Mi querido asesino

This was Tony Quinn's last film. He was dying of cancer of the throat when the film was being made and it shows in his weakness in the film. Appropriately, he gets offed and indeed, he was dying and died before the film was released. A grand old man who gave us lots of moments in hundreds of films from bad guys to good guys, always in the character realm. This film with Maddy Stowe and Sly Stallone is a fun film that wanders between being a kind of Prizzi's Honor in the chick-flick mode to a rather slap-stick comedy. However, what the reviewers herein who are panning Stallone with their "he's over the hill" comments seem to miss is that old Sly can do more than Arnie Swartzenegger clenched teeth grimacing action films with usually lousy story lines. True, this film at times can't seem to make up its mind whether to be a black comedy or pratt-fall filled lampoon of the traditional gangster/mafioso genre. No matter. It's fun because Stowe and Stallone are a delight to watch. Although, it does make one sad to know this was old Tony's last film, we should appreciate he worked right up to the last gasp, as it were. Ciao, Tony and thanks for all the good times. You'll be missed.

This is what is termed a Screwball Comedy, a Romantic Comedy. Remember, that's all this movie is so expect foolish silliness and just enjoy with laughter. If you don't like foolish silliness then don't bother watching this film. A couple of scenes are funny just because they are so ironic.

Sylvester Stallone plays straight man to Madeleine Stowe's zany character. Both are great in their roles. I found myself laughing at things I normally would not laugh at but the timing was perfect and completely caught me without warning. This is another example of how Stallone is moving away from the stereo typical characters he has helped create; not to say he won't do more of those but he continues to branch out.

This movie is dedicated to the memory of Anthony Quinn. This was his very last film appearance. His work on this film was long enough, considering his health and age. Watch the featurette for more on Anthony Quinn. It may bring tears to your eyes to remember this wonderful man and the many wonderful performances he has given us over six decades.

There's a little mystery thrown into the movie. Watch for clues here and there and see if you can solve the mystery.

If nothing else, the film justifies its existence for the restaurant scene at the beginning, wherein Quinn utters the above line. Short as it may be, THAT scene was cinematic magic, especially if you study Quinn's face as he delivers the words. The briefest of pauses makes you wonder if the reality of that line had momentarily struck him, fatally ill as he was with throat cancer during shooting. He died before the film's release bringing to an end one of Hollywood's most illustrious screen careers - one that spanned six decades. Restricted as the role of Angelo was, it was ENOUGH to say "goodbye" with, and with such dignity too. Quinn "conveyed" more in his ten minutes on screen here than others have amassed in a lifetime. He would have been delighted to be working, up to his last breath, literally. Stallone even, if you really look closely, appears to extend a real reverence to his co-star in those opening minutes.

I think to have any hope of either understanding or even "liking" this film, you would need to be over 40 with a depth and awareness not everyone has. It is NOT a "surface" film. If that is all you can see, you're wasting your time. There is fun, chemistry, humor- subtle and less so....and a decent storyline. Whether you view it as parodying THE GODFATHER (which at times it appears to be doing) or telling a less than straightforward tale of revenge...mafioso style, this film has genuine moments of endearing drama. Many reviewers appear to feel short-changed expecting as they were, THE VALACHI PAPERS 2 or THE CURSE OF DON CORLEONE....nor was this wallowing in the putrid wake of OSCAR, Stallone's last "stab" as it were, at portraying the unfunny eccentricities of "la cosa nostra."

I won't bother rehashing the plotline....enough here have done that. I would simply say that it is a great shame it went straight to video - Quinn deserved way more respect than that, and SO did this film. I agree with the reviewer who offered a 6.6 as being reasonable. Like I said though, you have to be able to look past the plot holes, the uneven direction and the oddball characterizations. Stallone and Stowe handed in some good work here!

This is a story about a woman who is not who she believes she was. After a family boss, Angelo (Anthony Quinn in his last role before his death), is whacked by a rival family. His former bodyguard, Frankie (Sylvester Stallone), delivers a tape to his daughter, Jennifer (Madeleine Stowe). The tape informs her that he was her father and had to give her to another couple for her own safety, due to the business he was in and the danger she was in. From that point on, Frankie then began looking after Jennifer until he was sure she was safe.

It sounds and looks more like an action/crime drama movie at first but once she finds out who she is, that is where it turns into a chick flick. Madeleine Stowe was all right as Jennifer, but they could have made a much better choice. Jennifer Lopez could have played the role which proves it is a chick flick, but I'd still rather have someone different. Need more proof? There is a scene where Frankie tries to teach Jennifer how to walk more like a woman through demonstration.

Although it did fall more into the chick flick category more than any other, it did have it's moments to keep the men entertained as well. A few shootings, fight scenes and even a few farts for laughs. If I had to pick a movie that was similar, it would be The Whole Nine Yards with Bruce Willis as the suburbanite hit-man, although Avenging Angelo was not meant to be a comedy.

I hate to say this, but Stallone is not aging well at all. He needs to pick better roles altogether. This was one of his better ones, recently, but can do better. Shade comes to mind as one of his better achievements of recent years and should pick more roles like that. He pretty much "jumped the shark" around Copland and he certainly does not look like Rocky or Rambo anymore, which is a shame. I loved those movies and would have liked to see more of that nature from him. Time waits for no man I suppose.

Another actor who did a good job here was Billy Gardell, who played Bruno the hit-man. He reminds me a bit of Chris Penn and I liked his character here. 6.5/10

I was pleasantly surprised when I eyed this Sly film! He is so good with comedy! He has a sarcastic wit about him & he can do things with those big brown puppy eyes that just make ya melt!! He's also in GREAT shape but I'm sorry, his hairpiece in this is just too noticeable. (Sorry, Sly! We still love ya tho!)

Story Line: Frankie (Sly) is bodyguard for Mr. Alegheri (the late great Anthony Quinn). He gets "hit" in a restaurant when Frankie leaves him unattended for a minute or two. All his life, he's been 'on the job' for Quinn, watching his daughter who doesn't even know she's his daughter (Stowe, with the HUGE brown eyes!!) Anyway, it's time for her to find out & to have Frankie watching her closer than ever now & they soon fall in love. Like he says, "I couldn't keep the distance anymore!") He almost loses her to another handsome Italian (the young guy who played opposite Diane Lane in Under the Tuscan Sun) but that relationship went "dead"! (Pun intended!)

I don't know why this film was given an R rating. Granted, there were 2 times the "f" word was used but I've heard that in PG-13's!! Perhaps it would have gotten seen by more people if it were rated PG-13. I know I would have seen it sooner! This is clearly a woman's movie, a love story for Sly FINALLY!! (Unless you count The Specialist?) Too bad he didn't get them when he was younger. Ooooooooh - to heat up the screen!! YO!!