Der Tunnel

It is hard to believe that this movie lasted almost three hours. It was so compelling that you stayed glued to the screen the entire time and were surprised when it ended.

The acting by Heino Ferch (Downfall), Nicolette Krebitz (All the Queen's Men), Alexandra Maria Lara (Control, The Reader), Claudia Michelsen (The Reader), and Sebastian Koch (Black Book, The Lives of Others) was superlative. There were others that contributed to making Roland Suso Richter's film the superlative treat that it was.

To see the lengths that people will go through to save their loved ones is inspiring.

Great story of a fight to free people from a police state. Never lost my attention and had the production quality of a Hollywood film.

I wish it was more readily available in the US.

I had to pay $30 for the dvd on eBay.

This turned out to be a great movie, much better than I thought it would be. I am a fan of the spy movies of the 1960's, and this movie fits into that genre (but not quite). I am a fan of the cold war era, too, with Berlin and the wall and all that, so this movie was great to watch. There are a few things I didn't like, but they were minor, which is why I gave it an 8 out of 10.

I was watching this with a buddy, and we both got caught up in it and were on the edge of our seats wondering if they would get away with it, and was much more thrilling that I thought it would be.

There are several very touching scenes where people get shot, and people are looking over the wall, reaching down, trying to grab their hand and pull them up, while the shot man is gasping, whispering how he had to get over the wall before he lost his girlfriend...it was very freaking' sad and moving, especially the way the filmed it, very cool.

It gets slow a few times, dabbling in the romance between two characters, but I am used to that in movies now. The version I saw was in German with English subtitles, but luckily I speak German. I thought the main character was very like Bruce Willis.

In The Tunnel the audience is dragged down to the depths with a group of Germans so desperate to get their loved ones from East Germany in 1961 that they are prepared to dig a tunnel under the infamous Berlin Wall. The tunnel takes a year to dig, is seven metres deep and 145 metres long.

The story of The Tunnel is really the story of Harry Melchior (Heino Ferch), an East German champion swimmer who escapes to the west disguised as a tourist. Before leaving the state which has imprisoned him for four years he promised his sister, Lotte Lohmann (Alexandra Maria Lara) that he would do his best to rescue her from the oppressive regime. Joining him in his noble mission is Matthis Hiller (Sebastian Koch), an engineer with the knowhow if only the rest of the gang will listen to him. He wants to rescue his wife and unborn child. Also on the team is Friederike 'Fritzi' Scholz (Nicolette Krebitz). Her intended is trapped on the other side of the wall, but does she really love him? There is a whole host of other characters who have their own motivations for helping out, but who can be trusted and who is a spy? All the actos put in superb performances, transporting the viewer back to those troubled times. What makes The Tunnel such compelling viewing is not it's high production values and suspenseful story, although it has both in oodles, but the very fact that it is a true story. Directed by Roland Suso Richter and written by Johannes W Betz, The Tunnel is filmed in the original German with English subtitles. But the subject is so enthralling that you soon forget you are having to read each line. While it is three hours long it doesn't even feel it. The Tunnel began its run during the Te Awamutu International Film Festival at The Regent cinema but is to continue showing.

West Berliners dig a tunnel under the Berlin Wall, hoping to get their loved ones out of East Berlin. This is an exciting, fact-based drama that is well acted by a German cast. The running time of nearly three hours is somewhat excessive but the story is interesting enough that it rarely drags. The characters are well developed. There are a couple of emotional scenes that become too melodramatic and stray from the central plot line. For the most part, however, the filmmakers wisely stay focused on the the building of the tunnel. The tension builds nicely in the final part, as the escape plan is put in motion. The random use of black and white cinematography is distracting.