Charlie Rose
- Serie de TV
- 1991–2017
- 1h
CALIFICACIÓN DE IMDb
7.5/10
1.2 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaCharlie Rose interviews noteworthy people in fields including politics and government, business and economics, science and technology, media, sports and the arts.Charlie Rose interviews noteworthy people in fields including politics and government, business and economics, science and technology, media, sports and the arts.Charlie Rose interviews noteworthy people in fields including politics and government, business and economics, science and technology, media, sports and the arts.
- Premios
- 3 premios ganados y 4 nominaciones en total
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Opiniones destacadas
give me a break. Charlie Rose is a legend. The black background shows his professionalism and dedication to his job. The kind of person who'd find this show boring is a person who is not interested in current events and needs to be "entertained" while they are being informed. Charlie Rose is so elegant, eloquent and humble. The conversations he has with his guests are so personal and amicable, that it's easy to think you're in the same room with them. I always watch his show and it's nice to be able to discern his character from it. I've never seen a guest be nothing but comfortable around him too. So what if he doesn't limit himself to political guests. You'll learn more about any guest in an Charlie Rose hour than on any other show. He interviews intelligent, influential people - and that's all that matters. Watch this show.
I enjoy Charlie's interviews greatly--they represent a rare oasis on television, a quiet half-hour or hour devoted to intelligent, thoughtful conversation. How rare is that?! But it kind of breaks down when Charlie is interviewing celebrities, particularly famous actors. Charlie kind of loses it with those people, becoming a bit fawning and, it would seem, a bit envious. I don't know what accounts for this--perhaps Mr Rose always wanted to be an actor, I don't know.
But this perception usually leads me to skip his interviews with actors, unless it's someone who I haven't heard from before. But there were even a couple of such programs where I couldn't get through the whole show because of Charlie's going ga-ga within minutes of the start. In those times I think of Charlie as a red carpet interviewer before the Academy Awards, except the people who do THOSE interviews usually maintain a better emotional balance.
But this perception usually leads me to skip his interviews with actors, unless it's someone who I haven't heard from before. But there were even a couple of such programs where I couldn't get through the whole show because of Charlie's going ga-ga within minutes of the start. In those times I think of Charlie as a red carpet interviewer before the Academy Awards, except the people who do THOSE interviews usually maintain a better emotional balance.
I've been fortunate to have spent some time living in the South and getting to know southerners, including many in Charlie Rose' home state of North Carolina. The South is a singular region and contributes significantly to the American mosaic. I'm not talking about the `Big South'; Atlanta, Charlotte, etc. but the South of small to mid-sized towns where traces of authentic regionality still remain. Once you get past the almost inescapable, low-grade xenophobia that southerners often exhibit, they can be amazingly good-natured and generous. People everywhere have this capacity, of course, but southerners have a certain, unique way of doing it, a certain style. They also can, if one steps over lines that are often invisible to all except the natives, be quite judgmental and unforgiving. But again, it's all done with that certain style. Because I appreciate southerners, I appreciate Charlie Rose who is nothing if not southern. A product of the granitic Americana that still lives below the Mason-Dixon, and further polished by matriculation at Duke, the Stanford of the East, or Yale of the South, whichever works for you, Charlie Rose has enough suave for an entire ballroom of people and is slicker than snot on a glass doorknob.
This is one reason why his show works so well. Another is that Mr. Rose is a lawyer by training (Duke Law, of course), and he does not interview guests as much as cross-examines them. But he does it with such riveting savoir faire that his guests seldom know what has hit them; no need for anyone to be under oath. We are reminded that it's not what one does so much as how one does it; an understanding that must absolutely be grasped for successful navigation of the bayous of southern society. Rose's interviews of relevant figures in diplomatic and political circles, as well as his timely foci on other critical current affairs are often real public services, more than worthy of our time and attention. In the days following 9/11, there was seldom a better place to be on the tube than the Charlie Show. Mr. Rose has certainly paid his dues and established his well-deserved niche. But why is he such an unabashed Celebrity Hag?
Watching Charlie Rose fawn over someone like, for example, Tom Cruise, actually seeming to care what he thinks, is highly embarrassing. Sure Mr. Cruise is a competent actor. I admire his integrity and lack of obvious vanity in such films as Born On The Fourth Of July. Hell, I didn't even mind him in Legend. But let's keep it real. There's something about getting paid cyclopean amounts of money that tends to bring out the best in many of us. I certainly appreciate film, but if I find myself even slightly concerned about the details of Tom Cruise's thought process, or that of almost any actor, so many of whom are remarkably uninteresting `in person', I'll know that I no longer have a life. I mean, do Julianne Moore or Nicole Kidman, both undeniably luminous, really have anything to tell us, especially now? Tom Hanks? For the entire hour? (If only Charlie and I were both black so I could say, `N****r, please.' ) Sure, Tom's a nice guy, but so am I, despite my lack of millions, and I have had more than a few reasons not to keep the nice going.
