Buscando a Nemo

Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home.

As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.

The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.

The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes – from satire, spoof and slapstick, they'll be a one-liner for everybody here.

Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes – ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.

Pixar Animation Studios has a very good knack for making thoughtful, intelligent and humorous family films (note that I didn't say kid films). "Toy Story" 1 & 2 and "Monsters, Inc." are some of my favorite family films; "Finding Nemo" isn't one of my favorites, but it isn't disappointing like "A Bug's Life," and it is thoughtful, intelligent, humorous and incredibly watchable, just like the other Pixar films.

As always, Pixar takes a world of something and completely builds their story around it. In "Toy Story" they gave life to toys and created the world through their eyes. In "Monsters, Inc.," they showed us the monster world. In my review on "A Bug's Life," I said that the reason the film didn't work very much is because it was about bugs, and not about something mystical like toys or monsters that bring back childhood memories. Well, I guess I was sorta wrong, because "Finding Nemo" is all about fish, nothing too mystical about fish, and I still loved it.

This tale takes place underwater with the fish Marlin (voiced by Albert Brooks), whose spouse and baby fish eggs get eaten by a vicious shark in the beginning. All but one egg which Marlin names Nemo.

Years later Nemo (voiced by Alexander Gould, Elliot's son?) is a bit older, and heading off to fish school for the first time. But haunted by the fact that his spouse and offspring were all killed years ago, Marlin is extremely over-protective of his one remaining family member. Nemo, sick of being treated like a baby, proves how brave he is by swimming near a fishing boat, only to be captured by a scuba-diving dentist. And so Marlin heads off to find Nemo, with the help of his newfound companion Dory (voice of Ellen DeGeneres), who has short-term memory loss and forgets things sooner than she can carry whatever she is doing out. (Like when she is showing Marlin the way towards a fishing boat and suddenly forgets why Marlin is following her.)

Pixar doesn't let down the audience on this film. There are a few things that one can always expect from Pixar films: They can expect something (such as toys) to be given their own world. They can expect that world to be given careful attention to detail. And they can expect humor.

"Finding Nemo" gives fish their own world, and the underwater realm they live in is paid careful attention, painstakingly captured on film with computer graphics. And the humor is always there. All the characters are funny. I especially like the sequences from the inside of a fish tank in the dentist's office, with a bunch of fish including Gill (Willem Dafoe's vocal talents), who constantly tries to escape. By doing so, Gill has suffered major injuries, including landing on the dentist's tools and getting sliced up. This is, of course, a parody of escaping POWs. The fact that Willem Dafoe was in the great war movie "Platoon" might have something to do with that.

This is taken from my "Monsters, Inc." review: "Pixar once again not only expands our mind, but our very worlds. I respect their company and commitment values very much, as you can read in my 'Toy Story' review. They stick to the values that made Disney films so family-friendly back in the fifties and sixties: Respect for the audience, respect for quality, and respect for the audience's INTELLIGENCE, something Disney, who has recently coughed up a bunch of lousy, thoughtless sequels, has forgotten. Now, I know that LEGALLY Disney is co-creator of 'Toy Story' and 'Monsters, Inc.,' but they really are not. They just give Pixar the money and get their name branded on the front box of the film. And even then, I have heard multiple claims that Disney is very mean-spirited towards Pixar (read into sequel trouble for 'Toy Story 3') and gives them the bare minimum.

With "Finding Nemo," I still stick towards what I said. Pixar Animation Studios is probably the best family film company out there right now, I really hope they separate from Disney some day and form their own production company. They know what interests both kids and adults, and it's almost creepy how they can make their films so engaging and fun to watch. This is one to take the kids to, and afterwards, maybe even sneak back into again by yourself.

Has there ever been a better-looking feature-length animated film than `Finding Nemo'? We doubt it. With its shimmering underwater landscapes - be they in the vast immensity of a limitless ocean or the cramped confines of a dentist office aquarium - the film sports a look unlike anything we have ever seen before. The fish tank setting, in particular, is a veritable wonderland of eye-popping, many-hued visual splendor.

Although the script by Andrew Stanton doesn't scale the comedic heights of, say, `Aladdin,' `Shrek' or `Toy Story 2,' it still sparkles with enough wit and inventiveness to entrance youngsters and beguile the grownups who will be joining them in their viewing. I hasten to point out that the screenplay is blessedly free of all the double entendres and off-color humor that have blighted so much alleged `kiddie' fare in recent years. This is a film on e can watch with one's children and grandchildren and not once have to blush or turn away in embarrassment while doing so. Creators of children's films please take note (and take note, too, of its phenomenal box office take).

Like many tales designed for the junior set (`Dumbo,' `Bambi' etc.), `Finding Nemo' taps into the fear all children have of being separated from their parents - and the concomitant fear all parents have of being separated from their children. It is upon this common ground that members of both generations will meet in their emotional response to this film. In this case, it is little Nemo, an adorable clownfish, who is plucked out of the ocean and plunked down into the saltwater aquarium of a dentist in Sydney, Australia. The subject of the film's title is Marlin, Nemo's overprotective, worrywart dad who swims his way towards the continent to find and rescue his little tyke. Along the way, this Nervous Nellie parent learns a little something about giving his son the freedom a boy needs to grow up and become a man, and Nemo, himself, learns a thing or two about just what kind of a fish his dad really is.

