Ercole l'invincibile

The soundtrack truly has beauty this movie almost doesn't deserve. This flick has Ercole fighting against a lion (to save the princess) and a bear, who follows the buffo for the honey the bad guys have smeared on his face before they tried to sacrifice him. There's also a scene where Vadis has to withstand 4 (!) elephants who try to tear him apart. The dragon-fight is taken as footage from the movie "Le fatiche d'Ercole", and the dancing scenes are also obviously "stolen" from another Italian masterpiece. You see Vadis running around in the caves of the cruel subterranean people (who love to sacrifice kids in order to gain their youth and women for their beauty) and beating up their soldiers, a cowardly comic relief character at his side who presents a contrast to Herc's unfailing braveness. The complete second half of the movie plays in the caves and becomes a little tiresome after a while. The opening sequence of the film is perfect though...in its own way.

Super-buffed bodybuilder, Dan Vadis, as Argolese, certainly made for a mighty impressive son of Hercules, even though, according to ancient legend, Hercules never had any sons.

As our story in this Italian import unfolds - Argolese falls head-over-heels in love with Telca, daughter of King Tedaeo, whose great kingdom is being held in thrall by the fierce army forces of the evil queen, Etel.

Somewhere along the way Argolese (accompanied by his chubby, comic sidekick, Barbar), manages to fight off attacks from lions, bears, and even a nasty-tempered dragon, too.

Following his brief stint as a son of Hercules, chiseled muscleman Dan Vadis (1938-1987) went on to appear in 3 Clint Eastwood films - "High Plains Drifter", "Bronco Billy" and "Any Which Way You Can".

I suppose we must allow a certain degree of cinematic licence here as the chunky Dan Vadis - our eponymous hero - has to combat a dragon (not one of his labours, methinks) after he has rescued a beautiful princess ("Teica" - Spela Rozin) from a couple of hungry lions. He had been promised the princess's hand in marriage after this but when he returns from his quest, he discovers that the kingdom is under new management - "the Demelus" - who live deep inside a mountain. It now falls to "Hercules" to rescue his girl, free their enslaved people and not to get torn limb from limb by some elephants. If you are expecting high cinema drama here, then you will certainly be disappointed. It's just your usual sword and sandals sort of effort with plenty of fights, sloppy editing and budget special effects - but it is still quite an entertaining piece of Peplum that doesn't ever hang about. There is plenty of adventure to occupy the wooden actors, the stolid script and - of course, there are plenty of glamorous ladies upon whom one might feast the eyes... It is by no means the worst of this genre, but no - it isn't very good.

Son of the great man - Argolese (Vadis) - saves heiress Telca (Rozin) from the clutches of a fearsome bear and is granted her hand in marriage by her father the king (Sasso). Before they can marry, Argolese must recover the tooth from a dragon - which he duly does, but discovers on his return that the kingdom has been overrun by bandits and his wife-to-be, kidnapped and enslaved by the evil Queen Ella (Brown). Argolese must overcome not only the Queen, but her trusted right hand man (Clark) and his scheming daughter (Fiore) who has designs on the throne.

Vadis is a behemoth (and looks like he's just performed a thousand hack squats before each take), although not as anatomically gifted as Steve Reeves or Reg Park, he still towers above the rest, dispatching men, horses, bears, boulders - he is apparently impervious to just about anything (except a pair of elephants trained to tear his limbs off). Rozin is innocent and sweet, whereas Fiore is the smouldering siren, but with a megalomaniacal streak that makes her both feisty and attractive. Me thinks Argolese, the great chastity-breaker, should re-consider his choice of damsel.

If you're accustomed to the peplum genre, then this "Son of Hercules" tale will be no more, no less what you'd expect with another amiable muscleman, scantily-clad babes and the ubiquitous comedian covering all the bases adequately.

Sword and Sandal films are perhaps the most nerve-wracking movies to try and track down. They usually have numerous different titles, versions and edits. This one is a prime example. Many of the reviews here trashing it for "stealing scenes" from other flicks (including the iconic 1958 Hercules starring Steve Reeves) are actually reviewing the more commonly available US TV Edit by Joseph E Levine which did in fact replace scenes from this flick with that previous one, which he also did US distribution for. In such a case when you are literally viewing half the movie, not just the edits but the chopping off of half of the screen to get a cinemascopic picture to fit to a 4x3 TV, one's assessment can be unfairly ravaged because you are only seeing fragments of what a movie is meant to be! I was fortunate enough to catch the original and superior Italian version which is likely to please anyone who finds a title like "Hercules The Invincible" tantalizing enough to merit a watch in the first place. Although the Italian version is missing the groovy narration added to the US Version - guaranteed to take you back to your childhood living room floor in front of the old TV set - it is an overall better viewing experience.