Chaos

It's funny; the two best films I've seen this year (sadly, CHAOS has only just made it to the Midwest United States in 2003), are both from France. Not only that, but none of the American films I've seen thus far even come close to this or Gaspar Noe's IRREVERSIBLE. Maybe we should rethink that stupid freedom fries thing and go seek out some real culture. CHAOS is a great film, a film that wastes no time. It starts with a bang when an Algerian prostitute named Noemie begs for a ride from Paul and his wife Helene as they drive by the scene of her merciless beating at the hands of three pimps. Paul locks the doors and, after the pimps have gone, leaving Noemie unconscious, gets out of the car only to wipe the windshield clean of the inconvenient blood Noemie has spilled upon it. A perfect opening to this film, showing the frailty of women at the hands of dominating men, and the inhumanity and selfishness of said men. As a human of the male persuasion myself, I was surprised to not feel any resentment toward the film's representation of manhood. It does not try to convince the viewer that all men are like this; just all the men in this film. At the same time, many men might feel uncomfortable at the incisiveness of the film's characterizations. At one point Helene says, "Not all men are bastards"; Noemie merely shrugs and smirks ever so slightly. It is more telling than a thousand words.

CHAOS is a melodrama, yes, indeed. But when melodramas are this much fun--this exciting, socially aware, funny, heartfelt, just plain interesting and oh-so-pertinent to our world today, we should only have more of them this good. As a fan of writer/director Coline Serreau since her POURQUOI PAS?, I was still unprepared for how terrific this new film is. Actors Vincent Lindon and Catherine Frot are wonderful, as usual, but it's newcomer Rachida Brakni who is stunning from first to last. The story, which begins with an auto accident, never lets up its tension and grows more complicated and intriguing as it proceeds. If, as some have said, CHAOS is anti-men, the men in this film certainly deserve their raspberries. Further, the movie should be "must" viewing for Islamic families around the world. While I would stake my life on the fact that not all Muslim families are as male-dominated by lunkheads as is the family shown here, still--the Islamic world must eventually come to terms with its women and their liberation, if they and the rest of us are to prosper. CHAOS is must-viewing for so many reasons, I can't begin to count them here. Rent it as soon as you can.

What impressed me more than anything about "Chaos" was the energetic acting. The two female leads seem absolutely driven in their portrayals, and it's a good thing, because their characters need all the energy they can get to cope with the whirlwind of savagery and plot twists in this terrifically entertaining (though sometimes hard to watch) film.

The only thing I disliked in "Chaos" was the cardboard portrayal of the husband. Though I consider myself a Francophile and have long enjoyed French films, I find French farce heavy-handed and really hard to take--and this role was handled farcically. But that's perhaps a cultural quibble, and overall I was greatly impressed by the film.

Highly recommended, but not for the squeamish.

From New Yorker Films and prolific French producer Alain Sarde, writer-director Coline Serreau's 2001 French film "Chaos" is very much a woman's adventure. The storyline is from the women's perspective, main action performances (and slapsticks) by women. Story revolves around 4 women - a mother in law (Line Renaud is quiet Mamie aptly cast), a sister (Hajar Nouma is naïve Zora unaware) are supporting roles to the two central gutsy characters: Hélène (neat and deftly portrayed by Catherine Frot) and Noémie/Malika (brilliant and forcefully played by Rachida Brakni). The serious & comical, patient & impetuous interactions between Hélène and Noémie sure kept the tight yet fun suspense drama going, with bemusing (and thoughtful) 'comments' on men - the husband ( the ill at ease egocentric Paul played with such facility by Vincent Lindon of Clair Denis' "Friday Night" 2001), the son (the callous immature Frabrice played by Aurélien Wiik), heartless fathers, boorish brothers, brutal gangsters and nasty pimps.

The film is no lightweight fare. It's a heartfelt reflection on women's place in society in similar situation/environment as the four women depicted in "Chaos" - and there's hope for tenacious bonding relationships to blossom and grown. The ending sight is serene and peaceful to behold, full of heart.

There are social commentaries sprinkled through out the film, be it obvious or subtle. Following the two women made us care about what will happen next: how will Hélène get pass/deal with the hoodlums, will Malika wake up, how can she fight the thugs in a wheelchair, is Paul really such a wimp and a jerk, do we treat our mothers like that - such observant perceptions Serreau included.

With the war situation, we are more aware of the fragility of life and how death can occur without warning. Like Yin & Yang, life & death are inseparable forces. What happens brought the two together, changing each other's course of life. 'tis death to the 'former' way of life and began anew their ventures, helping each other to attain the 'peace' they somehow individually needed. Esoteric this may sound, the dramatic plot of "Chaos" is entertaining assured.

The hospital bedside scene reminded me of Erick Zonca's "The Dreamlife of Angels" aka "La Vie rêvée des anges" 1998 - another worthwhile dramatic French film. Both films are available on DVD.

Colin Serreau wrote and directed "Three Men and A Cradle" in 1985 aka "Trois hommes et un couffin" with U.S. remake as "Three Men and A Baby" in 1987.

The first thing that stands out in this movie is the performances by all the actors.The credit should of course go to the director but the cast is very well chosen and they all do more than justice to their roles.

It is a story of a young Muslim girl in France, who rebels against her male dominated society and tries to become someone.She has to face many hard-ships and obstacles in the process though.The movie also showcases the life of a french family and their own struggle to come to terms with themselves and their life. all this is presented in a very humorous tone.The viewers will laugh at the right time,enjoy the humour but importantly at the same time , they will not miss the underlying irony of things. One never loses touch of the struggle and the tribulations of the characters involved.

after a long time I have seen a movie, which unlike most movies dished out by the Hollywood studios these days, does'nt just concentrate either on the commercial aspect or is just made to satisfy the critics and do well at the Oscars. This movie just proves that with honest, dedicated work and the right(talented) people knowing , what they are doing, a Great movie can be made with a limited budget.

I would recommend this to everyone who want some entertainment as well as not feel they have just wasted their 2 hours.