Albert Brooks and Ellen DeGeneres are brilliant as Marlin and Dory, respectively, the latter a befuddled, daffy and utterly good-natured fish who helps Marlin in his epic quest not only for his lost son but his own definition of filial love. Those familiar with these two fine comedic talents in their live-action performances will actually be able to see many of their distinctive inflections and facial expressions reflected in the animated characters they are portraying.

As directed by Stanton and Lee Unkrich, and executed by an army of wonder-working animators and technicians, `Finding Nemo' takes PIXAR technology to its ultimate, final level of perfection - till the studio's next release, that is.

I'll be totally honest and confirm to you that everything what they say about this movie is true. It's a brilliantly animated masterpiece with lots of humor that actually works and a plot that really brings tears to your eyes from time to time. The modern artists of Pixar never cease to amaze the audience in expanding their horizons. Finding Nemo is visually stunning and you can have nothing but respect for the people who created it.

I was more or less skeptic about watching it, because it was so overhyped ! Two days before it got released in my country, the TV and press loudly announced that the DVD broke all records in the USA during its first release-day. That's usually a sign of being typically mainstream and fake...but Finding Nemo is not. I'm allergic to fake sentiment and pathetic feel-good movies but I was really touched by this one. The moral and valuable life lessons are always present, but they're not shoved down your throat or thrown in your face all the time. This movie really relativates itself and that's important for a good comedy. And it's hilarious !!! Every side character in Finding Nemo (and there are a LOT of them) is exceptional and worth a mention. And the voices are cast perfectly as well...like the voice of Willem Dafoe for Gill, for example...a perfect choice. The character of Dory ( speaks through the voice of Ellen DeGeneres ) steals the show. She's an adorable blue fish who suffers from amnesia. She forgets what she's doing or going to every five minutes and that really leads to hilarious situations.

Movies like this aren't just being made for children exclusive... They're good for everyone to realize you have to entertain yourself from time to time and just to enjoy the little things in life. I recommend this to everyone in the world. No matter if you're 9 or 99 years old, Finding Nemo will bring a smile on your face and leave behind a warm feeling in your heart.

Remember back when you were little.you know, back when tall to you was about as high as a mailbox? In those days, Disney animated films (e.g. `Lion King' and `Beauty and the Beast') were some of the coolest things out there and were movies to watch over and over (much to your parents' chagrin). Now, animated movies aren't exactly the `coolest' things to see, but an exception can be made for the uber-hip Pixar movies, the most recent of which being `Finding Nemo'.

After losing all but one of his brood, Marlin (Albert Brooks) an over-protective clown fish that strangely lacks a sense of humor, has resolved to protect his one (slightly disabled) `child' remaining, Nemo (Alexander Gould). But disaster strikes as Nemo is taken by a Sydney dentist and plopped into a fish tank where he is comforted by a host of other captive fish (William Dafoe, Vicki Lewis, Allison Janney, et al). But back in the big ocean Down Under, Marlin has resolved to search out his one remaining progeny.

Along the way on his quest, Marlin acquires a tag-along `friend', Dory (Ellen DeGeneres)-a fish with, well, the memory capacity of a fish. The two must surmount hurdles like a group of sharks (Eric Bana, Barry Humphries and Bruce Spence) that have (mostly) sworn off eating other fish, a nasty swarm of jellyfish, a bird-brained flock of seagulls, and others.

This is the bridge! Well, in a way. Back when I was younger, one of my favorite films was `The Incredible Mr. Limpet', which, for the uninitiated, combined live-action with under-the-sea fish animation. What Pixar has done here was bring back that film to my mind and start me thinking, because they have created a wondrous undersea environment (with `normal-looking' fish instead of 1960s animated fish).

My favorite feature in this movie chock-full of sweet treats must be the sharks. I have always been partial to the shark family, but what has been done in creating three humorous sharks (what a movie concept), just sent paroxysms of laughter through me. Another thing that (mostly) works is Ellen DeGeneres' fish (character?) that provides a fairly constant source of laughter with her antics (although a couple gags do wear on the viewer with time). On the whole though, there is not a single bit of shoddy voice-acting or animation in it.

Compared to `Monsters Inc.', `Finding Nemo' is something of a revival for Pixar. I like how they have stepped up their efforts to make an altogether pleasing film without any big flaws. The thing that I did not like with `Monsters' was the inclusion of a single key (but EXTREMELY annoying) character. Director Andrew Stanton has done an excellent job at making the film work and be (basically) non-annoying to most of the general public (and this critic).

I suppose life has come full circle-now that I am (relatively) old as a high school graduate, animation is cool again, thanks to high-powered computers, at any rate. `Finding Nemo' is one heckuva movie and a good one to take anyone you know to, trust me on this-nine out of ten.