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Agrega una trama en tu idiomaMusical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyd... Leer todoMusical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".Musical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".
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Opiniones destacadas
I was lucky enough to catch it on pay-per-view in February a few years ago. I saw the actual show only once (the actor who played the title role was a understudy, good but made some visible mistakes) I was rather surprised at Hasselhoff's performance, but i would rather have seen someone who is better in this role and a better actor in general. His costars are some of the best performers i have seen and heard (seen them in the show as well) Sexton i just found out is very young, she was 20 when I saw her in the show! She has some of the most powerful pipes I have ever heard. I would reccomend the video and DVD to anyone who really loves the show (makes and excellent gift for the hollidays)! So see the show and love it!
Since I was christened into the beauty of Jekyll and Hyde the Musical by Anthony Warlow's sterling performance, I sat down to watch this version with exactly the right attitude. I was drawn to watch it by the pure horror that the thought of David Hasselhoff butchering my favourite musical instilled. I had to see it, because potentially I would laugh harder than I ever had in my life. So suitably, I was there with a friend, some cheap chocolate liqueur, and a projection monitor turning the lounge room wall into the stage.
Some of the casting annoyed me. I guess I'm something of a purist when it comes to period theater, but John being black seems culturally improbable, and the inevitable deepness and timbre to George Merritt's voice made him dominate over Hassellhoff, which turns the character into more of a mentor figure than a friend and equal.
Andrea Rivette's singing in what looked like the world's second tightest corset was amazing to behold, but the depth in her acting was lacking.
Small lyrical changes to a lot of the songs seemed made in an effort to dumb the plot and themes down to make it nice and sachharin, and that reeks of censorship, which I abhor in any form.
What made it for me is exactly what drew me, like a train wreck, to watch.
David Hasselhoff is not a born singer, nor is he likely to become a seasoned veteran of Broadway musical, but I was shocked silent by the intensity of his rendition of the confrontation. It wasn't mind-blowing, but it was a guy who used to drive a talking car doing it, which made it all the more impressive. The makeup and lighting effect used for the sequence was also nicely effective.
Ultimately, I feel I got a solid (if B grade) performance all round. Hasselhoff, I imagine, has fulfilled a lifelong dream, and I raise my glass to him for doing it.
Some of the casting annoyed me. I guess I'm something of a purist when it comes to period theater, but John being black seems culturally improbable, and the inevitable deepness and timbre to George Merritt's voice made him dominate over Hassellhoff, which turns the character into more of a mentor figure than a friend and equal.
Andrea Rivette's singing in what looked like the world's second tightest corset was amazing to behold, but the depth in her acting was lacking.
Small lyrical changes to a lot of the songs seemed made in an effort to dumb the plot and themes down to make it nice and sachharin, and that reeks of censorship, which I abhor in any form.
What made it for me is exactly what drew me, like a train wreck, to watch.
David Hasselhoff is not a born singer, nor is he likely to become a seasoned veteran of Broadway musical, but I was shocked silent by the intensity of his rendition of the confrontation. It wasn't mind-blowing, but it was a guy who used to drive a talking car doing it, which made it all the more impressive. The makeup and lighting effect used for the sequence was also nicely effective.
Ultimately, I feel I got a solid (if B grade) performance all round. Hasselhoff, I imagine, has fulfilled a lifelong dream, and I raise my glass to him for doing it.
When I first found this movie in the 2/$5 bin at my local Wal-Mart I thought it looked cheesy enough to pay 2.50 for... then I saw David Hasslehoff and had to buy it. I fully expected a terrible film that I would struggle through the first 30 minutes of and then shut it off, but at least I could say I tried. In truth I did find the first of it kind of hokey, but that's because the acting is performed in the style of the theatre. Everything is meant to be projected to the back rows. Even with this in mind Hasslehoff's facial expressions as Hyde were a bit cheese at some point, but his overall performance was good. Coleen Sexton's performance was amazing all around as she is not only stunning, but has an amazing voice. In general I found some of the song lyrics in the play came across as rather forced (on account of the writers, not the singers) but the entire experience remains quite enjoyable. I highly recommend the 2.50. :D (or maybe even a bit more)
When I saw this on the schedule I howled with laughter and my wife prepared to barf on the floor -- Hasselhoff has always been a joke as far as we were concerned. We were absolutely floored to find that he can actually act if given a chance, and has a great voice with tremendous range and power. Who could have guessed?
I read the other comments, often negative, and noticed that most of the slams were from stage & musical afficionados, most of whom had first seen other Broadway leads in the title role. I have no doubt there are some spectacular male leads who have sung this role earlier, and perhaps one day I'll see them also; however, Hasselhoff's performance is excellent, period, and I have gone from thinking of him as a boring, no-talent dork to having a great respect for his acting and his heretofore unsuspected singing ability. His "Hyde" is very reminiscent of Jack Palance's portrayal, and on occasion the facial resemblance is rather eery. One wonders whether it was a deliberate affectation or mere chance..
His Baywatch and Knight Rider shows were pure, gag-me-with-a-spoon drivel, completely unwatchable by normal human earthlings. But this .... the man was hiding some serious talent -- probably there was little one could do with those awful TV roles.
