Situados durante la Edad de Hielo, un tigre dientes de sable, un perezoso y un mamut lanudo encuentran a un niño humano perdido y tratan de devolverlo a su tribu.Situados durante la Edad de Hielo, un tigre dientes de sable, un perezoso y un mamut lanudo encuentran a un niño humano perdido y tratan de devolverlo a su tribu.Situados durante la Edad de Hielo, un tigre dientes de sable, un perezoso y un mamut lanudo encuentran a un niño humano perdido y tratan de devolverlo a su tribu.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 5 premios ganados y 30 nominaciones en total
Denis Leary
- Diego
- (voz)
John Leguizamo
- Sid
- (voz)
Ray Romano
- Manfred
- (voz)
Goran Visnjic
- Soto
- (voz)
Jack Black
- Zeke
- (voz)
Cedric The Entertainer
- Carl
- (voz)
- (as Cedric the Entertainer)
Stephen Root
- Frank
- (voz)
- …
Diedrich Bader
- Oscar
- (voz)
Alan Tudyk
- Lenny
- (voz)
- …
Lorri Bagley
- Jennifer
- (voz)
Jane Krakowski
- Rachel
- (voz)
Peter Ackerman
- Dodo
- (voz)
- …
P.J. Benjamin
- Dodo
- (voz)
Josh Hamilton
- Dodo
- (voz)
- …
Chris Wedge
- Dodo
- (voz)
- …
Tara Strong
- Roshan
- (voz)
- …
Opiniones destacadas
Excellent computer-generated animated feature that makes a case for one of the finest films of 2002. It is the frozen era and prehistoric animals try to find their way to land that is warmer and drier. An early group of human hunters become the hunted themselves as a group of sabertooth tigers begin to plot revenge. As an attack occurs, a small infant child is taken out of harm's way. Enter a kind wooly mammoth (voiced by the priceless Ray Romano) and a silly sloth (voiced by John Leguizamo) who find the young child and decide to return it to the humans. It appears that a sabertooth tiger (Denis Leary) is helping the duo, but his motives are devious as he is trying to lead them all into a trap of other sabertooth tigers. The film is another great animated piece of film-making that has important messages for the youngsters and is also highly entertaining for all audiences. 5 stars out of 5.
I saw the movie with two grown children. Although it was not as clever as Shrek, I thought it was rather good. In a movie theatre surrounded by children who were on spring break, there was not a sound so I know the children all liked it. There parents also seemed engaged. The death and apparent death of characters brought about the appropriate gasps and comments. Hopefully people realize this movie was made for kids. As such, it was successful although I liked it too. Personally I liked the Scrat!!
`Ice Age' emerges as one of the better animated films of recent years, cleverly designed and even more cleverly written. Scenarists Michael Berg, Michael J. Wilson and Peter Ackerman have devised a story set 20,000 years ago about an unlikely trio of companions who find themselves making a long trek through a harsh environment in an effort, ostensibly, to return a baby human to the tribe from which he has become separated. The triumvirate is made up of a deadpan, cynical mammoth, a wisecracking, over-the-top sloth (whose mile-a-minute mouth more than makes up for his legendary slowness) and a malevolent saber-tooth tiger, who learns a thing or two about friendship and teamwork before the adventure is over.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
Just saw ICE AGE, a very funny and especially nice looking film. The story is simple but effective, the characters lovable and nicely fleshed out but what really shines is the digital set design.
More inspired by traditional animated movies than reality, the designs give you a really, really nice looking world in a astounding use of colour. Sometimes the touches of reality shine through (especially the water was impressive), but nonetheless, it's a fantasy-world based on reality. Including loads of vast landscapes especially helps to minimise the costs of rendering.
Pixar films shine with technical brilliance, this one shines with effective uses of technical know-how.
Enough technical babble, the film's entertaining, family-friendly and sometimes just hilariously funny.
More inspired by traditional animated movies than reality, the designs give you a really, really nice looking world in a astounding use of colour. Sometimes the touches of reality shine through (especially the water was impressive), but nonetheless, it's a fantasy-world based on reality. Including loads of vast landscapes especially helps to minimise the costs of rendering.
Pixar films shine with technical brilliance, this one shines with effective uses of technical know-how.
Enough technical babble, the film's entertaining, family-friendly and sometimes just hilariously funny.
This was great. I liked it better than I did Shrek, by far. 'Manfred' and the Squirrel really take the cake here-excellant voice work, nice animation of the character faces, Denis Leary was a hoot too....with just the right amount of an edge, as is usual for him.
Some of the vignettes-the Dodos, (You've got three melons), etc are right up there with anything Pixar has done. I also thought that the little montage of Mannfred's parent's(cave drawings come to life) were done well too.
As for the messages-'Non-trad families are okay too-', people can work together, etc.-well, all are pretty obvious and all that-but it's not hammered home ala Disney, and you also don't have anyone breaking out into song, either.
See it for the Mammoth and the squirrel, though the Sloth is fun too. Cute kid baby too, not far removed from 'Boo' in Monsters Inc.
*** outta ****
Some of the vignettes-the Dodos, (You've got three melons), etc are right up there with anything Pixar has done. I also thought that the little montage of Mannfred's parent's(cave drawings come to life) were done well too.
As for the messages-'Non-trad families are okay too-', people can work together, etc.-well, all are pretty obvious and all that-but it's not hammered home ala Disney, and you also don't have anyone breaking out into song, either.
See it for the Mammoth and the squirrel, though the Sloth is fun too. Cute kid baby too, not far removed from 'Boo' in Monsters Inc.
*** outta ****
¿Sabías que…?
- TriviaThe drawings of characters during the end credit roll were all done by the children of the animators. The same is true of the picture that Sid draws of himself on a cave wall. Sid's drawing was done by 3 year old Will Shefelman, son of a story artist Dan Shefelman. The story artist working on the scene was having difficulty drawing like a 3 year old so he consulted an expert.
- ErroresAnimals, from many different epochs and continents, mingle in 10,000 B.C. North America.
- Créditos curiososDrawings of the creatures appear over the credits. Most drawings were done by children of Blue Sky Studios employees.
- Versiones alternativasAn alternate scene of Sid in the hottub with the ladies shows him saying to them "Let's jump in the gene pool and see what happens." Sid pinches one of the female sloths' butt and she then kicks him in the groin. This was cut because it was not suitable for children and may have gotten the film a PG-13. Other innuendos with Sid were also cut from the film.
- ConexionesFeatured in Siskel & Ebert & the Movies: Showtime/Ice Age/The Time Machine (2002)
- Bandas sonorasSound Off (Duckworth Chant)
Written by Willie Lee Duckworth (as Willie Duckworth) and Bernard Lentz
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- How long is Ice Age?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 59,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 176,387,405
- Fin de semana de estreno en EE. UU. y Canadá
- USD 46,312,454
- 17 mar 2002
- Total a nivel mundial
- USD 383,257,136
- Tiempo de ejecución1 hora 21 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 576i (SDTV)
- 1.85 : 1
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