CALIFICACIÓN DE IMDb
7.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaRoger Maris and Mickey Mantle race to break Babe Ruth's single-season home run record.Roger Maris and Mickey Mantle race to break Babe Ruth's single-season home run record.Roger Maris and Mickey Mantle race to break Babe Ruth's single-season home run record.
- Ganó 2 premios Primetime Emmy
- 4 premios ganados y 26 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
An exceptional story. Brilliantly acted (excellent casting), perfect direction... Why can't films at the box office be scripted like this? Baseball films are usually well done and 61* is no exception. The story of Roger Maris and Mickey Mantle coming to odds with breaking a legend's record has never been told better. They even look like the players! Great job by Billy Crystal, Thomas Jane and Barry Pepper for a great film. 61* does a good job trying to explain its very tagline: Why did America have room in its heart for only one hero? Did Yankees fans really feel that Maris was not one of the team? Did the media truly want to make his life miserable for chasing the Babe's record? The subplot is as good as the main story itself. Thumbs up.
Even for the only occasional baseball fan in Europe (i.e. myself) this film gives you excitement about the game the game of baseball, feeling for some of its greatest stars and hits home just how big the sport is across the pond. And it really brings home how much director/producer Billy Crystal loves the game.
The strength, however, really rest in the performance of Billy Pepper and Thomas Jane who portray the friendship, rivalry and respect between two great players.
I was glued to the screen from moment one would suggest that this is one of the strongest sports films ever made.
The strength, however, really rest in the performance of Billy Pepper and Thomas Jane who portray the friendship, rivalry and respect between two great players.
I was glued to the screen from moment one would suggest that this is one of the strongest sports films ever made.
Billy Crystal hits it out of the park with 61*. Brilliantly cast, beautifully shot and at times brutally honest in its storytelling, 61* is an absolute gem.
Any baseball fan well knows the story of the great home run chase of 1961. Here, Crystal peels back the curtain and brings us up close and personal with the men who made that season so memorable. In Barry Pepper, who plays Roger Maris, and Thomas Jane, as Mickey Mantle, Crystal found two actors absolutely perfect for their respective roles. The way Pepper and Jane perfectly captured the essence of these real-life heroes goes far beyond the eerie physical resemblances the actors have to the men they portray. Maris was a quiet, serious, introspective family man. And during this particular season it could be said he was a downright tortured man as well. Pepper captures all of this wonderfully. Mantle on he other hand was an outgoing, energetic, fun-loving superstar who took full advantage of all the perks his stardom brought him. And Jane does a fine job bringing this out and really lets you see the wear and tear Mantle's lifestyle had on him as his body began to break down. It would have been easy to gloss over some of the less appealing aspects of Mantle's personality. It also would have been dishonest and Crystal is to be applauded for showing it how it really was. Mantle was a larger than life hero but he certainly had his faults and this film brings them out. Some may find the pervasive profanity and crude sexual humor in the film to be a bit over the top but an honest retelling of the story requires acknowledging the way these ballplayers really were.
61* is not just a movie about baseball, it is at its heart a movie about Roger Maris and the key relationships in his life. Maris and Mantle, Maris and his wife, Maris and the oppressive press...these relationships are all explored as we learn much more about Roger Maris the man than Roger Maris the baseball player. Maris had to overcome a great deal to accomplish what he did and this film does a brilliant job of bringing us along on his magical ride.
Any baseball fan well knows the story of the great home run chase of 1961. Here, Crystal peels back the curtain and brings us up close and personal with the men who made that season so memorable. In Barry Pepper, who plays Roger Maris, and Thomas Jane, as Mickey Mantle, Crystal found two actors absolutely perfect for their respective roles. The way Pepper and Jane perfectly captured the essence of these real-life heroes goes far beyond the eerie physical resemblances the actors have to the men they portray. Maris was a quiet, serious, introspective family man. And during this particular season it could be said he was a downright tortured man as well. Pepper captures all of this wonderfully. Mantle on he other hand was an outgoing, energetic, fun-loving superstar who took full advantage of all the perks his stardom brought him. And Jane does a fine job bringing this out and really lets you see the wear and tear Mantle's lifestyle had on him as his body began to break down. It would have been easy to gloss over some of the less appealing aspects of Mantle's personality. It also would have been dishonest and Crystal is to be applauded for showing it how it really was. Mantle was a larger than life hero but he certainly had his faults and this film brings them out. Some may find the pervasive profanity and crude sexual humor in the film to be a bit over the top but an honest retelling of the story requires acknowledging the way these ballplayers really were.
