Una mente brillante

"A Beautiful Mind" is an exceptional story, but it is only and exceptional film because of its director. Ron Howard does an amazing job of engaging his audience, introducing a brilliant main character, and making the audience experience the reality of mental illness. This could have been an unbelievable story to which very people could relate; however, the directorial mastery Howard exhibits throughout allows the audience to accompany Nash on his journey and awareness of his illness. Anyone who has been close to the frailties of the human mind will appreciate how respectfully and honestly this film approaches the subject. Howard is able to portray all the complex reactions to mental illness while maintaining the humanity and dignity of the patient. Superbly directed, wonderfully acted by Crowe and cast, this film succeeds on every level.

'A Beautiful Mind' had a lot going for it. An intriguing story based on an interesting man, a great cast full of talented actors, the involvement of James Horner and Roger Deakins (perhaps one of the best modern cinematographers in the business) and Ron Howard as director (a very competent director with some great films under his belt, directing always with a lot of quality and polish if not always distinction).

Finally seeing it, always wanting to but never quite having the time, 'A Beautiful Mind' was to me a good, often very good, film, if not quite great. Of its four Oscar wins, Connelly and adapted screenplay (on the most part) were worthy wins, though there were better contenders in the Best Picture and Director categories, 'Fellowship of the Ring' for Best Picture and David Lynch for 'Mulholland Drive' for director. Again, from personal opinion, 'A Beautiful Mind's' Oscar nominations were worthier of wins generally, especially Russell Crowe for Best Picture, make-up and the film editing, cinematography also should have been under serious consideration.

There are a few things that stop 'A Beautiful Mind' from being great. Pacing can be messy, feeling rushed in some spots and then dragging in others. Admittedly though there were other places where it was perfect.

Do agree with the portrayal of schizophrenia being problematic, it is a sensitive and courageous subject to address but those with schizophrenia and mental illness in general will find problems with how it's portrayed. It is a complex and often frightening illness, that the film tries to take seriously and sensitively, but it just felt too clean and like it was being careful not to offend but ended up being too careful. Other aspects are heavy-handed.

The espionage subplot was intriguing mostly and gave some powerful conflict, at the same time parts not quite gelling with the rest of the film and feeling a little confused.

However, 'A Beautiful Mind' for want of a better word looks absolutely beautiful. The cinematography with the vibrant colours and seamless fluidity was one of the best of its year, and the period detail remarkably evocative and a joy to look at. James Horner's score has garnered mixed views, mostly leaning on the positive, personally though it added a lot to the emotional power of the film, swelled thrillingly and was beautifully and cleverly orchestrated, didn't think it was melodramatic at all.

'A Beautiful Mind's' adapted screenplay really makes one think while also capturing a wide range of emotions, more than making up for the lack of accuracy. The story is compelling on the most part with a spot on portrayal of mathematics, something that was praised by the maths community at the time including John Nash. It is very moving and uplifting, many scenes dealt with powerfully.

Ron Howard's direction is some of the best he's done. As ever from him it is rich in quality and polish but it also is some of his most distinguished and shows that he can direct with distinction (even if he doesn't always elsewhere.

Can't praise the cast enough, along with the visuals it is the best aspect of the film. It is impossible to find fault with the powerhouse and perhaps career best performance of Russell Crowe, while Jennifer Connelly is touching in a loyal and sympathetically written role (even if not as challenging as a few of her other roles such as in 'Requiem for a Dream'.

Ed Harris is chillingly malevolent, while the rarely less than game Paul Bettany and Adam Goldberg charm and Judd Hirsch and Christopher Plummer also not putting a foot wrong.

In conclusion, admirable and extremely well made, directed and acted with a sizeable range of emotions, if missing the mark of being a "great" film instead of a good and often very good film and not doing enough justice to a great man and his life. The divisiveness is understandable. 7/10 Bethany Cox

John Nash is something of a mathematical wizard. Constantly searching for something with which to make his name, he finds his calling by code breaking for the government. But with that comes a sense of paranoia and pretty soon John is sliding desperately into schizophrenia.

