CALIFICACIÓN DE IMDb
5.9/10
8.1 k
TU CALIFICACIÓN
Wall Street y el Bronx son escenario de los mismos objetivos por parte de sus habitantes.Wall Street y el Bronx son escenario de los mismos objetivos por parte de sus habitantes.Wall Street y el Bronx son escenario de los mismos objetivos por parte de sus habitantes.
- Premios
- 2 nominaciones en total
Anthony 'Treach' Criss
- Chedda
- (as Treach)
Fat Joe
- Tito Severe
- (as Fat Joe 'Joseph Cartagena')
Nicole Gomez Fisher
- Waitress
- (as Nicole Fisher)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A little gem of a gangster film. Not totally original, it could be seen as a homage to many of its predecessors, yet it delivers and keeps you interested right until the very end.
John Leguizamo plays local drug dealer Victor Rosa who sees the opportunity yo "branch out" into other areas and let his drug money work for him in the stock market when he meets, through his girlfriend, a up and coming wall street executive. Problem is that he finds it harder and harder to move away from his dangerous life on the streets, and still ends up having to deal with his crew of trigger happy homeboys, rival drug dealers and drug kingpins - which turns out to be a hell of a lot harder than before.
Leguizamo is brilliant in the lead role and has good support from the likes of Peter Sarsgaard, as his new wall street chum, and Vincent Laresca as his best friend from childhood. Its also good to see old stagers Isabella Rossellini and Sonia Braga again.
Denise Richards (not really having to act here, which suits her fine) and unknown Delilah Cotto are good eye candy, and do well as the sexy female leads.
An A for effort to all involved.
John Leguizamo plays local drug dealer Victor Rosa who sees the opportunity yo "branch out" into other areas and let his drug money work for him in the stock market when he meets, through his girlfriend, a up and coming wall street executive. Problem is that he finds it harder and harder to move away from his dangerous life on the streets, and still ends up having to deal with his crew of trigger happy homeboys, rival drug dealers and drug kingpins - which turns out to be a hell of a lot harder than before.
Leguizamo is brilliant in the lead role and has good support from the likes of Peter Sarsgaard, as his new wall street chum, and Vincent Laresca as his best friend from childhood. Its also good to see old stagers Isabella Rossellini and Sonia Braga again.
Denise Richards (not really having to act here, which suits her fine) and unknown Delilah Cotto are good eye candy, and do well as the sexy female leads.
An A for effort to all involved.
Just caught up with this film on cable. I never saw it when it was released, and frankly, it was my loss. Franc. Reyes has directed a surprising first feature that has a glossy noirish look. It speaks volumes for a new director to have a style that's easy on the eye as well as for the mind.
John Leguizamo is a huge talent. I have seen him on stage in almost all of his solo presentations and can tell anyone that this man is a dynamo. He never stops surprising; he has a range that few others have and he uses it to his advantage. Mr. Leguizamo's Victor makes a deep impression. We never let our eyes leave Victor for a moment; this man is the product of the streets, but he proves to have a mind of his own and a sophistication that are not easy to match.
The idea of casting Peter Sargaard as Jack was pure genius. This actor is about one of the best working in films at the moment. In the movie he is the suave Jack who has a hidden agenda. Mr. Sargaard perfectly balances the action. His character is the product of the best schools. Victor is impressed because Jack accepts him from the beginning without apparent reservations or prejudice.
The problem with the film is that we know how it's going to end, and we weren't wrong. It was predictable, but the director and the two principals made the film a joy to watch.
The rest of the cast was fine, especially Denise Richards, a beautiful Delilah Cotto, who can give JayLo a lot of competition in the looks department, and Isabella Rosellini, who is perfect as La Colombiana with her big hair and furs.
John Leguizamo is a huge talent. I have seen him on stage in almost all of his solo presentations and can tell anyone that this man is a dynamo. He never stops surprising; he has a range that few others have and he uses it to his advantage. Mr. Leguizamo's Victor makes a deep impression. We never let our eyes leave Victor for a moment; this man is the product of the streets, but he proves to have a mind of his own and a sophistication that are not easy to match.
The idea of casting Peter Sargaard as Jack was pure genius. This actor is about one of the best working in films at the moment. In the movie he is the suave Jack who has a hidden agenda. Mr. Sargaard perfectly balances the action. His character is the product of the best schools. Victor is impressed because Jack accepts him from the beginning without apparent reservations or prejudice.
The problem with the film is that we know how it's going to end, and we weren't wrong. It was predictable, but the director and the two principals made the film a joy to watch.
The rest of the cast was fine, especially Denise Richards, a beautiful Delilah Cotto, who can give JayLo a lot of competition in the looks department, and Isabella Rosellini, who is perfect as La Colombiana with her big hair and furs.
Empire (2002)
Not knowing much about the drug world, or about the Latino drug world in Brooklyn in particular, I was fascinating on the basic level of curiosity. And some amazement, I suppose.
This isn't a badly made movie. The leading actor, John Leguizamo, is subtle enough as Victor Rosa and has an inner core of decency to keep you identified enough to watch. The plot needs that because there's a lot of the well worn drug violence to wear you out. There is also, however, a second plot element that you don't quite expect—Rosa finds an opportunity to invest his drug earnings into high yield stock deals through a very non- Latino Wall Street man.
So there is a big twist or two to come, and this really makes the movie more of a fictional bit of creativity. Written and directed by Franc Reyes, "Empire" is about all kinds of rivalries. It's also wants to be about love and is thin there. You wish he had taken the slightly different tack the script offered him and tilted away from the shooting and strutting (lots of cocks hanging out here) and more into the minds and hearts of these people, who start to become real for us.
