Juana la Loca

This is the historic tale with a politic fight behind , concerning a deep love story who transformed Juana, Queen of Spain, into Juana "The mad" in which Pilar Lopez De Ayala did a powerful interpretation of the nutty queen . Juana is married off by her pious parents , the two famous Catholic kings : intelligent Fernando of Aragon (Héctor Colome) and sensible Isabella of Castille (Susi Sanchez) , to ally Spain , united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian and Maria's son Philip (Daniel Liotti) . As in 1496, Juana De Castilla, daughter of the Catholic Kings, travels to Flandes to marry the Archduke Felipe De Austria, known as 'El Hermoso' or The Handsome . When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later figures out . Deaths in her family soon make Juana Isabella's heir , but Ferdinand suggests she inherited her grandmother's craziness and supports Philip's ambition to govern instead , which becomes the stakes of political maneuvering in the Cortes and then multiple drama is inevitable . Combined with Philip's relentless infidelity , which includes a Moorish whore-princess (Manuela Arcuri) , and other lovers as the things go awry when Juana uncovers his treason . As mental health Juana starts getting worse and Felipe makes the Burgos Court , nobility-dominated parliament , declare the incurable insanity of Juana and confines her in the monastery of Las Huelgas, proclaiming himself as the king . Finally , Juana is locked at a convent in the city of Tordesillas , Valladolid .

Juana "The mad"concerns a peculiar story of love , lies and jealousy with a political confrontation behind . This interesting as well as intimate story is a passionate retelling and a touching drama , including strong sex scenes . Vicente Aranda also writes the script along with Antonio Larreta based on a story by Manuel Tamayo and being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . Extraordinary acting by main star , Pilar Lopez De Ayala , she steals the show at a portentous acting who won several awards . The secondary actors were very intelligent chosen and they all did a marvelous performance . As support cast is frankly magnificent such as Rosana Pastor , Giuliano Gemma , Roberto Álvarez , Eloy Azorín , Guillermo Toledo , Susi Sánchez , Héctor Colome and many others . Original and evocative Music by José Nieto , Vicente Aranda's ordinary . The settings are awesome and the palaces and castles are a right manner to show the life style of those days along with the gowns , royal activities , aristocracy , the Middle Age way of life and mentality of those days . Perfect clothing and costumes by Javier Artiñano . Spotless pictorial cinematography by Paco Femenia , he carries out a photography with juicy atmosphere , being filmed on location in Burgos , Castelo de Guimarães, Portugal El Paular, Madrid, Guimarães, Portugal , Huelva, Andalucía, León, Castilla y León , Sigüenza, Guadalajara,Talamanca del Jarama, Madrid . Cameraman Paco Femenia is deemed to be one of the best Spanish cameraman with a long and prestigious artistic career .

The motion picture was lavishly produced by two great producers , Pedro Costa and Enrique Cerezo ; being professionally directed in his particular style by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . His usual film editor is own wife , Teresa Font . Vicente is an expert on literary adaptations , he has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ , ¨Novia Ensangrentada¨ , ¨Clara es el Precio¨ , among others . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen Que Cai¨ , ¨Intruso¨ , ¨Tiempo De Silencio¨ , ¨Carmen¨ , along with a delinquency tale : ¨El Lute¨I and II starred by Imanol Arias , his fetish actor and specially this historical story titled ¨Juana La Loca¨.

Other retelling about this known story based on the play by Manuel Tamayo Y Baus are the followings : A silent version (1909) by Ricardo Baños ; the Spanish classic ¨Locura De Amor¨(1948) by Juan De Orduña with Aurora Bautista as Doña Juana , Fernando Rey as Felipe El Hermoso , Sara Montiel as Aldara , Jorge Mistral as Capitán Don Alvar ; a comical rendition titled ¨Juana La Loca De Vez En Cuando¨ by Jose Ramon Larraz with Lola Flores as Reina Isabel I 'La Católica' , Beatriz Elorrieta as Infanta Doña Juana De Castilla , Jaime Morey as Felipe 'El Hermoso' , Manolo Gómez Bur as Cardenal Cisneros and Quique Camoiras as Fray Tomás de Torquemada .

What starts out as a sumptuous setting, with intricate period pieces and soft light cinematography, is quickly tainted by a very poor script. True, Pilar López de Ayala does give an envigorating rendering of this misfortunate queen, but after the first scene, it's all the same shrillness, over and over again. Even though the movie takes place over 10 years, the roles don't mature, either outwardly or inwardly, and the result are wooden characterizations that don't give any depth (or generate interest, for that matter) to the roles. The result is an inane, one-dimensional film that could have easily resembled similar period pieces such as La reine Margot or Elizabeth. Instead, it wallows in its own misery.

The movie should be seen chiefly for its main actress, the beautiful and talented Pilar López de Ayala. She does the absolute best with what the script gives her.

This should be an entertaining and engrossing film, especially for those interested in Renaissance Europe, but it may be taking just too many liberties with the historical facts. It is highly doubtful that the real Juana became "mad" chiefly out of love for an unfaithful husband, who in this movie is not shown to be particularly interesting anyway. And if the real Juana was anywhere near as beautiful as the actress who plays her, I suppose the real Philip would not have been such a mean husband to her.

Aside from her husband, her father King Fernando of Aragón and most of the Castilian nobles are not depicted too favorably either.

Still, this movie is a good movie if you like costume drama, especially one with a southern European more than an English background.

There is no question that director Vicente Aranda has taken considerable liberty with generally accepted history, but despite this and a few flaws within the context of certain scenes, what we have is an excellent story, and one very well recounted and acted.

It will come as absolutely no surprise for those who have seen this film to know that Pilar Lopez de Ayala (as Juana I) and Rosana Pastor (Elvira, Head of Queen´s Household) are nominated in the lead and supporting categories of the Spanish Goya Film Awards, and, despite having been ignored by the Golden Globes, this film should be in contention for Oscar Consideration as Spain´s representation for the "Best Foreign Film" of 2001. Frankly, the performances just mentioned were so stunning, especially Pilar Lopez de Ayala, that I would consider her among nominees for Best Actress at the Oscars, not only given the absolutely pathetic list the Golden Globes presented in the Drama category, but simply because Pilar Lopez de Ayala DESERVES IT, much as did Fernanda Montenegro in the Brazilian masterpiece "Central Do Brazil" just a few years back.

For the historians among the viewing public, my recommendation is to simply look the other way on the bit of revisionism on display, given that far greater crimes have been committed by Hollywood as regards same. The story is excellent, the costumes & design, art direction, cinematography, and above all film editing are simply tops -- and film editing has been a GREAT problem in US films in recent times. Go and see it and I DO MEAN the original version! Rating = 4 stars (of five).

I can't believe this film has such a low rating. Every time I see it in the video store, I think, "I wish I could erase my memory of it so I could see it again for the first time."

The viewer gets an intimate look at life as a female member of a royal family during the 16th century. Unable to control with whom she spends her life or make basic choices, Juana is confined in a woman's role, yet has sexual passion fit only for men in her time. And possibly still in ours. It is up to the viewer to decide is she is "mad" or simply craves intimacy.

An unpredicable, controversial, and beautifully filmed period film, don't pass this one up.