61* is not just a movie about baseball, it is at its heart a movie about Roger Maris and the key relationships in his life. Maris and Mantle, Maris and his wife, Maris and the oppressive press...these relationships are all explored as we learn much more about Roger Maris the man than Roger Maris the baseball player. Maris had to overcome a great deal to accomplish what he did and this film does a brilliant job of bringing us along on his magical ride.
Being 33 years old as of this writing, I knew little about the Roger Maris-Mickey Mantle home run chase of 1961 until the Mark McGwire-Sammy Sosa home run chase of 1998. I didn't learn a whole lot about the '61 chase in '98 but I learned enough to develop a solid interest in it.
Still, I didn't have very high hopes for "61*." Most of the made for TV movies that I've seen haven't made a strong impression on me, including those made for cable TV, as this was (for HBO). Furthermore, I've never been a big Billy Crystal fan. Though I love comedy, I've never found him to be that funny. And I didn't have a lot of confidence in him to make a good drama, either.
And on top of all that, I often find sports biography movies to be disappointing, often leaving out important details while at the same time over-Hollywoodizing. "Rudy," for example. But when I saw the DVD of "61*" at a Family Dollar store, priced at just $6, I took a chance and bought it. And I'm glad I did!
Crystal won tremendous respect from me with this movie. Almost flawlessly, he tells one of the most interesting single season sports stories that I know of. And I know of more than probably 99% of the American population!
From the start, the 1961 Major League Baseball season was ripe to be a classic. Babe Ruth's single season home run record of 60, set in 1927, was more vulnerable than ever because of two major changes. The Los Angeles (later California and now Anaheim) Angels and Washington Senators (now Texas Rangers) began play, thus spreading the pitching talent more thinly. And the regular season increased in length from 154 games - which had also been the season length in 1927 - to 162, as it remains today.
The biggest reason why I find the '61 chase more interesting than the '98 chase is that in '61, the top two contenders were teammates. Both played for - who else - the New York Yankees. One was Mickey Mantle (played by Thomas Jane), who had already spent a decade with the Yankees and was unquestionably the biggest star of the day. The other was Roger Maris (Barry Pepper), who was much less heralded. Maris had just emerged as a star the year before, winning the American League Most Valuable Player award in his Yankees debut, which followed three solid but unspectacular years with other Major League teams.
Both Mantle and Maris hailed from rural states - Oklahoma and North Dakota, respectively - but were very different people. Mantle epitomized the word "superstar." Besides excelling at every area of the game, he was a charismatic, care free party animal and a fan favorite, the natural heir to Babe Ruth, Lou Gehrig, Joe DiMaggio and other legends. In sharp contrast, Maris was an introvert who largely shunned the spotlight. He loved the game but never attempted to be what the media and fans wanted him to be.
(On a side note, I'm a Maris sympathizer because I can relate to being rejected by people who I don't bother simply because I don't follow the crowd and I believe in judging people based on substance more than anything else. Yankees fans should have loved Maris and embraced his phenomenal achievement that year.)
As the season progressed and both Mantle and Maris stayed near the pace to break Ruth's record, it was obvious that the fans favored Mantle by far. And when Mantle was slowed by injuries, the fans generally ranged from lukewarm to hostile in their treatment of Maris as he neared the record. For example, the Yankees' last game of the regular season, which they hosted, drew a crowd of just 22,000 even though Maris entered the game tied with Ruth and even though the Yankees went on to win the World Series that year.
