CALIFICACIÓN DE IMDb
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Heroínas o villanas, la tensión entre estas luchadoras crece hasta culminar en combate.Heroínas o villanas, la tensión entre estas luchadoras crece hasta culminar en combate.Heroínas o villanas, la tensión entre estas luchadoras crece hasta culminar en combate.
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Matt Cimber has created the most amazing films like Hundra, Yellow Hair, The Candy Tangerine Man, and GLOW over the five decades; he has inspired many artists and filmmakers like Tarantino. He is currently collaborating with his favorite Queen of Action, Laurene Landon for FLOW, the new GLOW, Produce Katherine, and now Snoop Dog is starring in the remake of The Candy Tangerine Man currently in development. I'm excited to see his new films and the new FLOW!
If you love GLOW Netflix and our documentary please be sure to follow the Original Ladies of GLOW @GLOWwrestling xo
See the new generation of GLOW on NF and see how it compares to Classic GLOW. We would Love your input on Twitter! Do you want to see the original Ladies of GLOW on The New Netflix GLOW in at least cameos message NetlflixGLOW and tell then you want the classic ladies to be a part of the show too!
See the new generation of GLOW on NF and see how it compares to Classic GLOW. We would Love your input on Twitter! Do you want to see the original Ladies of GLOW on The New Netflix GLOW in at least cameos message NetlflixGLOW and tell then you want the classic ladies to be a part of the show too!
10Lorifan
Since GLOW came into being in the mid-eighties, it has attracted a large amount of ridicule. It is often portrayed as sexist and cheesy, with humor that misses the mark badly.
Is this fair criticism? To some extent, yes. Certainly some of the wrestling was not of a high standard, and the skits and comedy were usually unfunny.
But if you search out matches involving some of the better GLOW girls, such as Attache, Spanish Red or Tina Ferrari, then you will be rewarded with excellent wrestling matches, played by women who are really convincing in their roles. Attache in particular, is an absolute star, a mixture of toughness, charisma and huge appeal.
In summary, GLOW is something of a guilty pleasure, the kind of show you don't want to admit to liking, but secretly do!
Is this fair criticism? To some extent, yes. Certainly some of the wrestling was not of a high standard, and the skits and comedy were usually unfunny.
But if you search out matches involving some of the better GLOW girls, such as Attache, Spanish Red or Tina Ferrari, then you will be rewarded with excellent wrestling matches, played by women who are really convincing in their roles. Attache in particular, is an absolute star, a mixture of toughness, charisma and huge appeal.
In summary, GLOW is something of a guilty pleasure, the kind of show you don't want to admit to liking, but secretly do!
10alanmora
GLOW (Gourgous Ladies of Wrestling) was one of the most popular professional wrestling television shows ever to air. Created by David McClane, this syndicated weekly show was, to my knowledge the only professional wrestling show that actually aired re-runs and ran seasonally. Often imitated but never duplicated this show ran a little over 5 years. It was broadcast "direct from the Riviera Hotel and Casino in the entertainment capital of the world Las Vegas Nevada" which gave the show a feel as if it were taped in someone's basement. The characters were totally over the top, with each GLOW girl having her very own "rap" style entrance theme song (possibly inspired by the Chicago Bears and their "Super Bowl Shuffle" of the time period). The theatrics and comedic aspects of this show far surpassed any wrestling "talent" (or general lack thereof) of its performers. The ropes were a bright pink and the characters had various "gimmicks". There was: Colonel Ninotchka, A Russian KGB agent; Americana, the all-American beauty; Tina Ferrari, Ashley Cartier and in later seasons Roxy Astor and Tiffany Mellon portrayed the "Park Avenue Knockouts"; the Heavy Metal Sisters Spike and Chainsaw brought working chainsaws and a blow torch to the ring; the Terrorist Palestina performed terrorist ceremonies and threw sand in her opponents eyes; the Housewives Phyliss and Arlene came to the ring with mop and bucket en tow and would use various household items on their opponents; the Princess of Darkness and in later seasons Big Bad Mamma would cast spells on their opponents using their "mojo bone" and "voodoo dust" respectively; Dementia would come to the ring in a cage wearing a hockey mask and swinging an Axe; and the Cheerleaders Susie Spirit, Debbie Debutante and in later seasons Cheyenne Cher and Vicky Victory would do amazing acrobatics in the ring. To top it all off Jackie Stallone (yes Sly's mother) was the manager of the "Good Girls" while the "Bad Girls" were managed by the notorious Aunt Kitty. After the first couple of seasons, there was some sort of falling out between McClane and the "Network" and McClane would leave GLOW to create his own series POWW (the Powerful Women of Wrestling) which focused more on the actual wrestling talent then the theatrics, music videos and comedy routines. Years later, McClane would try to revive this organization with the dismal WOW (Women of Wrestling) series which lasted only one season. When McClane left GLOW he took most of the "talent" roster with him but a new breed of GLOW girls would emerge and the show would continue for several more seasons before eventually getting canceled. Any true wrestling fan should view footage of this show if not just for the historical value then most definitely for the sheer comedic and political incorrectness of it. A new version of GLOW is rumored to be on the horizon headed up by Ursula Hayden who portrayed Babe the Farmer's Daughter in the original series and featuring Melody Trouble Vixen (MTV) from the original series as the manager of the "Bad Girls".
If you watched G.L.O.W. for any reason, you probably turned in regularly for one of three things: to see woman wrestling and killing each other, to see the female wrestlers do some of the funniest comedy sketches or there was nothing else on. The wrestling was obviously choreographed to keep them from really killing each other, after all, many of them were actually actresses or porn stars trying to get legitimate work. None of them had any real wrestling experience except for maybe a week to a months worth of orientation to avoid bruises and broken bones. Some of the scenes in the ring were obviously fake. The Princess Of Darkness could "hypnotize" her opponents by flicking on and off a flashlight built inside a bone. Dementia (actress Nancy Daley) was often brought out in a cage wearing a Lizzie Borden dress and hockey mask. Tammy Jones once won a fight in the last minute after being consistently pummeled by Matilda The Hun (actress Dee Booher, now Queen Kong), and two guys once alledgedly "snuck" through security, into the locker rooms, passed themselves off as lady wrestlers and tried to rape Hollywood and Vine in the ring. The comedy though was a good part of the appeal as Mountain Fiji often dreamed of being Mae West, Russian Colonel Ninotchka (actually American actress Lori Weathers) was often sending spy reports to Mother Russia and Spanish Red played a waitress in several diner sketches. The videos and the short-lived magazine series are collectors items now that this female federation has dissolved, but many of them have become models and actresses in shows like Married With Children.
¿Sabías que…?
- TriviaThe organization GLOW - Gorgeous Ladies of Wrestling - is owned by Ursula Hayden, who portrayed Babe, the Farmer's daughter on the original GLOW television series.
- ConexionesFeatured in La diabla (1989)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- GLOW
- Locaciones de filmación
- Las Vegas, Nevada, Estados Unidos(Filmed around at the showroom of the Riviera Hotel.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
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By what name was GLOW: Gorgeous Ladies of Wrestling (1986) officially released in India in English?
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