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Seguridad Nacional

Título original: National Security
  • 2003
  • B
  • 1h 28min
CALIFICACIÓN DE IMDb
5.6/10
57 k
TU CALIFICACIÓN
Martin Lawrence and Steve Zahn in Seguridad Nacional (2003)
Home Video Trailer from Columbia Tristar
Reproducir trailer1:53
8 videos
99+ fotos
Buddy CopSlapstickAcciónComediaCrimenThriller

Dos vigilantes de seguridad que no pegan ni con cola terminan trabajando juntos para detener una operación de contrabando.Dos vigilantes de seguridad que no pegan ni con cola terminan trabajando juntos para detener una operación de contrabando.Dos vigilantes de seguridad que no pegan ni con cola terminan trabajando juntos para detener una operación de contrabando.

  • Dirección
    • Dennis Dugan
  • Guionistas
    • Jay Scherick
    • David Ronn
  • Elenco
    • Martin Lawrence
    • Steve Zahn
    • Colm Feore
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.6/10
    57 k
    TU CALIFICACIÓN
    • Dirección
      • Dennis Dugan
    • Guionistas
      • Jay Scherick
      • David Ronn
    • Elenco
      • Martin Lawrence
      • Steve Zahn
      • Colm Feore
    • 179Opiniones de los usuarios
    • 35Opiniones de los críticos
    • 31Metascore
  • Ver la información de producción en IMDbPro
  • Videos8

    National Security
    Trailer 1:53
    National Security
    National Security I Got Skills Scene
    Clip 0:39
    National Security I Got Skills Scene
    National Security I Got Skills Scene
    Clip 0:39
    National Security I Got Skills Scene
    National Security Use The Badge Scene
    Clip 0:46
    National Security Use The Badge Scene
    National Security: Car Explosion Clip
    Clip 1:40
    National Security: Car Explosion Clip
    National Security: Production Meeting Scene
    Clip 1:28
    National Security: Production Meeting Scene
    National Security: Insert Car Clip
    Clip 1:36
    National Security: Insert Car Clip

    Fotos146

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    + 139
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    Elenco principal58

    Editar
    Martin Lawrence
    Martin Lawrence
    • Earl Montgomery
    Steve Zahn
    Steve Zahn
    • Hank Rafferty
    Colm Feore
    Colm Feore
    • Detective Frank McDuff
    Bill Duke
    Bill Duke
    • Lieutenant Washington
    Eric Roberts
    Eric Roberts
    • Nash
    Timothy Busfield
    Timothy Busfield
    • Charlie Reed
    Robinne Lee
    Robinne Lee
    • Denise
    Matt McCoy
    Matt McCoy
    • Robert Barton
    Brett Cullen
    Brett Cullen
    • Heston
    Cleo King
    Cleo King
    • Woman in Car
    Gerry Del Sol
    • Booking Clerk
    Ken Lerner
    Ken Lerner
    • Hank's Lawyer
    Mari Morrow
    Mari Morrow
    • Lola
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Billy Narthax
    Joe Flaherty
    Joe Flaherty
    • Owen Fergus
    Keith Cooke
    Keith Cooke
    • Ang
    Mike Brady
    • Smith
    Troy Gilbert
    • Cain
    • Dirección
      • Dennis Dugan
    • Guionistas
      • Jay Scherick
      • David Ronn
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios179

    5.656.7K
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    Opiniones destacadas

    6Aaron1375

    I enjoyed this sort of different take on the buddy cop film.

    The film features two guys who are security guards teaming up to stop something foul, so it is sort of different I guess; however, the John Candy and Eugene Levy security guard duo movie is superior. I do like Steve Zahn and he makes this film a lot better than it has any right to be; yet, from a lot of posters and such, you would think he is a secondary character at best to Martin Lawrence who is front and center of all the promotional stuff for this film. Seems a bit unfair, considering the movie does actually center on Zahn's character more than Lawrence, who is funny in this, don't get me wrong, he just seems to be the second guy in this film.

    The story in this one, Earl, played by Zahn and his partner are police and they end up in a very dangerous setting where Earl's partner is killed. Earl catches Lawrence's character after getting the boot from the police academy trying to reach in his car because he locked the keys in. Due to each other's situation at the moment, their meeting gets blown out of proportion and Earl ends up fired and imprisoned for beating Martin Lawrence, though in reality it was a bee sting that got Lawrence! Soon, Earl is out of prison and using any connection he can to try and find his partner's killer and soon he and Lawrence are reunited and find themselves in a plot involving some space aged metal!

