Der Tunnel
- 2001
- 2h 30min
CALIFICACIÓN DE IMDb
7.7/10
6.5 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaDuring the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.During the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.During the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.
- Dirección
- Guionista
- Elenco
- Premios
- 11 premios ganados y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I'm reading the other reader's comments on this movie, and I'm completely bewildered- it was a nice, professional TV movie, but nothing to write home about. Strictly a by-the-numbers historical drama, with some happy plastic people vs. some not-so-happy grayish villains. The director seems all-pro but emotionally shallow, and doesn't really evoke the horror of East Germany- the place seemed about as threatening as a weekend at EuroDisney. Okay if you're flipping by it on television, but not worth paying real money for.
Great story of a fight to free people from a police state. Never lost my attention and had the production quality of a Hollywood film.
I wish it was more readily available in the US.
I had to pay $30 for the dvd on eBay.
I wish it was more readily available in the US.
I had to pay $30 for the dvd on eBay.
What a great movie! It's a very well made adventure flick that has the added advantage of being true.
I agree with the IMDb reviewer who said Heino Ferch, who plays the central character Harry Melchior, was a lot like Bruce Willis. I found the similarities profound.
And I thoroughly disagree with the New York Times reviewer (click on the EXTERNAL REVIEWS link to read it), who wrote: "They are joined by numerous volunteers hoping to rescue their own friends and family, and by the eager Fritzi (Nicolette Krebitz), whose solitary feminine presence complicates the team's relationships."
I don't know what movie that reviewer saw, but it wasn't this one. What a stupid remark, apropos of nothing, making it sound like a romantic triangle or quadrangle develops. There is nothing of the kind. In fact, Fritzi is a great female role model. When she first volunteers and the men wonder what sort of contribution she'll be able to make, she says, "I may look different from you when I'm naked, but I can work just as hard." Then she jumps into the tunnel and starts digging. Right on, sister.
I don't remember much about Germany before the Berlin Wall came down, beyond cinematic references to "Checkpoint Charlie" and the Brandenburg Gate and news reports I was too young to understand. But this movie really brings the horrors -- psychological as well as physical -- to life.
Another film that explores similar territory, psychological as well as physical, is The Lives of Others. Interestingly, the German actor Sebastian Koch has high profile roles in both films.
I agree with the IMDb reviewer who said Heino Ferch, who plays the central character Harry Melchior, was a lot like Bruce Willis. I found the similarities profound.
And I thoroughly disagree with the New York Times reviewer (click on the EXTERNAL REVIEWS link to read it), who wrote: "They are joined by numerous volunteers hoping to rescue their own friends and family, and by the eager Fritzi (Nicolette Krebitz), whose solitary feminine presence complicates the team's relationships."
I don't know what movie that reviewer saw, but it wasn't this one. What a stupid remark, apropos of nothing, making it sound like a romantic triangle or quadrangle develops. There is nothing of the kind. In fact, Fritzi is a great female role model. When she first volunteers and the men wonder what sort of contribution she'll be able to make, she says, "I may look different from you when I'm naked, but I can work just as hard." Then she jumps into the tunnel and starts digging. Right on, sister.
I don't remember much about Germany before the Berlin Wall came down, beyond cinematic references to "Checkpoint Charlie" and the Brandenburg Gate and news reports I was too young to understand. But this movie really brings the horrors -- psychological as well as physical -- to life.
Another film that explores similar territory, psychological as well as physical, is The Lives of Others. Interestingly, the German actor Sebastian Koch has high profile roles in both films.
This turned out to be a great movie, much better than I thought it would be. I am a fan of the spy movies of the 1960's, and this movie fits into that genre (but not quite). I am a fan of the cold war era, too, with Berlin and the wall and all that, so this movie was great to watch. There are a few things I didn't like, but they were minor, which is why I gave it an 8 out of 10.
I was watching this with a buddy, and we both got caught up in it and were on the edge of our seats wondering if they would get away with it, and was much more thrilling that I thought it would be.
There are several very touching scenes where people get shot, and people are looking over the wall, reaching down, trying to grab their hand and pull them up, while the shot man is gasping, whispering how he had to get over the wall before he lost his girlfriend...it was very freaking' sad and moving, especially the way the filmed it, very cool.
It gets slow a few times, dabbling in the romance between two characters, but I am used to that in movies now. The version I saw was in German with English subtitles, but luckily I speak German. I thought the main character was very like Bruce Willis.
I was watching this with a buddy, and we both got caught up in it and were on the edge of our seats wondering if they would get away with it, and was much more thrilling that I thought it would be.
There are several very touching scenes where people get shot, and people are looking over the wall, reaching down, trying to grab their hand and pull them up, while the shot man is gasping, whispering how he had to get over the wall before he lost his girlfriend...it was very freaking' sad and moving, especially the way the filmed it, very cool.
It gets slow a few times, dabbling in the romance between two characters, but I am used to that in movies now. The version I saw was in German with English subtitles, but luckily I speak German. I thought the main character was very like Bruce Willis.
