Soul Assassin

This was absolutely the WORST movie ever made in Holland and I've seen them all! Being Dutch myself, I am ashamed that this "videoclip-type" movie was made with a lot of Dutch effort (actors, production and ofcourse locations).

The story and the acting are so bad and corny that I first thought they made it as an experimental joke. But they MEANT it! Especially the way that this movie was advertised really annoyed me once I saw the finished product. This was supposed to be a movie that would blow us away and it was supposed to be a rollercoaster-ride of action... We were deceived: the plot is worse than a standard action-movie, the blue filter on the images and the weird experimental imaging gives you a headache, and the biggest stunt in Soul Assassin is when Skeet Ullrich rides his bicycle(!) into a canal...! Need I say more...? The director (Laurence Malkin) used to make MTV-videos for rapper Coolio and it SHOWS! My advice: DON'T bother renting this one, you'll kick yourself after if you DO!

"Soul Assassin" tries to cover up the absence of substance and bucks with hyperkinetics and effects; nice try but no cigar. Shallow, transparent, contrived, and just plain stupid. Let's hope Malkin gets a real job. Pass. (D-)

As my Summary said: one of the worst movies ever made in Holland. Before I rented the movie I´ve read some bad critics about this movie, but I have never thought that it was a so, almost disguisting, movie like this. I´m a 14 years old Dutch boy, and I was shamed by seeing this movie. The crew of this movie gives outsiders the thought that we are people who love sex, drugs and bicycles only. And that´s not true!! There´s a police chase in this movie with bicycles!! How horrible. Only Dick Maas can direct this kind of scenes, not a worse debutant like Laurence Malkin. The only things that I liked were some (guest-)performances from some Dutch celebrity´s, especially Georgina Verbaan as a newsreporter.

One of the worst filmed movies i've ever seen. The camerawork was lousy, the screen was tilted to the left _All_the_time_. the colours were awful, there are only one or two scenes that aren't filmed with a blue filter. Even if you can get used to the blue screens, the stroboscopic effects that turn up every action scene (my guess is; lack of budget) _will_ turn your stomach.

Obviously there was _no_ budget for any special effects other than the effects you get if you buy the $100 el-cheapo-fastforward/slomo-mixer.

The fight scenes lack any sense of choreography, i.e. you only see full-scene shots when the 2 "fighters" are walking around each other slowly, the only "contact" shots are extreme close-ups. The same applies for nearly all the stunts/shooting scenes.

At least the story made some sense, in the way that most b-rated action/thriller flics have a story-line. Too bad though that the actors didn't really get a chance to show what they can do (see above.)

In conclusion: If I were you i'd leave this "direct to video production" right down there on the videostore's shelves and rent Jackie Chan's "Who Am I" instead.

If there is a new type of film genre, maybe it should be film bleu, as is the case with this movie. First time director Laurence Malkin must be credited with the idea. He has given the film a blue tint in its entirety. The film tries to do too many things and the plot is a puzzle if one doesn't pay close attention. Also, at times, it feels like a rock video without music.

The film shot entirely in Holland moves at a fast pace. Like other thrillers, this one delivers for those people seeking instant gratification in watching it. Sometimes one wonders how can these people in the action scenes survive being shot at with high powered rifles. On the other hand, the scene at the hotel where Kevin's girlfriend dies, is very real: this is what happens to people when they are killed.

The hero, Skeet Ulrich, is put through a lot in the film. Of course, he survives with only a few scratches after what is done to him, otherwise there wouldn't be a film at all, would it? The bad guys are more interesting. The Dutch actors are very good and the backdrop is Rotterdam, with a few detours to Amsterdam and Uttrecht, posing as the first city.

Derek de Lint plays with gusto. Would have loved to have seen more of Rena Owens, the great New Zealand actress, but alas, it wasn't meant to be. And finally, Nicholas Irons, can't deny he is Jeremy's son. What an uncanny resemblance!