    As I said, Steve Zahn carries the film with Lawrence adding a bit of humorous touches here and there. I think they went overboard in how they got Earl terminated from his job, but I was glad everything worked out a bit in the end. Martin at times can be a bit much, so I am glad the focus is on Zahn as you almost want to tell Martin to settle down a bit with the ranting.

    So, the film had its moments and was a bit funny. The action was pretty good in it too and probably overlooked as everyone is thinking this is strictly a comedy. One of those films my wife picked for movie night that was not too bad to watch; however, the film is not anything I would like to see again either unless it just happened to be on for some background noise. Wish Steve Zahn was in more stuff, because I always find him very funny as an actor; of course, these days you do not see much of him or Lawrence in films.
    bob the moo

    At best – Tired. At worst – bigoted and offensive

    Earl Montgomery is a cop wannabe who can't get past the academy into the force. Hank Rafferty is a real cop who is emotionally on edge having seen the murder of his partner by a gang raiding a warehouse. When the two get involved in a minor roadside traffic stop, Earl claims Hank beat him and gets him thrown off the force. Hank takes up a job as a security guard and sets out to find the gang that killed his partner. He finds them in a warehouse protected by Earl (also now a security guard) and the two reluctantly team up to go after the gang. However when they steal the gang's merchandise they find themselves hunted by both the gang and the cops.

    Although I like to think of myself as having reasonably good taste – I do find Martin Lawrence funny. I don't know why but many of his films just make me laugh even though I feel like I shouldn't ! However this film is the recent exception to that. I saw the trailer and thought that it might be worth a stab – wrong! The plot is a shambles of coincidence and plot holes – where there is a doubt they simply have a big gun fight. There is no real tension to the plot as it is so very loose – even at the end you'll struggle to know much about the plot outside of the two central characters.

    The action scenes make the A-Team look realistic and tense – they are simply tonnes of bullets flying everywhere before the bad guys are dispatched with one shot! This sucks any excitement or tension out of them and only leaves you with lots of noise that just feels pointless in the extreme. In that way they reflect the wider plot I guess. Sadly though, the poor action and poor plot is by no means the worst part of this film.

    Easily the worst part of this film is the fact that 99% of the `jokes' are based on race – in particular Martin Lawrence's comments which are either a) laments on the victimisation of his race or b) reverse-racism remarks that border on the offensive and would certainly never be allowed to pass if the lines had been given to his white co-star. The victimisation things are simply not funny and merely make the lead look like he has an enormous chip on his shoulder about his colour – maybe 2 or 3 remarks along these lines would have worked but to have nearly every line based on this is simply overkill and it quickly gets tiresome. Other remarks I simply found offensive – I'm sorry, I know this is meant to be a comedy but I found them bigoted in the extreme. What makes it worse is the fact that the film plays Earl as a hero and never shows him to change his way or his opinion – hence it validates what he says. For example to have a character state that he is against interracial relationships between white men and black women (and never take it back) is simply offensive – as I (a white man) sat with my wife of Nigerian-descent I felt very uncomfortable that anyone would allow such insulting dialogue to be part of a film. Even if you think I am making a big deal out of nothing – just imagine this whole film if even half of Earl's dialogue had been said by Hank – there would simply have been an outcry!

    To make the offensive material worse – it is rarely funny. I don't know what Lawrence is up to. This summer he has the chance to kick start his big league career again in Bad Boys 2 where he'll get help from Smith and Union – but this is a huge leap back – pandering to an audience that may find it funny because they too have a chip on their shoulder about race. I usually find his mugging and saying `yo ass' or `and sh*t' after every sentence funny but here the chip on his character should simply obliterates everything else. Zahn is poor – I have not seen him in a strong role but this must be a step backwards even by his standards – he suffers at the hands of racist remarks and comes off badly – even his relationship with Denise is played for laughs as the writers expected the audience to find it a joke that Hank could land with a `fine sista' like that, it even goes so far as to have Denise admire Earl's penis!! In fairness Robinne Lee (Denise) is gorgeous and it is good to see her in something again after only seeing her in Hav Plenty. God knows why Eric Roberts is in it – he has nothing to do and his wig just looked stupid, likewise Bill Duke is only there for the dirty looks.

