La era del hielo

This was great. I liked it better than I did Shrek, by far. 'Manfred' and the Squirrel really take the cake here-excellant voice work, nice animation of the character faces, Denis Leary was a hoot too....with just the right amount of an edge, as is usual for him.

Some of the vignettes-the Dodos, (You've got three melons), etc are right up there with anything Pixar has done. I also thought that the little montage of Mannfred's parent's(cave drawings come to life) were done well too.

As for the messages-'Non-trad families are okay too-', people can work together, etc.-well, all are pretty obvious and all that-but it's not hammered home ala Disney, and you also don't have anyone breaking out into song, either.

See it for the Mammoth and the squirrel, though the Sloth is fun too. Cute kid baby too, not far removed from 'Boo' in Monsters Inc.

*** outta ****

I saw the movie with two grown children. Although it was not as clever as Shrek, I thought it was rather good. In a movie theatre surrounded by children who were on spring break, there was not a sound so I know the children all liked it. There parents also seemed engaged. The death and apparent death of characters brought about the appropriate gasps and comments. Hopefully people realize this movie was made for kids. As such, it was successful although I liked it too. Personally I liked the Scrat!!

It always seems to be with these computer animated movies, to have a charm all it's own, humor that usually works all around, and (a flaw to be sure) the same plot elements fitted into different settings (notice how friendship, betrayal and a climax involving kids in some way fit into every animated movie in the past 7 years outside of Antz). Ice Age follows that tradition being the first 20th Century Fox computer animated movie from Bunny director Chris Wedge, and it has an undeniable sweetness that can strike young and old alike. This also goes with the laughs too.

Manfred (Ray Romano), Sid (John Leguizamo), and Diego (Denis Leary) join together, obvious un-wantingly at first, to return a baby to it's father. That's the plot-line and it works in it's typical way, borrowing from the two good computer flicks from last year as well (Monster's Inc. and Shrek). But what keeps young and old and inbetween alike in their seats is not the story but rather the good natured and silly humor, convinving if not always realistic surroundings and splendid voice work by the three leads. A fine movie.

One more note: while Leary, Romano and Leguizamo show off their capabilities, I jest to forget who steals a good chunk of the movie- a little squirrel chasing after an all important acorn nut throughout the pan of the movie. Truth be told, he deserves his own TV show. A-

`Ice Age' emerges as one of the better animated films of recent years, cleverly designed and even more cleverly written. Scenarists Michael Berg, Michael J. Wilson and Peter Ackerman have devised a story set 20,000 years ago about an unlikely trio of companions who find themselves making a long trek through a harsh environment in an effort, ostensibly, to return a baby human to the tribe from which he has become separated. The triumvirate is made up of a deadpan, cynical mammoth, a wisecracking, over-the-top sloth (whose mile-a-minute mouth more than makes up for his legendary slowness) and a malevolent saber-tooth tiger, who learns a thing or two about friendship and teamwork before the adventure is over.

`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.

The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.

I'd have to say this is one of the best animated films I've ever seen. I liked it the first time but really appreciated it on the second viewing, just a few weeks ago. I can see why sequel is doing such great business at the box office. Apparently, a lot of people liked this movie.

A gorgeous color palette (man, this looks good) and a lot of good adult (but clean) humor make this a big winner. The opening 3-4-minute scene with "Scat," is excellent as are subsequent interludes with him. "Sid" the sloth (voiced by John Leguizano), however, provides the main humor in the movie. He usually has something funny to say throughout the movie.

Ray Romano is the voice of the mammoth, the big character of the film, literally, while Denis Leary is the ferocious bad-guy-turned-good sabertooth tiger

This isn't just humor and pretty colors but a nice, sentimental story of how a little baby softens up a couple of tough characters. This isn't interrupted with a lot of songs, either: one only brief one and there is nothing offensive, language-wise.

If more animated movies were this good, I'd own more.