Queer as Folk

As an older man (55), I'm amazed at the level of graphic nudity, the frankness of the sexual couplings whether gay or lesbian sex is involved, and it struck me as astonishing that the reason I would sometimes be uncomfortable viewing these scenes, is that there are virtually no images for gay people on TV that are comparable to those in QAF. I'm no prude, and thank goodness I've stopped squirming. My normal reaction is that if a series is good in its original British guise, the Americanization will be awful. Not so here. QAF started for me as a superficial soap about gay life. But once the first season was half over, I was hooked. I found I cared deeply about these characters. Their insular gay world in Pittsburgh was refreshing. The relationships work beautifully and you see a fairly representative slice of gay life on this series. Sure everyone always seems to be showing up at the big gay club with its go-go dancers and steamy back room. But how wonderful to have a show all about gay people where nobody gets killed for being gay, or commits suicide or is in some sort of depression or any other negative situations that have been such a feature of films showing gay characters as life's losers.

Gale Harold's Brian took me totally by surprise. His no gamesmanship attitude towards sex and relationships makes total sense. What I responded to is his character's absolute refusal to be liked, unlike the very likable Michael (Hal Sparks) whose insecurity demands that he be liked. Brian's a stunning bad boy, confident of his looks, his talent, his ability to spot bullshit a mile away. He wants to be appreciated for his worth. Nothing wrong with that. He's unapologetic about his sexuality and is not obsessed with settling down into domestic bliss the way Michael is. Michael is a child, but a sweet one with his love of comic books, and his unresolved longing for Brian. His character's worry about everything has finally become endearing. Peter Paige's Emmett is adorable and heartbreaking. I love that he's always picking himself up after every romantic disaster, dusting himself off and heading towards the next with high hopes. Scott Lowell has a natural affinity for Ted Schmidt's insecure and manipulative accountant. I'd like him to settle down for awhile. I sometimes weary of his travails.

At first I thought Randy Harrison's sweetly beautiful Justin was going to be a fluffy love toy for Brian, but Justin's own problems have shown Brian's caring side, and you get to see that Justin is no dummy. He goes after what he wants. Nothing wrong with that. Sharon Gless's working Mom waitress can be abrasively grating at times, but she presents a loving mother to a gay son, and that's a good thing. Michelle Clunie as Melanie and Thea Gill as Lindsay strike me as an appealing, smart, and caring lesbian couple Their stability as a couple shows what is possible without proselytizing.

Now in its fifth season, I've come to appreciate the show in big gulps since I rent each season from Netflix. It's a real wallow, and I'm always sorry that it's over. Right now I'm deep into season four and I can't wait to find out what happens next. QAF is excellent series TV, vastly entertaining. Best of all it won't make you feel dumb.

I love the American version of Queer as Folk. I never saw the British version, though I'm interested to see if I can find a copy of it. I started watching the show because I was bored and I like Hal Sparks (Michael) from seeing him on VH1's I Love the 80s. But in this show, I discovered some things that a lot of television shows now seem to lack: interesting plots, three-dimensional characters, and most importantly, realism.

I like how the character's issues are never resolved in one episode, and how the actions of one have some effect on the other main characters of the series. The characters are all three-dimensional, and very strongly played by their respective actors. They have wide ranges of emotion, and though they at first appear to be stereotypes, it is soon very evident that each one has plenty of flaws. The story lines are extremely engaging as well, and I find myself disappointed at the end of every episode, because now I have to wait and see what happens.

Of course, it isn't a documentary of gay life in Pittsburgh, so of course there are over-exaggerations and the occasional predictable plot line or relationship. But that's okay, because this is television, and the writers are allowed to have creative license. Now into the fifth season, I am a dedicated fan of the show, and will be sorry to see it end.

QAF is, in my opinion, the best cable TV series of all time (since Rude Awakening is off the air). Kudos to Showtime for having the courage to put it on. The most important reason this show works is because of THE ACTORS, who are all superb, creating 3-dimensional characters that you care about, deeply, week after week. It's impossible to imagine any different actors in the main roles, in fact - the true sign of brilliant casting. This is the only show on television, cable or network, that I watch religiously and I couldn't be any more thrilled that it's been renewed for another 2 seasons.

Added on August 8th (a day after the series finale aired) - Just wanted to say that this show has changed television forever, not just because it pushed the envelope - actually, it EXPLODED the envelope - but also because of all the lives it touched, informed and/or changed. This show crossed all barriers, appealing to every kind of viewer, thanks to the beautifully written characters, magnificently realized by the superb cast, and I for one am sad to see it end, this once-in-a-lifetime bold and redemptive journey.

Before I begin, I am a 35 year old guy who tried to supress my homosexual feelings until May of this year. Now I have slowly been coming out and experiancing my true self,and "Queer as Folk" really is inspirational in hitting so many issues in the Gay society. As sexually active as some of the main characters are they always use a condom and make a point of saying so. The show came around at a great time for me, as I am still new to gay culture and want to become part of the culture, and this series,QAF really gave me glimpses of it, and I am ready to start exploring the many gay bars down in Santa Monica Blvd and perhaps meet some cool friends, or something more? Anyhow, this show is the smartest soap opera type show, gay or not, because it makes you think about things! It makes issues of very relevant topics. ANd the actors are amazing. Especially Gale Harold, as the sexy, manipulative, self serving Brian Kinny, who's portrayal is so ruthless and emotionless at times, the actor manages to sometimes show a very human, soft loving side that Brian trys to keep hidden. Hall Sparks also is another big reason to watch. He gives his character of Micheal such warmth and compassion and sincerity. Any gay guy would love to have a best friend like Micheal. And the chemistry between Brian and Micheal is undeniable. This is the best series on TV! And thanks QAF for giving me a much needed spark of interest to actively pursue the gay culture and be true to myself....

It's always fashionable to negatively critique US versions of British material, but I am not always into that fashion.

I loved the first two episodes of this Americanized QUEER AS FOLK. It certainly follows the plot of the British version (so far at least). Yet the pace is more leisurely since the US version takes 45 minutes to do what was done in 30 minutes on the British version.

The US version is also easier to understand -- and it's not just the fact that we aren't getting the British slang in quickly-spoken thick British accents. Maybe it's the more leisurely pace that makes the plot easier to follow.

Hal Sparks has a wonderful dead-pan dry humor as the narrator, Michael. Randy Harrison is sweet as Justin, the newly-out teenager. When he was rejected by his dream-man Brian, his pain looked genuine and touching.

Even though the opening narration indicates "It's all about sex," the show is actually about more than that. The narrator is referring to the fact that gay night life in trendy bars is "all about sex," but we see in Michael and Justin the reality of people searching for a sense of connection in a world that doesn't offer a lot of connection -- especially for gay people.

While the British version was only 8 episodes with a 2 hour finale (which I found disappointing), this US version promises to begin with 22 episodes and possibly go on from there. I look forward to the future developments. So far, I see nothing to complain about.