Elvira's Haunted Hills

An affectionate (and dead on) parody of Roger Corman horror films and those Hammer horror films.

Elvira and her maid are traveling to Paris for a show. Unfortunately in Romania they get waylaid in a creepy castle with mysterious characters and going ons. Basically the plot is a combo of Corman's "House of Usher" and "The Pit and the Pendulum" with huge dollops from Hammer films thrown in.

Every single cliche in those films is trotted out and hilariously torn apart. Still it's not vicious...just fun. Also the film has a PG-13 rating so the humor is pretty tasteful. Some of the one-liners from Elvira are hysterical and there's even a song and dance number which stops the show. Also the "stable stud" with his purposeful awful dubbing is a scream!

Cassandra Peterson is just perfect as Elvira. Richard O'Brien goes all the way over the top doing a mean Boris Karloff impersonation. Actually, all the cast plays it over the top but it totally fits the material. Also there's beautiful, atmospheric settings and a Hammeresque score to top it all off. Only the ending is a bit of a let down. Still, this is well worth catching. A must see!!!!!

I managed to catch a sneak-preview of this film, which is an entirely new feature, not a sequel, while it was still in post-production. For as wonderfully hysterical and charming as it appeared in its rough form, I can't wait to see the final result! A campy, lighthearted send up of the Vincent Price/Roger Corman/ Edgar Allan Poe/ Hammer horror movies from the 1960's, it follows true to both those films look and tone. Most of the film seems to take notice of THE PIT AND THE PENDULUM, but there are bits spoofing other films, plus plenty of original material as well. Most delightful, in addition to Elvira's newest dance number, is the budding romance between the Mistress of the Dark and a hunky care taker whose voiced-over words (deliberately) never match his mouth. A hoot. Additionally, The Divine Miss E lets the boob jokes run wild as expected and you can just SEE how much fun the cast had making the movie. Demand to see it in theaters! It's worth it!

On the surface this is a spoof of the films made by Roger Corman and other directors who worked in the genre during the same period. There are direct references to "The Pit and the Pendulum" and "The House of Usher" as well as less direct references to films such as "The Raven" and "The Comedy of Terrors". The overall "look" of the film resembles those films and the work that came out of Hammer Studios during the same period but does so without looking like an imitation of them. With its rich textures and lush colors its appearance is never less than striking.

The performances from most of the supporting cast are all way over the top. Scott Atkinson is hilarious in the role of the doctor, Bradley Bradley. Everything he comes out with seems as if it's sucked from his chest and thrown at the camera. The way his accent changes as his role in the proceedings becomes more defined is a brilliant touch. Mary Scheer performs her role as the adulteress as if she were a classic comic book villain, the type whose passion burns most brightly when she's manipulating everyone around her to the max. Elvira's character makes an excellent foil for her. Heather Hopper's portrayal as the sickly Roxanna (part whooping cough, part "Night of the Living Dead" stiff and full time punching bag for the rest of the cast) is a howl. The notion of dubbing in the dialog spoken by Gabriel Andronache (who reportedly speaks next to no English) was a brilliant one. The first scene between him and Peterson is one for the books. Richard O' Brien has a role that that demands all the pork from Ham Central, and it's one that he appears to have relished playing. The scenes he shares with Peterson appear to have been a joy for both of them.

The excesses of most of the performances are balanced by the understated work from Peterson and Mary Jo Smith. Smith is absolutely adorable as Zou Zou, Elvira's much-abused maid. She plays the role with a combination of dry wit, self-depreciation and vulnerability that can't help but strike a chord. Peterson plays the "Elvira" character with her usual flair. That mix of impish playfulness and canny intellect combined with sweet innocence, brazen sexuality and doltish buffoonery that made the character a cult classic is wholly intact. Her comic timing remains razor sharp.

There's far more to the film though. It goes past the obvious to address (and skewer) a variety of topics. Richard O' Brien's soliloquies put the most overblown passages of Shakespearean Theatre to shame. The dubbing in foreign action films takes a hit or three. The way the use of accents is often bungled by actors and filmmakers is harpooned in a way that's wonderfully original. The "special effects" used for the cataclysmic moment of the film look as if they were intended to be worse than things Ed Wood would've come up with (though it doesn't quite hit that mark). Aging women who cram killer bodies under thick layers of paint (makeup) and thin layers of tight clothing spend parts of the film taking one hit after another.

