Undercover Brother

There's seems to be a lot of misplaced animosity among, what I presume, are "white" commentators, regarding this film's racial thrust.

The film isn't about belittling or ridiculing "white people."

The film is about tackling prejudices: And specifically those among the U.S.'s so-called "white" and "black" populations, but told from, ostensibly, a "black" perspective, and told with humor.

Reading the negative comments on this film I wonder what movie some of the angry folks were watching. Racism is using one's own physical traits to establish social superiority over another person, or group of people, who don't look like themselves. I saw nothing of any of the African/Black/persons-of-color trying to "reverse role play" by holding themselves in a superior light over so-called "white people."

It simply wasn't there.

Myself, I hate "white guilt" messages in media of all forms. I've had enough social agenda thrust in my face. But that's NOT THE MESSAGE of "Undercover Brother."

What a lot of the "angry-white-commentators" are bothered by is the fact that they believe this film makes ALL so-called "white persons" look like evil-clowns, or condescending jerks. IT DOESN'T. If that's what you see in this film, then maybe you shouldn't be watching movies in the first place.

This film, as stated clear as day by both cast and crew, is an attempt to tackle a social problem with good humor. If you're offended by the jokes in this film, then you've completely missed the point, and are, in fact, the racist idiot that you claim this film to be (I believe psychologist call this phenomenon "projection," where someone refuses to acknowledge their own faults, and casts their own negative qualities on people they dislike).

But to the movie; it was hilarious. Myself, not being black, I couldn't help but laugh of the number of stereotypes this film poked fun at; especially "Conspiracy Brother" (played by Dave Chappell), whose loose form of illogic-thinking and one-liners had me, quite literally, falling out of my chair with laughter. And Neil Patrick Harris (Doogie Howser M.D. fame) playing the "affirmative action" intern nearly bust my gut, particularly near the end of the film. And Chris Kattan as the evil high energy second in command was just brilliant. The entire cast and film was superb. Think "Shaft" meets "Get Smart" here. :-)

What this film needed was to poke more fun at itself in a more direct manner. In a large sense this film pokes fun at itself in terms of its genre, but I think it also needed to show a couple more stereotypes. One of the great "high-profile" stereotypes in white America are black people talking in theaters, or otherwise being loud and obnoxious in places and circumstances "white" Americans thinks inappropriate. It would've been nice to see Undercover Brother cleaning up "his peoples" stereotypes, but doing so with humor before going after "the man."

I think that's a thing the film makers missed, because the other thing I believe "angry white commentators" are bothered by is the fact that there are "black" folks who have their own prejudices, and that this film might seen by that segment of black-America as a green light for ridiculing "whites." IT ISN'T.

One of the other themes the film makers missed is the coupling that that occurs between Denise Richard's character and Eddie Griffin's character. One of the primary drives of racism is the abhorrence of interracial couples. This plot point, even though it's high comedy, seemed implausible for a racially motivated antagonist. Then again, that may've been part of the film makers' strategy to show how ludicrous racial prejudice is, and can be.

The final mistake, and this is more of a minor quibble, but a profound one from a fan of this film, was the downplay of Jim Kelley's role in this film.

Where I grew up Jim Kelley was a hero, and this was amongst a circle of friends who were all white. I think the marketing decision to ace Jim Kelley's role in this film was a mistake. Not a huge one, but a mistake nonetheless.

If you're still of the opinion that this film is racist (assuming you've read this far and haven't burst a blood vessel), then I would suggest you're taking the film too personally, because the film isn't ridiculing so-called "white-people," but prejudice that, in this case, is assumed by a large chunk of white America. If you think otherwise, then you're not viewing this film with a clear mind.

Beyond that, it's one of the funniest films I've ever seen. View it with a relaxed and open mind, and enjoy some of the biggest laughs to ever hit the big screen.

Undercover Brother is a smart and sassy comedy similar to Austin Powers. Eddie Griffin stars as Undercover Brother a smooth seceret agent type cat who is out to save the world from the Man. He gets help from the brother hood who have employess with names like Conspiracy Brother & Smart Brother and Sistah Girl. The supporting cast of Chi McBride, Chris Kattan and Denise Richards are all very good but Dave Chapple steals every scene he's in. Malcom D.Lee has made a worthy follow up to The Best Man and Unisversal may have a new franchise on their hands.

OK, OK, it's basically a black "Austin Powers," but it's not claiming to be more than that, it's reasonably well made, and a good 65% is downright hilarious. But I agree completely with the member who said this is a movie you have to "get." Meaning that, as a 40-year-old A.A. male seeing this in a downtown Washington theatre with a strong presence of folks my age and slightly above (i.e., old enough to remember when all of the black references were taken seriously), then not only did I get it but so did the rest of the audience -- the perfect conditions in which to see this movie. Chances are most (under 25, non-black) folks who don't fall into at least one of these catagories better stick with "Episode II," even on the 3rd go-around. The member who tried to compare the two films is precisely what I mean by not getting it.

I realize it's an odd concept -- a summer movie that ISN'T made to appeal to absolutely everyone -- but, hey. See for yourself. What it is!

An Afro-American organization, the B.R.O.T.H.E.R.H.O.O.D., is in permanent fight against a white organization, The Man, defending the values of the black people in North America. When the Afro-American candidate Gen. Warren Boutwell (Billy Dee Williams) has a weird behavior in his presidential campaign, the Undercover Brother (Eddie Griffin) is hired to work undercover in the white organization and find what happened with the potential candidate.

I do not recall the last time I laughed so much with a comedy. "Undercover Brother" is one of the most hilarious and silly comedies I have ever seen, and very underrated in IMDb. The story is a big joke with the North American racism, both white and black, with very funny situations "à la Austin Powers". I believe this is the major point of the plot, keeping a neutral position and ridiculing and satirizing racism of Caucasians and Blacks. Dave Chappelle is the funniest, but Chris Kattan, Eddie Griffin, Aunjanue Ellis, Denise Richards and the rest of the cast are also amazingly funny. I did not understand the joke with mayonnaise, but I believe that usually Afro-American people do not like this dressing, or at least there is a clichés about in USA. There are many other jokes related to the North American culture that are impossible to be understood by an overseas viewer, but anyway I loved this movie. My vote is eight.

Title (Brazil): "Undercover Brother – Com a Cor e a Coragem" ("Undercover Brother – With the Color and Courage")

I loved "Undercover Brother!" It's the movie "Pootie Tang" should have been! I found it over-the-top, laugh-out-loud funny! Eddie Griffin scores as Undercover Brother, an afrolicious version of Austin Powers. And Chris Kattan is hilarious as Mr. Feather, an evil underling of The Man, devoted to the white man's dominance, but succumbing to hip-hop influence. Other funny performances came from Dave Chappelle as the paranoid Conspiracy Brother, and Neil Patrick Harris as the clueless caucasian intern Lance. Some viewers may complain about the black stereotypes, but you must look at it as black actors and filmmakers laughing at themselves. It's all a "solid" laugh!