El agente de la CIA Nathan Muir recuerda su entrenamiento con Tom Bishop mientras intenta liberarle de sus secuestradores Chinos.El agente de la CIA Nathan Muir recuerda su entrenamiento con Tom Bishop mientras intenta liberarle de sus secuestradores Chinos.El agente de la CIA Nathan Muir recuerda su entrenamiento con Tom Bishop mientras intenta liberarle de sus secuestradores Chinos.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Opiniones destacadas
CIA agent Nathan Muir is retiring and learns that his friend is incarcerated in China, he takes it upon himself to free him from the Chinese.
One of the most underrated films of Tony Scott, the film is very much engaging and the viewers who likes espionage spy thrillers will surely like the film. We have seen many edge of the seat spy thriller but this film is quite different from other films, the film will demand your patience due to it's slow speed but will not disappoint you.
Acting is superb and both Redford and Pitt were quite impressive in their respective roles. The screenplay of the film is slow but still have the ingredients to keep you engaged.
Climax of the film is good and satisfying, this film is not the typical spy thriller film but still a great entertainer. A Must watch underrated film.
Story's core is interesting and script is dense with information and drama . The ultra-brisk editing and rapid scenes movement leaves little time to consider some inadequacies . Regarding a peculiar relationship between two top-of-the-range spies whose long knowledge has developed bad blood and resentment between them , in spite of the two men haven't seen each other in years . Here Brad Pitt is reunited as a co-star with his A River Runs Through It (1992) director Robert Redford for this espionage thriller from Tony Scott , and both of them giving awesome interpretations . Engaging and twisted thriller concerning the spy-world on Middle East , China and other countries . Robert Redford and Brad Pitt sustain interest enough in this tale of friendship , betrayal , sacrifice and terrorism . Brad Pitt is good as tough super-spy as well as sniper operative and Robert Redford 's cool displaying an enjoyable performance as the elderly and regretted CIA agent . The use of geopolitical messages to add weight to a romantic subplot between the spy and the beautiful nurse , well played by Catherine McCormack , though feels a little forced , at times. They are well accompanied by a good cast , such as : Stephen Dillane , Larry Bryggman , Marianne Jean-Baptiste , Shane Rimmer, David Hemmings, Benedict Wong , Ken Leung , Matthew Marsh , Michael Paul Chan , among others .
The film packs adequate , evocative cinematography by Dan Mindel and rousing musical score by Harry Gregson-Williams . The motion picture was well realized by Tony Scott . He was a good filmmaker whose works received some great reviews , his first big hit happened when was asked by producers Don Simpson and Jerry Bruckheimer to direct Top Gun (1986) starring Tom Cruise . He would work again with Cruise on another high adrenaline film Days of thunder (1990) , which proved less successful . He followed the success of Top Gun with the sequel Beverly Hill cop II (1987) with Eddie Murphy , which was well received . In 1993, he directed the cult movie True Romance (1993) , which was written by emerging director Quentin Tarantino but Scott had a lot of control over the film . While Unstoppable (2010) was Tony Scott and Denzel Washington's fifth and final film collaboration. The others were Red tide (1995) , Man on fire (2004) , Déjà vu (2006) , and Pelham 123 (2009) all of them got big successes . Spy Game(2001) rating : 7/10 . Well worth watching . Above average . The picture will appeal to Robert Redford and Brad Pitt fans .
Tony Scott is known for his big budget, fast-paced, action-packed extravaganzas. His latest film, "Spy Game" is no exception. He takes advantage of a massive budget, but loses sight of human comprehension. It's difficult to grasp his moral when it's awash in a superficial style where individual shots seldom last more than thirty seconds, and where dialogue never exceeds the length of a short paragraph. There's not much time to introduce characters, situations, or even locations-datelines appear on the screen to identify times and places.
Yet, it doesn't just feel as if we are in another movie by Tony Scott-everything feels very real. The danger is real. The characters are real. Many action films are about the action, special effects, and car chase sequences. "Spy Game" does contain those things, but they are in a focused, tight, evocative thriller. This movie is about the characters, not the action. It never forgets that.
"Spy Game" contains a complex structure. We begin in 1991. Veteran CIA officer Nathan Muir (Robert Redford) prepares for retirement. On his last day, he learns that his one-time protégé, Tom Bishop (Brad Pitt), has been captured in a foreign prison on a charge of espionage and will be executed in 24 hours. Fearing international crisis, the CIA decides it would be too risky to save him. But with a new generation in control of the agency, Nathan is no longer an insider. He must outsmart his own agency in order to save his old friend.
Most of the film plays out in flashbacks as the CIA digests valuable information from Muir. The movie spans from the Vietnam war to the end of the Cold War, with years ranging from 1965 to about 1991 (although the characters don't seem to age much). We learn Nathan chose Tom as a sharpshooter in Vietnam. He trained with Bishop. They formed a close bond, until something came between them-a woman.
