Aftermath

I just cannot believe that a mother would ever even consider letting the man who sexually abused her daughter back into the home to live with them again. I don't care if it's her husband. To think that THAT deserves a second chance is just so UNBELIEVEABLE. Everyone that had half an eye could see the daughter really did NOT want him to come back, that it really bothered her to have him around. But the mother, the therapist, everyone just turned a blind eye to that. And I don't even understand how someone who was required to be registered as a sex offender, against a minor, could even be legally ALLOWED to move into a house with children. Especially the child he molested. Do they even look up laws before making movies? I hate the mother of the teen girl for putting her daughter through that awkwardness of the father moving back in. I obviously hate the father for molesting the girl, and then trying to "make it work". I hate the little brother for being mad at his mother and sister for "making it hard for my daddy to live here". I hate the therapist for sucking at her job. I hate the courts for letting the father move back in. Just so much in this movie to tick you off.

It is tempting to try not to criticize a film such as this, dealing with the issue of a father molesting his daughter - one of the most horrible things a man could do to his child. To add to this, if it weren't enough, it turns out the guilty father (Robert Urich) and the suffering mother (Meredith Baxter) were both victims of molestation as youngsters themselves.

However -- despite the subject matter, this is a bad movie. Urich and Baxter are attractive people, and their work in active careers has been credible if not remarkable. I do not see how, based upon the way this story was presented, anyone could feel an iota of sympathy for either. Urich died not long after the film's release, from cancer which he had battled for some time - and the whimpering, lethargic performance can probably be in part blamed upon the physical and emotional real-life problems he was encountering. Birney has played many roles of women riddled with angst, some due to persons menacing or otherwise mistreating her characters - and some where her character has been a raging sociopath. Her scenes with the therapist were weak - on the part of both characters - and did little to enlighten or portray a realistic therapeutic benefit to her in any way. Although Urich's "Jack" was already aware of his childhood tribulations, Meredith's "Carol" became aware of hers late in the presentation, as a result of the inevitable "dream," and then dialog with her widowed mother (Diane Ladd). Incidentally, the latter was a thoroughly selfish, unfeeling individual, and while apparently not physically abusive, would otherwise rate behind Joan Crawford in a Mother-of-the Year contest. And even the "revalations" gained from the therapist and mother were presented in a thoroughly unengaging manner.

The daughter, Tess, played by the attractive young Shawna Waldron, gave a decent performance, but one imagines it was less than it could have been, based upon the other characters/performances/story presentation. The scene towards the end where Ulrich is alone in the house with her (before Birney arrives, incensed about this), where he delivers a monologue with an attempt to gain some father/daughter rapprochement, is perhaps even weaker than the 1-3/4 hours which preceded it.

All-in-all, while the producers obviously felt they were providing a credible presentation of an important subject - they missed their mark by the proverbial "mile."

This movie examines the fact that people who were abused by their parents are much more likely to abuse their own children. It takes a look at a family (mom, dad, teenage daughter and younger son) going through a crisis as the daughter accuses her father of sexually abusing her. The story follows the mother's therapy sessions and through this we find out that dad was an abused child and later on in the film that this was also the case with the mother. It's a daring movie especially because the abuser is not hidden away as he is in so many other movies we've seen about the subject. Robert Urich plays him as a wounded man who knows he did a terrible thing, but doesn't know what he can do to make it right again. Every gesture he makes towards his daughter is misinterpreted. Yet he has to learn to live with himself, as he fights his own demons. Meridith Baxter Birney plays the mother who can't believe she didn't know the man she loved dearly was abusing their daughter. She comes to understand her circumstances as she cries out to her own mother when she realizes she has "forgotten" her own abuse. The movie on a whole is slow and shallow and the 'technique' of filming the mother's therapy sessions as interviews makes it look fake. The daughter's feeling are not looked at in depth, but the focus on the parents makes the message come across.

"A Long Way Home" is an unusually intelligent depiction of the familial and personal destruction caused by molestation. It is rare that this subject is treated with such understanding and compassion for each family member affected. We see a family struggling to regain its footing after an incident, and doing all the right things for healing. Most of all, we see their love for one another unwavering and strong. Will it be enough to restore their former happiness? The acting in this movie is flawless. This is a worthwhile, amazing production!