is so natural, so unassuming, it doesn't come across as acting. She's the most sympathetic character, the heart and soul of the film. `Suspended Animation' is one of the creepier films in some time, a superb example of taking a formula story and transforming it into the unexpected. Rating: 3 stars

What struck me was the remarkable similarity of Fred McArthur-who played animator Tom Kempton-to Gene Kelly both in looks and voice. Its a typical film of today's horror genre where everything is thrown in and you get the impression they never knew how to end it. The cannibal theme was quite interesting but rather pointless as we only saw a pair of women who talked about it.Kemton,by this time tied to a wheelchair and pleading to be set free,suddenly found himself minus a finger as one of the mad sisters chopped it off.Later when he was rescued by his snowmmobiling buddies who'd gone ahead of him,the finger was "reattached" with sticking plaster though you had to assume he later went to a hospital. Placing Kempton there in the first place was the stock plot of going to the house for help after he crashed his machine Here though is where the story began to go haywire as the animator makes a film based on the mad sisters-he'd previously promised to put them in the movies if they let him go!! Next up comes a meeting with a woman who turns out to be the adopted daughter of the youngest sister-she agrees to be a model for Kempton's next production.She in turn has a son who gives insanity a bad meaning and hes suspected of being a serial killer when Kempton discovers a pile of rings presumably trophies kept from his victims. Its not really that frightening when you think of what happens in real life but if you watch this movie don't blink too much or you may lose the plot! The ending was the kind thats been used over and over again-the villains are presumably killed but still keep coming back.we have the landrover which gets bogged down in the mud-as a variation to being unable to start-and you think no way would Gene Kelly have played in a film like this-he would probably have found it difficult keeping up with the plot!

For a video nasty this was surprisingly watchable. The choice to examine the obsession with evil in the 2nd act of the film gave it a depth that few horror/thrillers in the low budget genre ever truly achieve.

The basic plot is that a movie director is drugged and kidnapped by a pair of crazy cannibalistic sisters while he is on a snowmobiling holiday. Although he escapes, his brush with this evil leaves him obsessing with understanding what would make these women, particularly the dominant sister, Vanessa, become so twisted and warped.

His investigation leads him to find Vanessa's daughter, Clara, a struggling actress with an abusive teenage son.

The film doesn't revert to pointless gore but instead gives a thoughtful exploration of the quality of evil, beautifully examining the seeds of a serial killer and examining the idea of nature or nurture motivations. For the discerning viewer who doesn't just want a basic horror shocker, this film delivers some interesting ideas despite a few production and script flaws which can be attributed to small budget rather than small talents.