10phranger
This is an exceptionally well-built film with a subject more than worth the effort, well delimited and well illuminated. Teaches a lot, by showing, not saying. Truly beyond praise.
Der Tunnel illustrates how it felt to live in East Germany in the years before the Wall was built, how it felt once it was built, and the terrible determination of some people who escaped in the first few days, to make their escape serve others in East Berlin by trying to bring them to the West, even if the attempt should cost them their own lives. The film's primary power lies there, in the testimony value of each of its frames.
I lived for a few months in Germany less than four years after the events shown, within a walk from the East German border. I visited East Berlin several times and traipsed (illegally) into East Germany once. Der Tunnel shows truths I would never have found the words to explain, and shows them in a way anyone can feel, if perhaps by watching the film more than once. Another film that is instructive on some of the same topics is Volker Schlondorf's semi-fictional Legends of Rita, well worth watching after Der Tunnel. (Legends of Rita takes place in the last years before the Wall fell, more than 20 years later.)
One note. In Der Tunnel, the more people are compromised by the East German regime, the more they invoke their conscience and their deep-felt personal opinions. (You might call this the Lutheran variant of Stalinism.) This occurs equally in Legends, except that in the latter the character who is totally "political consciousness"-driven is the West German Rote-Armee protagonist, who does nothing but meaningless murders until she escapes to the East and, there, is kept under control. So, in Legend, the various East German security people come off better with their "conscience" than does the truly-awful protagonist. In Der Tunnel, they don't come out as well. As for the diggers, they never talk about conscience or opinion at all. That they will do everything in their power to save their loved ones from the regime is simply obvious to all and never discussed.
A second note. The only non-East-German involved in the digging is an American undercover operative. Despite working, no doubt, under the same constraints as his opposite numbers, he shows as much determination as any of the other diggers, and perhaps even more courage.
Concerning Marcel's ending query -- The Colonel stops at the border sign because doing anything beyond the sign would lead to major diplomatic embarrassments, and naturally to demotion or worse for him. He certainly can't kill all the witnesses (and has no intention of doing so). This is the same mechanics that explain why the American operative, after being caught in the East by the Colonel's services, is only detained for a spate of days, with no torture nor bad treatment except cold and isolation, and then released. (He carefully avoided engaging in anything like espionage.) These rules were known to all at the time (self included).
Der Tunnel illustrates how it felt to live in East Germany in the years before the Wall was built, how it felt once it was built, and the terrible determination of some people who escaped in the first few days, to make their escape serve others in East Berlin by trying to bring them to the West, even if the attempt should cost them their own lives. The film's primary power lies there, in the testimony value of each of its frames.
I lived for a few months in Germany less than four years after the events shown, within a walk from the East German border. I visited East Berlin several times and traipsed (illegally) into East Germany once. Der Tunnel shows truths I would never have found the words to explain, and shows them in a way anyone can feel, if perhaps by watching the film more than once. Another film that is instructive on some of the same topics is Volker Schlondorf's semi-fictional Legends of Rita, well worth watching after Der Tunnel. (Legends of Rita takes place in the last years before the Wall fell, more than 20 years later.)
One note. In Der Tunnel, the more people are compromised by the East German regime, the more they invoke their conscience and their deep-felt personal opinions. (You might call this the Lutheran variant of Stalinism.) This occurs equally in Legends, except that in the latter the character who is totally "political consciousness"-driven is the West German Rote-Armee protagonist, who does nothing but meaningless murders until she escapes to the East and, there, is kept under control. So, in Legend, the various East German security people come off better with their "conscience" than does the truly-awful protagonist. In Der Tunnel, they don't come out as well. As for the diggers, they never talk about conscience or opinion at all. That they will do everything in their power to save their loved ones from the regime is simply obvious to all and never discussed.
A second note. The only non-East-German involved in the digging is an American undercover operative. Despite working, no doubt, under the same constraints as his opposite numbers, he shows as much determination as any of the other diggers, and perhaps even more courage.
Concerning Marcel's ending query -- The Colonel stops at the border sign because doing anything beyond the sign would lead to major diplomatic embarrassments, and naturally to demotion or worse for him. He certainly can't kill all the witnesses (and has no intention of doing so). This is the same mechanics that explain why the American operative, after being caught in the East by the Colonel's services, is only detained for a spate of days, with no torture nor bad treatment except cold and isolation, and then released. (He carefully avoided engaging in anything like espionage.) These rules were known to all at the time (self included).
¿Sabías que…?
- Versiones alternativasGerman DVD version runs for ca. 150 minutes, ca. 40 minutes shorter than the TV version.
- ConexionesReferences Los inadaptados (1961)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Tunnel?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Tunnel
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,100,000 (estimado)
- Total en EE. UU. y Canadá
- USD 46,296
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,127
- 1 may 2005
- Total a nivel mundial
- USD 115,112
- Tiempo de ejecución2 horas 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
- 2.35 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Der Tunnel (2001) officially released in India in English?
Responda