Las tensiones aumentan dentro de un equipo de limpieza mientras trabajan en un hospital psiquiátrico abandonado.Las tensiones aumentan dentro de un equipo de limpieza mientras trabajan en un hospital psiquiátrico abandonado.Las tensiones aumentan dentro de un equipo de limpieza mientras trabajan en un hospital psiquiátrico abandonado.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Charley Broderick
- Security Guard
- (as Charles Broderick)
Lonnie Farmer
- Doctor
- (voz)
Sheila Stasack
- Wendy
- (voz)
Linda Carmichael
- Wendy
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Set in an abandoned asylum, this film is a psychological thriller that, rather than being horror-oriented, focuses more on offering a slow and stealthy journey to a disturbed mind hidden among the protagonists. It is an independent film that did not require a large budget and its greatest strength is the story it offers. During the first days that the protagonists spend in the abandoned asylum, nothing interesting happens until the old recordings found begin to give hints of something disturbing that happened in the past. These indications only serve as a guide to imagine what could happen, but the film leaves open the question of whether there is something supernatural at the site or if it is just the mental imbalance of one of the characters. The film has a setting similar to The Shinning and Silent Hill because the old building becomes darker, generating the feeling that something dangerous is going to happen. Session 9 is a fairly ambiguous film that plays a lot with psychology and leaves many questions or different sensations for those who see it. It can be boring or deep or meaningless or fascinating depending on the viewer's perspective. My rating for this movie is a 7/10.
There are two kinds of horror movies.
One, the ones that need to rely on gore to get a reaction from an audience. The other, the kind that requires a brain in order to process the fear-inducing story. I think the one that requires a brain is the best kind because there is no limit to what the mind can make you feel, and when done right, the second kind of movie will take you to heights of horror and suspense that the first kind of movie can only aspire to.
This movie, Session 9, falls in the category of the second kind and that is apparent by the number of people who have chosen to rate it based on their limited taste for just gore, with no substance.
So, in closing I won't go into what happens in the movie, because that is the fun, but will simply say that if you are looking for a chop-'em- up, blood squirting in your face slasher flick, this isn't it. If you are looking for a suspenseful little flick that builds the creep and fear factor, enjoy.
If you are a connoisseur of FEELING a movie, you will hopefully be back to rate it accordingly.
One, the ones that need to rely on gore to get a reaction from an audience. The other, the kind that requires a brain in order to process the fear-inducing story. I think the one that requires a brain is the best kind because there is no limit to what the mind can make you feel, and when done right, the second kind of movie will take you to heights of horror and suspense that the first kind of movie can only aspire to.
This movie, Session 9, falls in the category of the second kind and that is apparent by the number of people who have chosen to rate it based on their limited taste for just gore, with no substance.
So, in closing I won't go into what happens in the movie, because that is the fun, but will simply say that if you are looking for a chop-'em- up, blood squirting in your face slasher flick, this isn't it. If you are looking for a suspenseful little flick that builds the creep and fear factor, enjoy.
If you are a connoisseur of FEELING a movie, you will hopefully be back to rate it accordingly.
I had been hearing about Session 9 for a while now, and I finally decided to give it a go.
First off, I have to say the film has incredibly nail-biting atmosphere. There were actually not that many 'scary' scenes, but it was what I feared would come. But don't let that fool you- this is a film that I will be afraid to think about when I go to sleep. The sound effects are incredibly tense and very creepy, to the point that they are disturbing. Certain images in the film are sure to stay with me for a long time. As far as plot goes, like I expected, I knew there would be a twist at the end, but the film does so many different things with itself that I never knew how it was going to come. When all is said and done, the actual twist isn't even all the surprising, BUT the final 20 minutes getting there are very, very tense and I could not look away.
I also want to give a shout out to Peter Mullan, who gives a fascinating performance here. He is the driving force of the film. Also, the cinematography, editing, score, and sound make this perhaps one of the creepiest and unsettling films of its decade. I look forward to rewatching this.
