Electric Dragon 80.000 V

With "Electric Dragon 80.000V", director Sogo Ishii brings homage to ... himself, really! Who else could he pay tribute to, because HE is the one man who single-handedly started the wild and anarchist Japanese punk-cinema and, even though other directors may have had a lot more success with it (for example Shinya Tsukamoto with "Tetsuo"), Ishii is and will always remain the pioneer of punk. That being said, "ED8kV" is an extremely weird accomplishment and it's probably the type of movie that spontaneously causes people to suffer from epilepsy & twitching. It feels like a 55 minutes long industrial videoclip, with chaotic camera movements, extremely loud noises and the most unique use of black and white photography you'll ever see. Ishii also put quite a bit of wicked imagination into the script, as he revolves his film on an unorthodox type of super-hero named Dragon Eye Morrison. The young punker-protagonist survived a massive electro-shock as a kid, but the accident somehow sparked severe aggression and powers. He sleeps with chains around his wrists and boisterously plays on his electric guitar to control the anger. Eventually, he's allowed to let out all his furious anger in a battle against his oddly masked nemesis Thunderbolt Buddha. Crazy film, a lot less nightmarish than the aforementioned "Tetsuo", but definitely an unforgettable visual attack on pretty much all your senses. Ishii's direction feels genuinely hostile and aggressive, as if he wanted to take revenge on big studios and meddlesome producers who always interfered with his personal visions and ideas, resulting in final cuts the director didn't even like. "Burst City" is the ideal example of that. As said, the film is only 55 minutes long, but personally I thought it was more than long enough! A couple of minutes extra and I probably would have started hallucinating about talking lizards and malicious Buddha's myself. And my tympanum membranes probably wouldn't have survived a longer version, neither.

Tadanobu Asano's middle name is COOL.

This one's a visual treat. If you've seen Tetsuo: Iron Man, you'll be familiar with the breakneck cuts, but there's less of the "biting down on aluminum foil" effect you get from Tetsuo. Asano just flows into his character who's has one of the best morning routines I've ever seen. I don't even want to describe his scenes, but they're a hoot to watch. The black and white definitely gives the movie a more gritty, almost kinetic feel. Effects are great without overkill and there's so much style onscreen giving ED8V its unique energy. Just watch the quick dialogue flashes and you feel the adrenaline laced coaster ride.

ED8V definitely flows and the movie pretty much keeps you glued throughout. Definitely rewatchable as there's a lot to pick up on that you have missed the first time.

This is an aggressive Tour de Force in the vein of the early works of Shinya Tsukamoto, while nor sharing the intense body horror of those films or the extreme stand toward sexuality. Two electrified superheros battle for domination in this short (55 min) b/w feature film by Sogo Ishii. Electric Dragon Eye who was superempowered by an accident is capable of communicating with reptiles and releases his amphetamine stridden electronic energy by playing electric guitar on the streets. He is provoked by another stud the Thunderbold Buddha that is wearing a split mask over his head. Superfast cut Comic action combined with the sound of Ishiis own band Mach.167 culminates in a furious battle on the rooftop of a japanese megalopolis. Its Cyberpunk and definitely related to digital hardcore music or Alec Empire.

This would be the perfect companion piece for Tetsuo the Iron Man. Sharp, over the top, and rather fierce lil' film that'll have you bugged out all the way till its conclusion. Though its only an hour long, the director packed in so much detail(including a gangster with a finger spinning phone/gun, missing lizard posters, an electric mattress, a supercharged guitar and more), humor and backstory that it seems as if the film is much longer but this certainly isn't a bad thing at all. One hour is more than enough and the filmmakers knew this instead of taking two hours to set everything up. This film is like an electrical surge to the senses. Like watching a car wreck but in slow motion. Hard, pounding music, crazy narration, sharp cinematography and an excellent use of the black, grey, silver, and white color tones only adds to the furious pace of the film. Not to mention some very funny performances by our two leads/challengers- a violence prone, guitar shredding lizard detective(imagine a Japanese Ace Ventura), and an electronic peeping tom/hitman/technogadget geek with split personalites(and half a metal mask). But, what makes these characters very cool- A shared love of electricity and an ability to conduct and harness it to use as they wish. This film is like a slow burn with two very volatile opponents slowly but surely heading on a crash course with each other. A very very very fun, funny and entertaining film. Highly recommended. 10/10

Director: Ishii Sogo Duration: 55 minutes

Imagine if you will, a young boy climbing up a towering metal structure that supports dangerous electrical wires while his family down below pleads for him to come down. The imagine one tiny sweat drop on the boy's cheek attracting an electrical bolt from the transformer that strikes him and knocks him from his perch. One would guess that the boy would be fried through, but in the world of _Electric Dragon 80,000 Volts_ this is definitely not the case. Instead the part of the boy's brain that controls emotions is damaged. The boy has a hard time releasing his emotions and when he does it usually results in folks being knocked out cold. The doctors try to keep him in line by shock treatment, but this only keeps him subdued for short periods of time. However, he finds a way to calm his inner demons and this is through an electric guitar, and so Dragon Eye Morrison, Asano Tadanobom is born!!

This movie is quite odd. It is in black and white which makes it feel quite gritty and low budget, but it does make the film's atmosphere quite striking especially when Morrison's anger builds up to overflowing. There is very little dialog and most of the film is spent watching Morrison hunt for lizards. His profession is hunting for lost lizards. However, the scenes in which he fights his arch enemy, Thundrerbolt Buddha, are quite well done. This is a fun film for a bit of mindless entertainment. It should be noted that Asano is in a band with the director Ishii and he also did the calligraphy for the film.