Tanguy

an ordinary problem of XXI century as subject of a nice French comedy. good actors, seductive situations, the fight to impose to your son to start be independent, out of the comfort of his childhood home. the only problem - Tanguy is too quite to be the bad guy and, in a society of Peter Pan syndrome, the ironic portrait of a nice boy- young man does him almost a hero. Tanguy uses same clichés of French cinema who, after decades, are the key of success. Sabine Azema and Andre Dussollier are victims of the same image of angry parents looking impose to the son the need of assume of real life.Eric Berger uses same traits of charming young man who has his person, too precise vision about existence, mixture of passion for exotic domain and sentimental affairs. so, nothing surprising.

Tanguy made me laugh even though my understanding of French is far from perfect. The plot is simple - life in his parents Paris apartment is so pleasant Tanguy a post grad student is still there at 28 years old but his parents secretly want him out!

Sabine Azema (Tanguys mother) was so funny that she really made the film for me. Don't miss it if you like to laugh!

Enjoyable French comedy with funny scenario and inspiring cast. In a way, it reminds me Danny De Vito's "The war of the roses": how a simple idea (there, a case of divorce; here, dad and mom wanting to get rid of his 28 year old son) can be handled with such a black sense of humor, mixing fun and fierce satire at the same time. Unfortunately (and without giving much away), "Tanguy" resents a little from his length and refuses to go further on his almost surreal developed premise taking a kind and conformist turn in the end. Nevertheless, it's much more than entertainment: you'll be amused and will think about its subject after leaving the cinema.

'Tanguy' is a nice French comedy, although it does not start that funny. It tells about a 28-year old guy named Tanguy (Eric Berger) who still lives with his parents. At first everything seems normal, but we slowly learn that especially his mother Edith (Sabine Azéma) wants him out of there. His father Paul (André Dussloier) basically wants the same thing, but at any cost. Tanguy himself has not a clue. Here the movie becomes funnier. The parents decide to make their house a terrible place for Tanguy; he must get annoyed of the place. Things do not work out as planned and slowly Paul becomes more and more upset with his son, especially after Tanguy has tried living on his own for a couple of days.

The story becomes darker and therefore funnier. Tanguy seems a lovable person at first but slowly we come to understand the parents. His mother is truly a nice person, but too nice when Tanguy is around. Instead of being honest with him she constantly makes sure Tanguy does not want to move away. When the father starts losing it the best parts of 'Tanguy' arrive. It is too bad that the movie is already playing for an hour and a half; this is where conclusions should have been made.

Another complaint I have is the save turn the movie takes near the end. Since both parents really started hating their son, certain other events help you understand why, you wish the screenplay kept following that path. The happy ending could have been the parents being really happy, butt the turn here is even saver. Not that it's really a big deal, I enjoyed everything that leads up to the ending. Not great, but certainly entertaining.

Tanguy Guetz is the single child of boomer parents (represented in a way far different from the buttoned-down standard model of US movies, but probably a whole lot closer to the American boomers who'll actually see the movie). At 28, Tanguy is staying home with his parents, and intends to go on staying home for a year or two, because he's extremely comfortable there, never has to pick up anything or handle any bills, and lives with the two people he loves most. The feeling of comfort is definitely not mutual.

But, as his parents mobilize for a get-out-of-here campaign, they meet the perfect stonewall. Tanguy is a major specialist of traditional Chinese thought, and he faces everything with an equanimity that a hundred-year-old sage would envy. The one-sided war escalates to the point where Tanguy sues his parents for bed and board, and wins. Eventually, he does fly off for a long stay in Beijing, and then, of course, the parents discover what it means to be the sandwich generation: Tanguy's grandmother breaks a hip.

The blows are softened by the fact that the Guetz are quite well off. Else the movie would cut too close to the bone to be the uproarious farce that it is. The main actors, Eric Berger (Tanguy) and Sabine Azéma (his mother) play their characters with contagious fun.