Two Can Play That Game

A smart and sassy ad exec, Shante ( Viveca Fox looking very hot ) wants to keep her man, Keith ( Morris Chestnut also looking pretty fine ) in check after he messes up by saying he is "working late" and ends up taking another woman to "their" restaurant for some drinks and dancing. What happens next is Shante's 10 day rules of putting you man in check. We're taken along for hilarious ride as Shante and Keith match wits to see who can get the upper hand. The movie depicts very honestly, and in a humorous way, the games men and women play with each other. Anthony Anderson is a riot as Keith's friend, Tony, who helps Keith battle the very sly Shante at her game. Shante's gal pals, Wendy Raquel Robinson, Mo'Nique, and Tamala Jones, are also pretty funny. Gabrielle Union makes a sexy turn as Shante's nemesis who is after Keith and isn't shy about it. This battle of the sexes romp is hilarious and witty and should just be enjoyed for what it is; a real good time. A great friends get together flick.

This is NOT a good movie . Ok Viveca Fox maybe beautiful, but that doesn´t matter when she is totally unlikeable in this role. She plays a very smug woman who thinks very high of herself and can´t believe it when 'her man' suddenly is out with another girl. I got so enormously tired of her lipsmacking, necksnapping and curving of her lips as she tried to convince herself, and me, that noone can treat her this way. I am no fan of the 'look-into-the-camera' kind of storytelling and this film got it a lot. The 'rules' are also very boring: 'no 3', 'day 2', rule four, 'sixth day'. The only really funny parts involved the characters played by Anthony Anderson (I) and Mo'Nique Imes-Jackson Last and not least: What signifies a bad comedy? When the 40-seconds of outtakes in the end is funnier than the movie itself.

Just wanted to say that I think that a lot of viewers are really hard on this fun romp between African-American Professionals. You see, if you don't like it, you probably can't relate to relationships, or African-Americans. If you are African-American and you don't like it, well, all I can say is that you must be young. Anyone over the age of 35, would probably enjoy this light-hearted matching of wits between Shante'(Vivica Fox) and Keith (Morris Chestnut). The reason that age comes into view, is because growing up in the 60's, there were plenty of light-hearted romance comedies to enjoy. With one exception. You didn't see African-Americans in those movies. In the 70's, people like Richard Pryor provided us with plenty of funny movies, along with Veteran's such as Bill Cosby and Sidney Poitier. Romance comedies never quite made an impact within our community. And the love stories that did make it, such as "Melinda" starring Richard Roundtree and Vonette McGee, were dubbed blaxploitation movies and not given the exposure that movies garner today. I enjoy African-American films that are light-hearted, because the urban experience is often depicted as violent, drug-related, and unintelligent. We have plenty of movies for our children to see that offer no intelligent plot, and continue to perpuate stereotypes that we have been trying to tear down forever. Seeing African-American professionals deal with some of the challenges of nurturing a relationship in the 2000's was a lot of fun. That is, if you are looking for a little break from the shoot 'em up, drug-smoking, genre's. Women do have a tendency to expect certain things from men, and vice versa. Any game can be taken too far, which is what the movie depicts. No, it couldn't and should not have been an "Academy Award Nominee" by no stretch of the imagination, but it is highly entertaining and does have it's comedic moments. When movies are being made with names like Dumb and Dumber, and How High? I think I'll keep my viewing priorities straight and preference a movie like this over them.

This would be standard middle-brow entertainment were it not for three factors that I'll discuss in a little bit. The concept, that women can be as deft "players" of the field as men, is certainly not new to most. It may be new to A level films, and it probably is new to director/producer Mark Brown, the creator of HOW TO BE A PLAYER. But it is not a concept new to almost any B level direct-to-video thriller, anything on Cinemax after 11pm, or to any newspaper. Women have almost always been better players (see Anna Nicole Smith, Leona Helmsley, that maid that married the Johnson & Johnson fortune, and almost all of the guests on either Jerry Springer, Jenny Jones, or Ricki Lake). But, this movie does have an easy going pace and sound track that combine to make it as smooth as a ride in Shante's convertible Jaguar. What makes the film stay slightly above average is the presence of the three lead thespians. First of all, let it be said that Anthony Anderson does in fact walk away with this film. He simply owns every second that he is on screen (including the out takes at the end). His natural and easy manner combined with impeccable comic timing simply makes him the de facto owner of the material, the screen, and the film as a whole. Next, Morris Chestnut, whether given a lot or a little (like here) to do simply comes off as likable. And in the main role, few actresses - good looking or not - could carry off the part that Vivica A. Fox plays. The film would not be believable were it not for this particular actresses commanding presence and astonishing good looks. She, like her character, is someone who has worked her looks and her intelligence to get exactly what she wants out of life, and she is not afraid to show it. So, if you go in not expecting too much, you will come out pleasantly surprised. A 7 out of 10.

Shanté Smith (Vivica A. Fox) is a confident, successful, beautiful woman. She knows how to handle her man, she knows how to navigate the shark-infested business waters, and she knows how to dress for success in both the bedroom and the boardroom. Shanté is the envy of her best girlfriends Diedre, Karen and Tracye (Mo'Nique, Wendy Raquel Robinson, and Tamala Jones), who always turn to their wise mentor for romantic advice. But what happens when the teacher unexpectedly becomes the student? Shanté has a few things to learn, she realizes, when she catches her man Keith (Morris Chestnut) in the arms of her business rival, Conny (Gabrielle Union). Shanté immediately puts her step-by-step "Ten Day Plan" into action to get him back in line and back to her. Unfortunately the happy ending that Shanté fully expects goes upside down when Keith begins following the advice of his buddy Tony (Anthony Anderson), who brings a player's perspective to the games girls play. Fox carries Two Can Play That Game, and she carries it well. She is able to play her character in the traditional manner, and directly address the audience with sassy little asides. Doing this is risky and it usually doesn't work, but in this case Fox as Shanté is so likeable she easily draws the audience into her world and makes us feel that we're a part of it. First-time director Mark Brown (producer of "How To Be A Player") should be commended for being able to strike this precarious balance. So too should the scribe -- hey, it's Mark Brown again! -- who wrote a witty, enchanting script. There's all-out comedy (when Shanté is on the sixth day of her Ten Day Plan, she must get out there and date. you've never seen an assembly line of so many hilarious losers) balanced with believable, heartfelt romance.

While Fox does carry this comedy of the heart, she is well-supported by a standout cast of talented, likeable actors. Morris is almost as foxy as Fox as they love and spar; Anderson is so laugh-out-loud funny you'll need to bring tissues to the theatre; Mo'Nique is so cool you'll want her for your own best friend; and the smooth, sexy singer Bobby Brown is practically unrecognizable in a cameo appearance as a buck-toothed mechanic in desperate need of a makeover. Most of the characters in Two Can Play That Game are in need of a little "makeover" -- particularly when it comes to how they look at love and romance. But the movie itself needs no such makeover. It's perfect just the way it is.