This experience reminds me very much of the first time I saw Andy Griffith in A FACE IN THE CROWD -- and realized that behind those stupid "Andy of Mayberry" grins lay one of the finest dramatic actors in the business. Frankly, I felt cheated. I'm glad Griffith enjoyed the success and money, but I feel genuine sorrow for all the other dramatic roles he COULD have given us. Now, ditto for Hasselhoff.
I read the other comments, often negative, and noticed that most of the slams were from stage & musical afficionados, most of whom had first seen other Broadway leads in the title role. I have no doubt there are some spectacular male leads who have sung this role earlier, and perhaps one day I'll see them also; however, Hasselhoff's performance is excellent, period, and I have gone from thinking of him as a boring, no-talent dork to having a great respect for his acting and his heretofore unsuspected singing ability. His "Hyde" is very reminiscent of Jack Palance's portrayal, and on occasion the facial resemblance is rather eery. One wonders whether it was a deliberate affectation or mere chance..
His Baywatch and Knight Rider shows were pure, gag-me-with-a-spoon drivel, completely unwatchable by normal human earthlings. But this .... the man was hiding some serious talent -- probably there was little one could do with those awful TV roles.
This experience reminds me very much of the first time I saw Andy Griffith in A FACE IN THE CROWD -- and realized that behind those stupid "Andy of Mayberry" grins lay one of the finest dramatic actors in the business. Frankly, I felt cheated. I'm glad Griffith enjoyed the success and money, but I feel genuine sorrow for all the other dramatic roles he COULD have given us. Now, ditto for Hasselhoff.
Jekyll and Hyde is one of my all-time favorite musicals. I've seen it on stage many times and have every recording made (even the old Colm Wilkinson-Linda Eder concept album!). I was given this video as a gift and when I read that David Hasselhoff was starring, I had the same reaction that I'm sure many of you did: "The Baywatch guy? You've got to be kidding me."
...but I have to admit, I was pleasantly surprised. I think many people wanted so badly to hate David Hasselhoff in this that they automatically wrote him off and didn't give him a chance. Was he the best Jekyll/Hyde I've seen? Well, no. His singing voice was sort of inconsistent. There were times when it really reached out with dramatic power, and other times when it suffered from a little too much vibrato for my taste. Believe it or not, it was his *acting* (surprise, surprise!) that impressed me the most. I think that Mr. Hasselhoff's talent was perhaps wasted on screen. He does a fine job as a stage actor, and has obviously come a long way from his Baywatch days. He seems to be more at home in front of a live audience. His Hyde impressed me the most. He shows a skillful use of the eyes and body language.
Hasselhoff is surrounded by a talented supporting cast. I like Coleen Sexton's rather cute, sweet portrayal of Lucy. It offers a unique contrast to Linda Eder's sultry rendition. My only criticism of Sexton's performance is a personal preference issue: she belts too much when she sings, and extends her belting range too high. It sounds painful to me.
Andrea Rivette is a class act as Emma Carew, Jekyll's fiancee. Her voice is beautiful, and her poise perfect for the role. George Merritt and Barrie Ingham were outstanding as John Utterson and Sir Danvers Carew, respectively. I absolutely loved Merritt's voice. The rich, deep quality of it carried over to his speaking lines as well.
Overall, a good effort by all.
...but I have to admit, I was pleasantly surprised. I think many people wanted so badly to hate David Hasselhoff in this that they automatically wrote him off and didn't give him a chance. Was he the best Jekyll/Hyde I've seen? Well, no. His singing voice was sort of inconsistent. There were times when it really reached out with dramatic power, and other times when it suffered from a little too much vibrato for my taste. Believe it or not, it was his *acting* (surprise, surprise!) that impressed me the most. I think that Mr. Hasselhoff's talent was perhaps wasted on screen. He does a fine job as a stage actor, and has obviously come a long way from his Baywatch days. He seems to be more at home in front of a live audience. His Hyde impressed me the most. He shows a skillful use of the eyes and body language.
Hasselhoff is surrounded by a talented supporting cast. I like Coleen Sexton's rather cute, sweet portrayal of Lucy. It offers a unique contrast to Linda Eder's sultry rendition. My only criticism of Sexton's performance is a personal preference issue: she belts too much when she sings, and extends her belting range too high. It sounds painful to me.
Andrea Rivette is a class act as Emma Carew, Jekyll's fiancee. Her voice is beautiful, and her poise perfect for the role. George Merritt and Barrie Ingham were outstanding as John Utterson and Sir Danvers Carew, respectively. I absolutely loved Merritt's voice. The rich, deep quality of it carried over to his speaking lines as well.
Overall, a good effort by all.
¿Sabías que…?
- TriviaJekyll is right handed; Hyde is left handed
- ErroresIn the scene where Jekyll is suppose to be dead, he is clearly seen breathing.
- ConexionesFeatured in Musical Hell: Jekyll and Hyde (2012)
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Detalles
- Fecha de lanzamiento
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- Jekyll and Hyde
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- Tiempo de ejecución
- 2h 15min(135 min)
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- Relación de aspecto
- 1.78 : 1
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