There is a school of thought that says any decent film about the mentally ill or afflicted is a sure fire way to attract the awards givers. Personally it bothers me that it bothers me that people view these films in this demeaning manner. If a story is worth telling then lets get it out there for all to see. Would the cinema world and all those stuffy film lovers really be happy if film makers didn't tell these remarkable stories? A Beautiful Mind is one such picture that divides opinions, although exemplary made and well put together, it doesn't adhere quite to the facts of Nash's life-it's an interpretation that smooths out the drama by way of delivering a safe and watchable biography. It was nominated for eight Academy Awards, winning four for Best Film, Best Director {Ron Howard}, Best Supporting Actress {Jennifer Connelly} and Best Adapted Screenplay {Akiva Goldsman adapting from the book by Sylvia Nash}. Yet as great as that roll call is, the big surprise is the omission of a win for Russell Crowe in the Best Actor category. For as tidy and engrossing as the film is, and it is folks, it's because of the big Kiwi that the film breaks free of your standard emotional heart tugger. It's a superlative performance from Crowe and him not winning is probably more to do with his much publicised dust up at the BAFTAS a few weeks before the Oscar ceremony: than his undoubted acting ability.

The film as a whole should not be viewed as a representation of John Nash's life, many important things from Sylvia Nash's book have been omitted. But crucially it's important to note that in making this film, the makers have brought Nobel Prize winner Nash to the public's attention, whilst simultaneously giving awareness to the sadness of those suffering with schizophrenia. OK, so it's far from perfect in its portrayal of Nash the man, but ultimately the cinematic world is a far better place when the likes of A Beautiful Mind are being made and the film lovers are flocking to see it. And then some. 8/10

The more I watch Russell Crowe, the more I am becoming a big fan of his acting talent. Here again, he demonstrates his skills in a role that had me spellbound. Of course, mentally-ill people are usually fascinating. Look how popular the cable television show "Monk" has become.

Crowe's character, mathematician John Nash, is not nearly as eccentric as "Monk," but his schizophrenia makes for a fascinating portrait of a very troubled man. This is another of those Ron Howard based-on-a-true-story films, so don't take everything here as gospel truth....because it ain't so. (One example: in real life, Nash's wife was anything but as supportive as Jennifer Connelly was portrayed here.)

The first time I saw this film I was disappointed. Maybe I expected more, maybe I felt the story was unfair to the viewer and I felt like this was just one more attempt at Liberal Hollywood to make fun of those in the 1950s who were opposed to Communism. Well, on the second viewing, just a few weeks ago, I didn't have a problem with any of those things, just enjoying the performances and the classy-looking cinematography, thanks to one of the best cameramen in the business, Roger Deakins. I'm not always a fan of director Ron Howard, but his films are usually interesting and pleasing to the eye. He and Crowe seem to be a good pair, too, as witnessed by 2005's "Cinderella Man."

For those who enjoy a cerebral thriller, this is a very intriguing film. Ed Harris, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas and Anthony Rapp all deliver solid supporting help and, if you haven't seen this, this story will deliver a big surprise. If you know the ending, a second viewing is even more interesting as you trace Nash's actions from the beginning.

for some unknown reasons, i almost never liked crowe until i saw this movie. He played the role so beautifully and totally absorbed into being john nash rather that just a typical Hollywood actor. I bet he must have done his homework thousand times before finally bring it to the screen. The way he walks, the way he slide himself between the gate at the abandoned warehouse where he thought was a Russian secret movement operation center, the way he talks, in fact, everything, was portrayed perfectly that it actually concealed that very russell crowe that i never actually liked.

The movie was somehow close to me as my uncle, who was a genius,also suffered from schizophrenia, but passed away years ago. I cried when nash was seen sitting on his house balcony because i remembered that was how my uncle used to sit for hours, solving puzzles. the only difference is that, nash had all the chances and supports from peers and the society but my uncle never did. It was a shame.

Connelly was good as ever, and she had always seen carrying this type of role. Loving yet not so mushy, smart yet vulnerable at time.

Despites all the comments about the movie not being so realistic and not really based on the facts of Nash, i still think it deserves one the of the most beautiful movies i had ever watched.