The forty-year span in time poses no problem for "Spy Game." The engaging screenplay, by Michael Frost Beckner and David Arata, focuses on only the necessary characters. The soundtrack, by Harry Gregson-Williams, masterfully captures the various time periods, spicing the scenes with a slick sense of style and intrigue. The cinematography by Daniel Mindel makes the differences in location clear. Christian Wagner's editing gives the movie a frenzied, almost rushed emotion, that puts us right in the middle of the race against time.
Pitt and Redford retain their ground, despite a thick style. Redford creates a character out of nothing. We know little about him at the beginning, and we know little about him at the end. But he somehow gives his character a conscience, human values, and a lot of interest. We care about him because we do not like the black and white CIA operatives. Thus, we care about Pitt's character as well. Pitt gives his character an immature nature. He is in a stereotypical young hotshot role that might have fit him better a few years ago, but he still creates a grave sense of panic and fear.
With a structure like this, we expect subplots to evolve from the flashbacks. There is an intriguing terrorist story. A love story. Themes about betrayal, trust, position, friendship, commitment but "Spy Game" never slows down and allows us to absorb these important details. By the end, we feel exhilarated, and we know we just watched a very smart, well-crafted film, but the most we can take from it is that it is a very smart, well-crafted film. I think, beneath all the style and surface, there is a little more to the movie than that.
There are performances in this movie that defy description. You almost get a sense that if you were to meet him in the street, you'd get someone named Nathan Muir playing the part of Robert Redford - the transformation is that complete. In several scenes, but especially the scene on the Berlin rooftop, Redford gives a performance that is unlike almost anything I've ever seen in cinema. It's that perfect. Brad Pitt also does an amazing job, but Redford steals the whole movie.
I had to re-watch Spy Game three times before I felt I got a complete understanding of everything going on. There is almost nothing given away for free in this movie - none of the standard Hollywood "shove-it-in-your-face-so-you're-sure-to-get-it" fare. Every decision, most plot points, and a lot of what would normally be called "meaningful looks" are written on Muir's face for a split second, then they're gone.
This is one of the few movies that's intellectually challenging to watch. It takes patience and a quick assessment of each scene to understand and keep up. None of the acting is over the top or explicit; most everything is controlled, subtle, and delicately handled.
All in all, Spy Game is an exceptional movie, IMO, to watch and in some ways to study.
The movie is set in the early 1990's. Nathan Muir (Redford) is a retiring CIA officer who learns that his former protégé Tom Bishop (Pitt) has been captured while attempting a prison rescue in China and will be executed shortly. CIA brass want to know what motivated Bishop to attempt this unauthorized action and they interview Muir to find out. Muir tells the story of how he met and trained Bishop: from Vietnam to Berlin to Beirut. While Muir is setting the background, he is also working secretly behind the scenes to free Bishop. Will Muir's cloak and dagger antics be discovered before he has a chance to free Bishop? Overall the movie is not as good as other spy genre films such as Three Days of the Condor, Spy Who Came in From the Cold, or Hunt for Red October. I think Redford does well in the role of the retiring, slightly jaded CIA officer Muir. Pitt does well with what he's given, though I think his character suffers from poor writing, especially near the end of the film. Think of Spy Game as a more sophisticated Mission: Impossible (that's no knock on M:I) and you'll be pleasantly surprised.
¿Sabías que…?
- TriviaTony Scott asked for more money to film the rooftop scene in "Berlin" (in order to rent a helicopter for an aerial scene) but the producers refused. Scott believed that the scene was important and rented the helicopter with his own money.
- ErroresWhen Duncan is negotiating with Deng, he clearly tells Muir "Deng wants five-hundred-thousand YUAN for the power out in Su Chou." In 1991, this would have been about $95,500 U.S. dollars, so when Muir counter-offers and says "No way. Tell him $100K and I'll pay him in dollars," he is offering more than Deng asked for. The final price, $282,000USD, would have been approximately 1,500,000 yuan in 1991.
- Citas
Nathan Muir: [inside a CIA briefing room] When I was a kid I used to spend summers on my uncle's farm. And he had this plow horse he used to work with everyday. He really loved that plow horse. One summer she came up lame. It could barely stand. The vet offered to put her down. You know what my uncle said?
Charles Harker: [inside a CIA briefing room] No, Muir, what did he say?
Nathan Muir: [inside a CIA briefing room] He said, why would I ask somebody else to kill a horse that belonged to me?
- Créditos curiososIn the opening credits, many of the credits are each preceded by a jumble of letters flickering on the screen. This may be a reference to the opening credit sequence of one of Robert Redford's earlier spy movies, Héroes Por Azar (1992).
- Bandas sonorasRocky Mountain Way
Written by Rocke Grace, Kenny Passarelli (as Ken Passarelli), Joe Vitale (as Joey Vitale), Joe Walsh
Performed by Joe Walsh
Courtesy of MCA Records
Under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Spy Game
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 115,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 62,362,560
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,689,125
- 25 nov 2001
- Total a nivel mundial
- USD 143,049,560
- Tiempo de ejecución2 horas 6 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1