Munje!

Serbian cinematography in the last decade dealt mainly with post war traumas and political issues, which means it didn't attract much attention from viewers who don't sympathize with "nation attacked by the whole world". However, Munje! is totally unpolitical and unburdened with sending any messages to the world. It is just very, very, very funny movie! It deserves all the awards and praises by critics as well as the audience who stormed cinemas in Serbia when it was released (more than 600.000 viewers). It happens rarely that good movie is recognized by majority of the audience but Munje! is exception. I try to avoid modern movies from former Yugoslavia areas, because they are usually overvalued. But Munje! is made on another level, I dare to say Andric is metropolitan Kusturica. P.S. Watching Slovenian copy Tu pa tam leaves really bad taste...

There is a reason why so many people in Serbia and the other countries of ex-Yugoslavia watched this film. There is also a reason why i doubt that many people who are not from that region will understand it.

This movie is authentic to the extreme in showing the world it is set in. The language, the situations, character backgrounds make the characters seem like people you could easily meet on the street; if you live in Belgrade that is. If you live somewhere halfway across the world they will probably seem like unrealistic badly-portrait freaks.

The cast is a combination of old and proven actors, young inexperienced ones, and one soccer player. The older part of the cast did it's job to the point of brilliance (Cvijanovic, Djuricko) while the younger part of the cast did so-so. The former "Red Star" striker turned out to be a horrid actor, but fortunately his on-screen time is short. The story, although not particularly developed, is developed enough to carry the jokes, which are good and well paced.

The bottom line is that this movie is entertainment, and not meant to be a deep and preaching film like so many others that have come out of Yugoslavian cinematography in the last decade. It has also managed to skip every mention of war and post-war issues, which (sad as it may sound) is a big refreshment. And it also has an excellent soundtrack (taglined "the first Serbian soundtrack").

The recommendation: If you live in Yugoslavia or thereabout, you've probably seen this movie (if you haven't - go see it). If you live somewhere far away, and left Yugoslavia in the last 6-7 years you might still like it. If you left before that you won't have a damn clue what's going on. You have to know the generations that grew up in the late 80's and the 90's to get this. If you've never been here, you probably won't understand this film, and therefore will probably dislike it.

Well, you're not bound to be from Serbia to like the film, i'm from the neighboring Bulgaria. I find the film very fresh, and though the story ain't much, the script and dialogue are great. I even understood something like half the film only by listening and not reading subtitles :) (figures, our languages are not so different after all...) But the thing that I totally loved was the music. Since the film is mainly about 2 guys who try to break in the scene with their drum'n'base rhythms, the OST ought to be gorgeous, and it is, with a good mix of styles btw :D

What else can I say? The film is a must-see for every fan of the street/underground culture.

The screenplay needed some polishing. At times it is funny, at times it gets cheesy and lazy. But it is a fond memory for me. The film does manage to capture much of the surreal feel of turn-of-the-century Belgrade, and I appreciate that. There was this feeling of being torn and desperately trying to escape to some better place, not just away from Serbia, but away from all the nihilism. I myself left Serbia around that time, and it wasn't so much because of poverty. It was an attempt to escape the ubiquitous feeling of being torn apart and inability to make sense of things. Like many others, I found out that I merely jumped out of the frying pan and into the fire, as the western world took a dramatic turn in the direction of total moral and cultural chaos. Anyway, I enjoy this film despite its faults. Nebojsa Glogovac definitely saves the day in a minor role as a reluctant cop who'd rather smoke weed with the protagonists. I give the film 8 stars, and that's generous.

Reading the previous comments I am a bit surprised by people who claim that this movie would appeal only to viewers from ex-Yugoslavia. I've seen this movie during this year's Film Festival in Warsaw, Poland. And it was extremely entertaining evening, people applauded many times during the movie, laughing all the way through. This reminded me of a similar mood and life-style in POland in early 90's after the end of Communism - when first ravers organized underground parties which then turned into techno and d'n'b scene. Maybe I feel some affinity with this movie cause I'm also Slavic and former heavy party-goer, but I believe that this movie could sell well in e.g. London, Paris or New York. True, it is hedonistic-pure trip, but well-acted (particularly older actors and a main hero in glasses and raver-hat). After the screening the audience had an opportunity to meet the director - a fan of Partizan Belgrad actually and not Crvena Zvezda represented by Dulan Savic in the movie. The movie was shot digital and then transferred to 35 mm. It cost just 30,000, unbelievable - return on investment should be probably calculated in thousands of percent! If you want to see not-politically charged movie from former Yogoslavia - this is a really good choice. Absolutely recommended, and not only to panters!