No such luck. Somehow they managed to get Isabella Rossellini in for a small but good part—if you're a fan you'll enjoy that. And Leguizamo adds some tenderness (real or not) to larger scene. And location shooting, frankly, is really nice, showing not the usual sides of New York (or LA) and not the romanticized ethnic neighborhoods (like the Italian or Jewish sections of old), but the regular, rough-edged reality of Brooklyn now. Or at least in 2002. Things keep changing down there really fast.
I don't recommend or not this movie—it's purely about whether you like this kind of world and want to get immersed in it. Nothing really special happens, but it's got a steady interest that might keep you going.
Not knowing much about the drug world, or about the Latino drug world in Brooklyn in particular, I was fascinating on the basic level of curiosity. And some amazement, I suppose.
This isn't a badly made movie. The leading actor, John Leguizamo, is subtle enough as Victor Rosa and has an inner core of decency to keep you identified enough to watch. The plot needs that because there's a lot of the well worn drug violence to wear you out. There is also, however, a second plot element that you don't quite expect—Rosa finds an opportunity to invest his drug earnings into high yield stock deals through a very non- Latino Wall Street man.
So there is a big twist or two to come, and this really makes the movie more of a fictional bit of creativity. Written and directed by Franc Reyes, "Empire" is about all kinds of rivalries. It's also wants to be about love and is thin there. You wish he had taken the slightly different tack the script offered him and tilted away from the shooting and strutting (lots of cocks hanging out here) and more into the minds and hearts of these people, who start to become real for us.
No such luck. Somehow they managed to get Isabella Rossellini in for a small but good part—if you're a fan you'll enjoy that. And Leguizamo adds some tenderness (real or not) to larger scene. And location shooting, frankly, is really nice, showing not the usual sides of New York (or LA) and not the romanticized ethnic neighborhoods (like the Italian or Jewish sections of old), but the regular, rough-edged reality of Brooklyn now. Or at least in 2002. Things keep changing down there really fast.
I don't recommend or not this movie—it's purely about whether you like this kind of world and want to get immersed in it. Nothing really special happens, but it's got a steady interest that might keep you going.
There's probably no point in discussing the plot of "Empire," since the whole movie is all but divulged in the trailers, but it's not in my best interest to leave people in the dark. Victor Rosa (John Leguizamo, also providing voice-over narration) is a South Bronx drug dealer who wants to get out of the business and lead a normal life with his pregnant girlfriend (Delilah Cotto), who is expecting their first child. Victor believes Wall Street investment banker Jack Wimmer (Peter Sarsgaard) is his lifeline to quick and legal financial freedom. It's not long before his alliance with Wimmer begins to alienate relationships with his friends and partners, which in turn yields serious consequences. This solid storyline is lost in the abyss of director Franc. Reyes' world of near-pitch black sets, endless gunplay, flat dialogue that's composed mainly of colorful metaphors, and rappers playing trigger-happy drug dealers (in this case, Treach and Fat Joe; at least they're a major improvement over stiffs like Ja Rule and DMX). The third act collapses under the weight of its predictability; a field guide and binoculars won't be needed to spot twists that can be seen from a country mile away. Denise Richards pops up in the egregious role of Wimmer's sexpot girlfriend, but don't let that deter you from seeing an otherwise fairly entertaining movie. It's difficult to argue, though, that Leguizamo's talents were better put to use in "Ice Age." 7/10
Empire stars John Leguizamo in a fairly decent role this time, as Victor Rosa. He is a drug dealer who is living life at a good pace. But as sucessful as his buisness is, he finds that he should get out while he still can and settle down. He sees his chance as he meets a wall street stock broker named Jack. He has a propasition for Victor that involves millions of dollars in which Victor needs to borrow from his drug dealing allies. It soon turns out that Victor is screwed out of the deal and Jack has made off with the money! Victor soon discovers he has no choice but to seek out Jack and have his revenge. What starts out with all the characteristics of a flop movie soon turns into something interesting. Leguizamo portrays Victor well, with smarts, feelings and charisma. It's not the greatest gangster flick out there (say Goodfellas blows it out of the whole movie making buisness) but this is surely worth a look. Empire provides insites into the crime world and keeps interest for a lot of the time (except the flat beginning). There are sometimes surprises that you wouldn't expect, good gun fights, and the ending is really something else. Overall not bad, do not judge the cover by all the bad things everyone says about it. Give it a shot! you may be surprised. 7.0/10
¿Sabías que…?
- TriviaTo train for his part, John Leguizamo hung out with a gang of drug dealers and gangsters for a few days. They told him how to spot surveillance vans and deal drugs.
- ErroresWhen Trish falls onto the bed after Victor Rose meets up with her and Jack Whimmer in Miami, there are four bags surrounding her. In the next shot of the bed a few seconds later, there are only three bags, in different positions.
- Citas
Victor Rosa: [Walking past a couple who are kissing] Hey. there's no tongue allowed here!
- ConexionesFeatured in HBO First Look: The Making of 'Empire' (2002)
- Bandas sonorasWelcome to My Empire
Written by Franc. Reyes and Tony Aliperti
Performed by La India
Courtesy of Sony Discos, Inc.
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- How long is Empire?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,600,423
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,281,415
- 8 dic 2002
- Total a nivel mundial
- USD 18,591,272
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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