This is a sharp contrast to 1998, when McGwire regularly filled stadiums in pursuit of Maris' record even though McGwire's team didn't even make the playoffs that season. And in sharp contrast to McGwire's enthusiasm for breaking the record, Maris did not seem to get a lot of joy out of it. He had a difficult time dealing with negativity from the media and fans and also missed the birth of a son during the season.
There are so many things to love about "61*" that it's hard to list them all. The movie does a great job recreating 1961 in every way. Crystal even managed to find actors to play not only most of the significant Yankees of the season but also many of their opponents. That is not the case with most sports biography movies.
Pepper and Jane both give excellent performances and strongly resemble the men who they play. And the movie is very fair and balanced. It presents the perspectives of both Mantle and Maris and gives us an up close look at their relationship behind the scenes, which was fairly good, all things considered. Mantle even moved in with Maris during the season.
The movie doesn't white wash either man, neither of whom was squeaky clean, but it doesn't resort to sensationalism, either. For example, it shows Mantle drink alcohol enough in the movie that we realize he drank too much alcohol, but it doesn't dwell on that fact. In addition, the movie gives us insight into Mantle's philosophy. The men in his family all died by the age of 45 so he figured he wasn't going to live a long life and therefore didn't see a need to take good care of himself.
(Shortly before his death from cancer in 1995 at the age of 63, he acknowledged that he would have taken care of himself had he known that he was going to live so long. And in response to witnessing by former Yankees teammate Bobby Richardson, who became a minister after retiring from baseball, Mantle repented and became a Christian.)
I've found little to criticize about this movie. I've discovered only a few inaccuracies in it - far less than other sports biography movies - and most are minor. The main thing that I wish Crystal had done differently was to give some information about what ended up happening to Mantle and Maris.
Both largely went downhill from there. After a 1962 season that was very good, but far below his '61 magic, Maris fell into mediocrity and injuries. He never made the Hall of Fame and died of lymphoma on Dec. 14, 1985 (my 15th birthday) at the age of 15.
Mantle had a few more good seasons, but soon his hard living caught up with him, as mentioned above.
In addition to the movie, the DVD of "61*" contains an excellent 51 minute documentary about the movie, the Yankees and the '61 season, hosted by Crystal. The documentary contains extensive information about the making of the movie and lots of great stories from Crystal, whose love for and vast knowledge of both the game and the Yankees is absolutely infectious.
However, because this movie is unrated, I caution you that this is not a family movie. There is enough profanity and crude sexual humor to get it at least an easy PG-13 rating.
In conclusion, the movie and the documentary combine to make "61*" a great buy, especially if you find it at as low a price as I did! 9/10.
Still, I didn't have very high hopes for "61*." Most of the made for TV movies that I've seen haven't made a strong impression on me, including those made for cable TV, as this was (for HBO). Furthermore, I've never been a big Billy Crystal fan. Though I love comedy, I've never found him to be that funny. And I didn't have a lot of confidence in him to make a good drama, either.
And on top of all that, I often find sports biography movies to be disappointing, often leaving out important details while at the same time over-Hollywoodizing. "Rudy," for example. But when I saw the DVD of "61*" at a Family Dollar store, priced at just $6, I took a chance and bought it. And I'm glad I did!
Crystal won tremendous respect from me with this movie. Almost flawlessly, he tells one of the most interesting single season sports stories that I know of. And I know of more than probably 99% of the American population!
From the start, the 1961 Major League Baseball season was ripe to be a classic. Babe Ruth's single season home run record of 60, set in 1927, was more vulnerable than ever because of two major changes. The Los Angeles (later California and now Anaheim) Angels and Washington Senators (now Texas Rangers) began play, thus spreading the pitching talent more thinly. And the regular season increased in length from 154 games - which had also been the season length in 1927 - to 162, as it remains today.
