Othello

If you thought this superb adaptation of the classic, and in particular Christopher Eccleston's "Jago", had about it a certain something reminiscent of Ian Richardson's "Francis Urquhart" in "House of Cards", then it might be because this comes from the pen of Andrew Davies, and he's really on form here.

When John Othello is promoted to Commissioner of the Metropolitan Police over the head of his friend and mentor Ben Jago, Ben is not amused, and with the unwitting help of Superintendant Cass, Jago sets about installing the skids...

This is like a bottle of good vintage port - take time to savour every drop.

Othello's story is moved nowadays when prejudices, racisms and all kinds of discriminations are constantly fought. The modern 'Othello' has two guidelines or two focuses: (1) racism and (2)sexual love.

(1)On the one hand Othello proves a rational, humanistic and open attitude against discrimination, (2) on the other hand he questions the 'purity' of his woman, even her purity before her marrying him. It seems a little bit strange that a man that fights prejudices finds hard to accept that his wife had a life before him (although she didn't have much of life, as we find out) and cannot find the wisdom in him to give her the benefit of the doubt.

But we know that Othello must kill Desdemona and a large part of the film focuses on Othello's obsession for her (Desdemona aka Dessie). There needs to be built the kind of love and sexual jealousy that leads to murder. And it is believable, but only if we take it out of the context and we ignore the status of this modern Othello. But if we take into consideration the forward-thinking context of today's story and the leading position of Othello in this context...well, I raise at least one eyebrow looking at Othello's actions.

I'm not much of a Masterpiece Theatre watcher, but I luckily stumbled on this fantastic version of Othello. Davies brilliant distillation of Shakespeare's plot, combined with great actors, and very effective direction give one faith in adaptations without the original text.

It's easily superior to the recent 'O' as well as the Fishburne/Branagh 1995 version of the play.

From the writer who brought us the devilish Francis Urquhart in the HOUSE OF CARDS series comes this wonderful modern retelling of the Shakespeare play. After John Othello (Eamonn Walker) is given the job of superintendent in the wake of a racial police scandal, Ben Jago (Christopher Eccleston) schemes to ruin his one-time friend. Christopher is perfectly lean and hungry as Jago. Eamonn Walker plays the role so soft-spokenly, it becomes even more nerve-wracking as he's driven mad by jealousy. Originally aired in the US on MASTERPIECE THEATER, and beautifully shot for a TV production. (8/10)

If there is one thing that this movie proves, than it must be the fact that Shakespeare is of all times and doesn't necessarily need to be situated in 16th century England. All you need is a good writer who is able to convert the story into modern times and that's exactly what Andrew Davies has done.

In this version of "Othello" we see how Ben Jago, destined to become the new commissioner of the London Police Department, is passed by his friend John Othello. Othello got the job because he proved to be a good link between the poor and rebellious parts of the community, who are sick of all the police brutality and the racism, and the police department. But Jago isn't all too happy with the fact that his best friend has 'stolen' his job from him and he decides to make Othello's life a living hell from now on, driving him to despair and horrible acts of jealousy...

I know that there are many people who love Shakespeare the way it was once written and find it a mortal sin to adapt it. Personally I don't have any problem with it. I liked the more or less classical adaptation in the movie "Shakespeare in Love" a lot, but I find this version of Othello at least as good as that other movie. I guess it is just a matter of taste... What makes this movie so good for me, next to the interesting story, is the acting. Eamonn Walker is really very good as the charismatic John Othello, but it is Christopher Eccleston as the excellently evil and backstabbing Ben Jago that I admire most. Perhaps it has more to do with his role in the movie than I might think at first, but I find his performance wonderful and hope to see more of him soon.

Anyway, despite the fact that so many people seem to hate it for many different reasons, I really liked this movie. Even though some may find it sacrilegious, I hope they will make many more adaptations of Shakespeare's work like this. I give it an 8.5/10