    Overall I enjoy Lawrence comedies even though many are silly. Here the jokes are nearly all based on race or reverse-racism and after the first 3 time they get increasingly unfunny and tired. At best this film is lame and barely amusing, at worst it is simply bigoted (regardless of what colour the character is – bigotry is bigotry) and will be offensive to anyone who tries to get past the issues of race and racism in their daily lives.
    yorkiemi

    Short & sweet

    Decent action sequences, and Lawrence/Zahn make a good team. A poor man's Gibson/Glover.

    However, EVERY joke being racial got tiresome QUICK. From the preview (and EVERY other Martin movie I've seen) I figured as much. Too bad I wasn't surprised.

    Worth the $2 I spent on rental, but if I spent $8 to see it first-run I'd have been sorely disappointed.

    6/10
    7CuriosityKilledShawn

    What the problem is?

    I usually don't like Martin Lawrence and I find his anti-white humor to be quite offensive as well as his string of bad movies. But compared to his other movie of 2003 (that would be the shockingly awful Bad Boys II), National Security is a rather easy-going and light-hearted cop comedy flick with quite a few good laughs. A lot of them, surprisingly, coming from Lawrence himself.

    Hank Rafferty (Steve Zahn)is a cop who is unfairly thrown in jail for apparently beating a black suspect (Lawrence) who just got kicked out of Police Academy. With his career in tatters he emerges from the slammer with only one job opportunity available; a lowly guard for a lowly security company. Determined to follow up on the big case he was involved with before serving time, he crosses the path of fellow security guard Earl Montgomery (Lawrence again) and the two reignite their old conflict.

    The old love/hate buddy thing may be old and the plot may be silly but it's a great excuse for loads of action set-pieces and humor. The potentially dangerous comedy of black vs white never becomes offensive and is handled with such lightness that it never becomes an issue. Both men have their failings and bonuses and are as equal as each other. You really do feel a great partnership between them despite their arguing and fights.

    Give National Security a try. It's slick and fast-moving and is a helluva lot better than Bad Boys II. You'll probably be surprised at how funny Martin Lawrence is. I was.

    The DVD is in great looking 1.85:1 widescreen with pretty good Dolby 5.1 sound. The scenes where Lawrence uses his automatic pistol really pack a heavy punch in the .1 LFE channel. The usual deleted scenes and commentary are included on the DVD but I was surprised the extended ending wasn't included in the film. It would have been better with it.
    cherryplops

    steve rules!

    why is it martin lawrance always has to do black and white jokes in all of his films? brother this and brother that. frankly, im getting sick of it. also why isnt steve zahn on the cover of the dvd? finally i think steve is an under-rated actor. he rocks!

    Argumento

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    • Trivia
      Steve Zahn's haircut and physical appearance were designed to mimic those of actual police that he had seen and studied. The transformation was so effective that when Zahn and his brother went into a bar one night, people sitting near them moved away. Zahn's brother laughed and said "They think you're a cop!"
    • Errores
      When Earl is behind the wheel of the driving-instruction car, he constantly moves the steering wheel from side to side, yet the car always drives straight.
    • Citas

      [Earl is trying to reach for the keys in his car and Hank is walking up to him]

      Hank: Need some help?

      Earl: Are you asking me if I need some help or am I stealing this car?

      Hank: Are you stealing this car?

      Earl: Does it look like I'm stealing this damn car?

      Hank: A little bit.

      Earl: Why, 'cause I'm black? If you saw a white guy doing this you'd give him a reward.

      Hank: Let me see your license.

      Earl: I ain't showin' you a damn thing! This is my car and I didn't do anything wrong. You owe me an apology.

      Hank: You're in dangerous grounds here, bub, I'd be careful what comes out of your mouth next!

      Earl: Oh, you want to hear what comes out of my mouth next? You're... a... fucking... pig!

    • Versiones alternativas
      DVD has alternate ending.
    • Conexiones
      Referenced in Liquid Bridge: World Premiere (2003)
    • Bandas sonoras
      El Preso
      Written by Alvaro Velasquez

      Performed by Fruko y sus Tesos

      Courtesy of Discos Fuentes

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    Preguntas Frecuentes17

    • How long is National Security?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de abril de 2003 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • National Security
    • Locaciones de filmación
      • Public Storage - 3810 Eagle Rock Boulevard, Los Ángeles, California, Estados Unidos(Burglary scene near beginning of film.)
    • Productoras
      • Columbia Pictures
      • Outlaw Productions (I)
      • Intermedia Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 36,381,186
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 14,369,694
      • 19 ene 2003
    • Total a nivel mundial
      • USD 50,097,949
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 28min(88 min)
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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