First off, I have to say the film has incredibly nail-biting atmosphere. There were actually not that many 'scary' scenes, but it was what I feared would come. But don't let that fool you- this is a film that I will be afraid to think about when I go to sleep. The sound effects are incredibly tense and very creepy, to the point that they are disturbing. Certain images in the film are sure to stay with me for a long time. As far as plot goes, like I expected, I knew there would be a twist at the end, but the film does so many different things with itself that I never knew how it was going to come. When all is said and done, the actual twist isn't even all the surprising, BUT the final 20 minutes getting there are very, very tense and I could not look away.
I also want to give a shout out to Peter Mullan, who gives a fascinating performance here. He is the driving force of the film. Also, the cinematography, editing, score, and sound make this perhaps one of the creepiest and unsettling films of its decade. I look forward to rewatching this.
I work at a video store and when customers ask me what's a good horror movie that will actually get to them, I don't suggest any of the Freddy or Jason movies. Those are for fans, and I don't consider them to be genuinely frightening. Session 9 is, most definitely, genuinely frightening. It takes place at a mental hospital that is legend where I live. So most people know what I'm talking about when I say Danvers State Mental Hospital. It is one of the few psychologically affective movies that I've ever seen. It takes the audience on a ride through a building that seems alive to it's visitors, and forces the audience to resolve for themselves why things are happening to each character. If you want a movie that is challenging and thought-provoking, this is the one. I always tell my customers to watch this movie in the dark, but not to watch it alone. Just be aware that if there is any distraction during the movie you'll have many questions about it. I hope you enjoy it as much I as do every time I watch it!
With a brilliant premise, "Session 9" is a slow build of genuine atmospheric creepiness. More akin to Nicolas Roeg's classic "Don't Look Now" than more recent horror fare with high body counts, director Brad Anderson effectively builds tension in layers of voiceovers and (mostly subtle) foreshadowing to build to a climax of madness, with sparing use of the cheaper horror devices. Unfortunately the characters are not as fleshed out as one would have hoped, so we are left with some unanswered questions (we would have liked to have met Gordon's family and Hank's girlfriend. Why did Mike drop out of law school?). Though the subtle horrors of this film may fail to grasp the short attention spans of younger moviegoers who consider "I Know What You Did Last Scream" to be the de facto standard of the genre, this is a very cleverly executed, if imperfect, thriller.
¿Sabías que…?
- TriviaActor David Caruso reports in the official Production Notes that he saw "something pass my window" when shooting inside the Bonner Medical Building of Danvers State Hospital. "I didn't want to tell anybody, because people would start looking at me strangely..." Actor Peter Mullan also reports strange happenings on the set. He claims that while filming on the roof, a voice in his head told him to jump off to see what would happen. Mullan said the building brought out a morbid kind of "overactive curiosity."
- ErroresPeter Mullan kept forgetting to limp during his scenes resulting in many continuity errors. These are noted in the director's commentary as well.
- Versiones alternativasThe US DVD contains an additional subplot that was removed from the final cut of the film. A homeless woman resides in Danvers State Hospital, and watches the crew go about their business. Initially presented as a menacing "being", shown as collecting objects (rubbish, leaves, insects) in threes in a room, she then becomes more and more human through the film. The crew observe things to give her presence away. She witnesses their murders, and becomes scared. She then kills Gordon at the end in retribution. Unfortunately, it is badly cut, and shows at several points during the film.
- ConexionesFeatured in WatchMojo: Top 10 Demon Movies (2015)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Session 9
- Locaciones de filmación
- Danvers State Hospital - 450 Maple Street, Danvers, Massachusetts, Estados Unidos(Danvers State Hospital)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 378,176
- Fin de semana de estreno en EE. UU. y Canadá
- USD 76,493
- 12 ago 2001
- Total a nivel mundial
- USD 1,612,259
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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