There's no doubt the reigning Queen of Vamp Camp is showing her age. But she's using it to great advantage. The character seems older. Her sexuality is more overt. She has less patience for playing at being coy. She works too hard to be the center of attention. She doesn't miss any chances to show her "assets". The camera captures the physical side of things. One of the most revealing of them highlights the ways gravity works on an aging figure regardless of how well it's been taken care of, and it happens early in the film as if to make sure all the viewers take note her of age. Peterson is far too intelligent not to have noticed it but she left it in.

If anyone is the right person to be spoofing the foibles of aging vamps it's Cassandra Peterson. She's old enough to be one of those characters in day-to-day life and she would look great in any of the outfits they pour themselves into. More importantly, she understands any subject matter she touches thoroughly, addresses it without meanness or cynicism and applies a measure of balance to it in the process. She jabs Zou Zou for her looks but makes sure that character is the first to light a fire under somebody's libido. The man with the dubbed-in-lines may look silly because his mouth doesn't match his words but he gets the girl. The aging vamp may fall in holes because she's wearing heels instead of runners the way those vamp wannabees would but the male characters still can't keep their hands off her. It all works because of Peterson's charm and because of the balanced overview she brings to the subject matter.

This is a picture that may find its wider audience in years to come. It's played as camp in a way that may alienate a lot of viewers and there's no doubt a lot of the jokes are lame. But that's all done intentionally. Essentially, it's a good movie that's made to look as if it was bad. Don't be fooled. There's a lot there to stimulate thought and enough light fun to make it easy to keep going back for another look. Today's dog (though it's anything but one) may be one of tomorrow' classics.

Thanks Cassandra. This was worth waiting for.

I enjoy the Elvira movies, no doubt about that. But "Elvira's Haunted Hills" does suffer under the 'curse' of being a sequel - that's being it fails to fully live up to the level of its predecessor "Elvira: Mistress of the Dark".

It does still have the same kind of dark comedy with undertones of sexual nature and just straight downright silliness. But this is, of course, what is part of the Elvira universe and character, and it is what the fans like, that and her in-your-face big, well, you know... charm and wits.

What puzzles me about the story in the 2001 movie "Elvira's Haunted Hills" is why it is set in 1851 Transylvania. Well, aside from the obvious B-movie reference to Dracula, of course, and for the Gothic backdrop, but other than that I didn't get it.

Storywise, then "Elvira's Haunted Hills" falters a bit compared to the 1988 movie "Elvira: Mistress of the Dark", both in contents and in progression. That being said, don't get me wrong, it is not a bad story, far from it. It just wasn't at the same level of the first movie.

Cassandra Peterson performs as to be expected, I mean, she is Elvira in the flesh, after all. But also Richard O'Brien (playing Lord Vladimere Hellsubus) and Heather Hopper (playing Lady Roxanna Hellsubus) really performed quite well in this movie.

The comedy in "Elvira's Haunted Hills" was a bit more subtle than the comedy in the 1988 predecessor, which was a shame, because it made it a tad less enjoyable. The scene that had me laughing the most was one of the last scene with the sinking castle, it was just such a wonderful spoof of Titanic.

All in all "Elvira's Haunted Hills" is an enjoyable movie, and a movie that any fan of Elvira should have in their movie collection. And while not embodying the same Halloween atmosphere as the 1988 movie, "Elvira's Haunted Hills" is still worth putting into a Halloween movie marathon just for the sake of it being Elvira!

Well, I must admit I was eagerly anticipating this release. I was especially psyched to see Richard O Brien making an appearance as Lord Hellsubus.

I thought that the first movie surpassed Haunted Hills, however, the more I watch Haunted Hills, the more it grows on me. I was so happy to see that Elvira is as beautiful as ever---truly an icon. I really like noticing more and more Poe references each time I watch-- Ligeia (Elvira/Elura), Morella (buried alive), House of Usher (castle's demise), the Black Cat/Cask of Amontillado (being walled up), and of course, the Pit and the Pendulum. I really loved the musical number "Life Is a Music Hall" (and i thought Elvira sang better in this one than in "Here I am").

Oh...and I recommend buying this movie...Cassandra Peterson financed much of it herself!!!

Elvira's still got it!