Victoria y Alberto

I'm a BBCminiseries-aholic. I can watch even the most tedious efforts from the 70s and find them entertaining enough to watch several times. So it is no surprise that I like this. For my enjoyment, the biggest stumbling block of this miniseries is the casting of Victoria. To be fair, Victoria Hamilton (Victoria) is an actress I just don't care for. I've seen her in several things, and I just don't connect with her screen presence. She is a fine actress, always emotionally "present," but I do feel that I see the same 3 emotions over and over – happy, sad, fussy. She is omnipresent through this piece, so… there you have it. She is lovely as the coming-of-age Victoria, but the biggest problem here is that she is not believable playing much over the age of 25.

This is a film that would have benefited immensely by double casting the leads/ breaking half way through to change them to older actors. (And one horrible mistake is opening and closing the film with an elderly wheelchair-bound Victoria – played by another actress – whose eyes are bright blue, and Hamilton's are brown.) Hamilton simply does not grow up enough, despite costumes and makeup.

Jonathan Firth (Albert) also suffers from the various age make-ups, fares much better, and brings more complexity to his role. He is always exceptional, and his role here is sympathetic, even when behaving badly, but he does look as if he had just finished crying during a lot of this film… a bad allergy season, perhaps? He also does not make the transition to age believably.

Because of this, what makes this piece tick, run, and flow is the exquisite supporting cast. This is always the case with these BBC/A&E productions, and it may be what is really their core secret. People a town with geniuses, and any idiot can run the place…. Well, that is what they do with their actors. Penelope Wilton has the standout performance as a desperate, emotional, miscalculating Queen Mum. David Suchet is simply perfect, and so far from Poirot you need to remind yourself that this is the same actor. Diana Rigg and Nigel Hawthorne also lend gravitas to production.

This production also features some really beautiful castle/historic locations, but this one is probably only for those who are addicted to the anglo-miniseries. (Almost exclusively indoor and talky, so boys will probably feel as pent up and useless as Albert did.)

Jonathon, Colin's younger brother, plays the best Albert that I have ever seen in my entire life. If you love period films, such as Sense and Sensibility, Pride and Prejudice, and Mansfield Park, you will LOVE this film. Victoria Hamilton, from Mansfield Park, made me honestly respect her as a great actress. She brought me to tears by the end of this amazing miniseries!

Since the days gradually came on the Royal Family in Great Britain that they are to reign rather than rule, the struggle has always been to be popular and stay popular without being self indulgent. They are the unifying symbol for their country rather than a written Constitution that we Yanks have, so they're behavior, good or bad, counts for so much more.

The folks who established that tradition were Victoria & Albert, first cousins in the Saxe-Coburg family and husband and wife. Through her father, the Duke of Kent, young Victoria was the heir to the British monarchy to which she ascended in 1837.

Royalty made its last gasp for power immediately preceding the events that are shown in this mini-series. King William IV played here by Peter Ustinov by royal prerogative dismissed the government of Prime Minster Earl Grey. Robert Peel formed a Tory government, but it only lasted for a few months because Parliament by now had firm control of the Treasury. William IV was forced to call back Earl Grey and bow to the wishes of the people's representatives, now even more representative since the Reform Act of 1832 reapportioned Parliament after several hundred years.

So the monarchy was to reign instead of rule, but if this bunch didn't keep a lid on the peccadilloes, the folks in the United Kingdom might just take it in their heads to be rid of them and get themselves a republic like their former colonies had done. That was the duty that Prince Albert (Jonathan Firth) saw it and he persuaded his young bride, Queen Victoria (Victoria Hamilton) that they must do the same.

Albert was a serious young man and Victoria had been leading a sheltered life courtesy of her mother Penelope Wilton had led a life away from the dissolute Hanoverian Court of Uncles George IV and William IV.

When you have no other purpose in life, but to set an example, you'd better be good at that. A few in the Royal Family haven't lived up to that down to this day. If you can't be good, at least be discreet.

Victoria & Albert is a good mini-series from the BBC capturing the ambiance of the early Victorian era very well indeed. Diana Rigg won an Emmy for her performance as Baroness Lehzen, young Victoria's governess who didn't quite know when to let go.

You can enjoy it even if you're not familiar with British history.

God, the Brits are good at this sort of thing! A 180-minute history lesson presented as a story of true love. Or maybe it's the other way round. Anyway the whole thing spins along at a merry pace, especially the first half with the intrigue surrounding Victoria's ascent to the throne and her marriage to Albert. Victoria Hamilton and Jonathan Firth really convince as V & A, as does Penelope Wilton as Victoria's domineering mother. We get the usual lashings of fine supporting performances from Nigel Hawthorne (Melbourne), John Wood (Wellington), Alex McCowen (Peel), Peter Ustinov (William IV), Delena Kidd (Queen Adelaide), Diana Rigg (Baroness Lentzen) etc etc. In fact the Baroness was just about the only character in the cast that doesn't have a piece of Australia named after them. As far as I know the only one of them that actually made it out here was Victoria's younger son Prince Alfie who was shot at by some deranged person in Mosman circa 1869. The leading teaching hospital in Sydney is named after him (how's that for trivia?)

Yes, the historical record is played around with a bit – my sources have Baroness Lentzen (Victoria's governess) being given her matching orders in 1842, not 1840, and Albert didn't actually save Victoria from assassination at the hands of an Irish lunatic, though his progressive views on insanity as a defence to crime may have helped to save some of the insane from the hangman (US politicians take note). However, it was probably from Albert that Victoria got her Victorian morality, and he certainly was of great influence – some say he was virtually King while he was alive, at least behind the scenes. As a German he had to keep a low profile in xenophobic Britain, but he gets the credit for the success of the Great Exhibition of 1851; even if Paxton (Richard Briers) actually designed the glass and cast iron `Crystal Palace' in which it was held, Albert had the sense to see that, flimsy as it seemed, Paxton's design was an ideal solution.

It is also sometimes forgotten that Victoria and Albert started out married life when barely out of their teenage years. Both were strongly influenced by older and more experienced people yet both managed to break free. While Albert may have been the better organised and disciplined of the two, Victoria had a remarkable determination to succeed at a particularly tough job. By the end of her long reign the British monarchy had been quietly transformed.

The voluminous correspondence of both parties (the Victorians seem to have written everything down) certainly suggest that Victoria was crazy about Albert, her first cousin, almost from the start, and that Albert, not so keen on Victoria to start with despite the dynastic advantages, grew to love her deeply. This is beautifully laid out in the film, and amongst all the splendour there is a remarkable intimacy. Someone (Melbourne?) suggests at one stage that Albert, through his influence over Victoria, had saved the British monarchy `for another 100 years.' Clearly, he is needed now. Somehow one cannot imagine an equally uplifting account of the present Queen and her consort being made, either now or in another 100 years.

"Victoria & Albert" examines the life Queen Victoria during the 24 year period from just prior to her coronation as Queen until the passing of her husband, Albert. Although this historical biopic spends precious little time with romance, it does dwell most on the relationship between the couple as they go about the business of working to bring dignity to a tarnished monarchy while raising a family and doing what royal couples do. Hamilton makes a solid centerpiece for this 3.5 hour miniseries which sports a capable ensemble and very good production value. If "V&A" has a liability, it is, perhaps, that the life of the Queen was not quite as interesting as the fictional lives of the characters from the more popular novels of the same period. Worth a look for those with an interest in Queen Victoria, the British monarchy, and the period. (B)