We, and Charlie, genuflect to such people because we are becoming a society of actors; unauthentic, psychologically-truncated role players and poseurs. We just don't get paid big bucks for it; the dubious index by which we almost all measure our worth. We want to be someone else but without ever having discovered our true selves. Charlie Rose may not quite understand this, but he definitely knows how to use it. Sorry, Charlie, but when I see a Hollywood mug at the oak table, I'm gone, especially when said mug belongs to the astonishingly successful Michael Crichton, the person whom, I suspect, Charlie himself really wants to be. Crichton, ever gracious, as someone with his cash reserves can be, seems almost embarrassed at times by Charlie's slightly goggled-eyed supplication. You're cool too, C.R. Trust me. We all are, if you know how to see it. But, when the dust settles, I'll keep my Confederate money on you, Charlie, even if Benjamin Netanyahu rather snoidily rejected your offer to bear diplomatic communications to Hosni Mubarak. (Hey, Bibi's on the bench. You're still out there, plus you had to leave something for him to do, right?) You're still ok, even when your impatience at not being allowed to define international policy on the air nearly gets the better of you. Thanks for the many good moments. Keep up the good work.
This is one reason why his show works so well. Another is that Mr. Rose is a lawyer by training (Duke Law, of course), and he does not interview guests as much as cross-examines them. But he does it with such riveting savoir faire that his guests seldom know what has hit them; no need for anyone to be under oath. We are reminded that it's not what one does so much as how one does it; an understanding that must absolutely be grasped for successful navigation of the bayous of southern society. Rose's interviews of relevant figures in diplomatic and political circles, as well as his timely foci on other critical current affairs are often real public services, more than worthy of our time and attention. In the days following 9/11, there was seldom a better place to be on the tube than the Charlie Show. Mr. Rose has certainly paid his dues and established his well-deserved niche. But why is he such an unabashed Celebrity Hag?
Watching Charlie Rose fawn over someone like, for example, Tom Cruise, actually seeming to care what he thinks, is highly embarrassing. Sure Mr. Cruise is a competent actor. I admire his integrity and lack of obvious vanity in such films as Born On The Fourth Of July. Hell, I didn't even mind him in Legend. But let's keep it real. There's something about getting paid cyclopean amounts of money that tends to bring out the best in many of us. I certainly appreciate film, but if I find myself even slightly concerned about the details of Tom Cruise's thought process, or that of almost any actor, so many of whom are remarkably uninteresting `in person', I'll know that I no longer have a life. I mean, do Julianne Moore or Nicole Kidman, both undeniably luminous, really have anything to tell us, especially now? Tom Hanks? For the entire hour? (If only Charlie and I were both black so I could say, `N****r, please.' ) Sure, Tom's a nice guy, but so am I, despite my lack of millions, and I have had more than a few reasons not to keep the nice going.
We, and Charlie, genuflect to such people because we are becoming a society of actors; unauthentic, psychologically-truncated role players and poseurs. We just don't get paid big bucks for it; the dubious index by which we almost all measure our worth. We want to be someone else but without ever having discovered our true selves. Charlie Rose may not quite understand this, but he definitely knows how to use it. Sorry, Charlie, but when I see a Hollywood mug at the oak table, I'm gone, especially when said mug belongs to the astonishingly successful Michael Crichton, the person whom, I suspect, Charlie himself really wants to be. Crichton, ever gracious, as someone with his cash reserves can be, seems almost embarrassed at times by Charlie's slightly goggled-eyed supplication. You're cool too, C.R. Trust me. We all are, if you know how to see it. But, when the dust settles, I'll keep my Confederate money on you, Charlie, even if Benjamin Netanyahu rather snoidily rejected your offer to bear diplomatic communications to Hosni Mubarak. (Hey, Bibi's on the bench. You're still out there, plus you had to leave something for him to do, right?) You're still ok, even when your impatience at not being allowed to define international policy on the air nearly gets the better of you. Thanks for the many good moments. Keep up the good work.
Charlie Rose, an award-winning journalist and former host of CBS' "Nightwatch" hosts this one-on-one talk program on PBS weeknights. This is the best talk television has to offer, with a range of guests from actors and writers to politicans and musicians. Check your local listing-(New York-WNET 11:00 pm)
Watched him for years with such dedication and admiration. He was my greatest mentor who opened doors enlightening my world. Has he been spread too thin or perhaps it is a problem with the producers not lining up better interviews? But, more times than naught, I have to change the channel. I think, at times, even he is bored with the hyperbole expressed by his artist or fictional writer guests. If anyone is amused by this rhetoric, it would amaze me. There is nothing they contribute to my intellect or interest. Or, perhaps he has at last, let his simple minded morning co-host Gail, a bleak match up, wear off on him. Charlie, please get back on tract, I miss you.
¿Sabías que…?
- TriviaCharlie Rose and his guest are the only two people in the room during an interview. This includes no cameramen, sound men, or anything of the kind. This is accomplished through robotic cameras.
- ConexionesFeatured in Spin (1995)
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Relación de aspecto
- 1.33 : 1
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