Dogville

Just awesome! First, the quasi-theatrical film adaptation with only one stage set... one is amazed at how well this works. In my opinion it is even more effective this way than with a conventional film adaptation.

The story itself is a brilliant lesson in human behavior.

This movie is not the best I've ever seen, and probably not as good as "Breaking the Waves". But I left the theatre astonished, shocked, sad, confused, and a bit angry with the director, for being so cruel (and true?) in portraying human behaviour with vulnerable people, for using no props, for forcing me to watch the characters in their eyes and facial expressions 'cause there was nothing to draw my attention away. But this movie deserves to be seen, because that's what an artist is supposed to do, to share a bit of his thoughts and views, without giving answers, but arousing emotions and questions: and it has probably more right to be than other blockbuster movies sold by studios with nothing but what people like to see in it.

Dogville is long, and if you don't have the patience for a slow ramp-up of tension, it'll turn you right off. There are a couple story devices Von Trier uses that really bugged me, and I almost shut it off once. I'm glad I stuck with him, though, because he really took it somewhere and I came away really enjoying the experience..

Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.

If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:

THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.

That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.

America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.

That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.

Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.

Good film, Dogville.

Tough. Once again Lars von Trier tortures the audience (as he did previously on Dancer in the Dark) by upraising the darkest side of the human being. From the beginning you know that things can only get worse, but I doubt that one can figure out neither what's to come nor the powerful conclusion. Nicole Kidman's interpretation is perfect - intense, poignant, passionate, you name it. She is fantastic and so is the small cast locked inside Dogville's scenario (a wonderful creation - I wonder how something so simple can bring such a strong effect). Again, the entire cast is fantastic and for that goes an extra credit for Lars von Trier. His capability of pushing actors to the limit and extracting painful emotions from them creates a heavy atmosphere, full of tension and, at the same time, so familiar. It is not that Dogville represents the essence of our communities, but it exposes some aspects of our lives that we prefer to hide under the carpet.

I am no great fan of Lars von Trier's work but I like Melancholia and Dogville a lot. Dogville is a hard and deep look on human society and human behaviour, on moral and ethics. Like the book Blindness by José Saramago, and the movie based on that book, it is not an easy watch, but a close, intense and realistic look on the shadow side of mankind.

On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.