The biggest reason why I find the '61 chase more interesting than the '98 chase is that in '61, the top two contenders were teammates. Both played for - who else - the New York Yankees. One was Mickey Mantle (played by Thomas Jane), who had already spent a decade with the Yankees and was unquestionably the biggest star of the day. The other was Roger Maris (Barry Pepper), who was much less heralded. Maris had just emerged as a star the year before, winning the American League Most Valuable Player award in his Yankees debut, which followed three solid but unspectacular years with other Major League teams.
Both Mantle and Maris hailed from rural states - Oklahoma and North Dakota, respectively - but were very different people. Mantle epitomized the word "superstar." Besides excelling at every area of the game, he was a charismatic, care free party animal and a fan favorite, the natural heir to Babe Ruth, Lou Gehrig, Joe DiMaggio and other legends. In sharp contrast, Maris was an introvert who largely shunned the spotlight. He loved the game but never attempted to be what the media and fans wanted him to be.
(On a side note, I'm a Maris sympathizer because I can relate to being rejected by people who I don't bother simply because I don't follow the crowd and I believe in judging people based on substance more than anything else. Yankees fans should have loved Maris and embraced his phenomenal achievement that year.)
As the season progressed and both Mantle and Maris stayed near the pace to break Ruth's record, it was obvious that the fans favored Mantle by far. And when Mantle was slowed by injuries, the fans generally ranged from lukewarm to hostile in their treatment of Maris as he neared the record. For example, the Yankees' last game of the regular season, which they hosted, drew a crowd of just 22,000 even though Maris entered the game tied with Ruth and even though the Yankees went on to win the World Series that year.
This is a sharp contrast to 1998, when McGwire regularly filled stadiums in pursuit of Maris' record even though McGwire's team didn't even make the playoffs that season. And in sharp contrast to McGwire's enthusiasm for breaking the record, Maris did not seem to get a lot of joy out of it. He had a difficult time dealing with negativity from the media and fans and also missed the birth of a son during the season.
There are so many things to love about "61*" that it's hard to list them all. The movie does a great job recreating 1961 in every way. Crystal even managed to find actors to play not only most of the significant Yankees of the season but also many of their opponents. That is not the case with most sports biography movies.
Pepper and Jane both give excellent performances and strongly resemble the men who they play. And the movie is very fair and balanced. It presents the perspectives of both Mantle and Maris and gives us an up close look at their relationship behind the scenes, which was fairly good, all things considered. Mantle even moved in with Maris during the season.
The movie doesn't white wash either man, neither of whom was squeaky clean, but it doesn't resort to sensationalism, either. For example, it shows Mantle drink alcohol enough in the movie that we realize he drank too much alcohol, but it doesn't dwell on that fact. In addition, the movie gives us insight into Mantle's philosophy. The men in his family all died by the age of 45 so he figured he wasn't going to live a long life and therefore didn't see a need to take good care of himself.
(Shortly before his death from cancer in 1995 at the age of 63, he acknowledged that he would have taken care of himself had he known that he was going to live so long. And in response to witnessing by former Yankees teammate Bobby Richardson, who became a minister after retiring from baseball, Mantle repented and became a Christian.)
I've found little to criticize about this movie. I've discovered only a few inaccuracies in it - far less than other sports biography movies - and most are minor. The main thing that I wish Crystal had done differently was to give some information about what ended up happening to Mantle and Maris.
Both largely went downhill from there. After a 1962 season that was very good, but far below his '61 magic, Maris fell into mediocrity and injuries. He never made the Hall of Fame and died of lymphoma on Dec. 14, 1985 (my 15th birthday) at the age of 15.
Mantle had a few more good seasons, but soon his hard living caught up with him, as mentioned above.
In addition to the movie, the DVD of "61*" contains an excellent 51 minute documentary about the movie, the Yankees and the '61 season, hosted by Crystal. The documentary contains extensive information about the making of the movie and lots of great stories from Crystal, whose love for and vast knowledge of both the game and the Yankees is absolutely infectious.
However, because this movie is unrated, I caution you that this is not a family movie. There is enough profanity and crude sexual humor to get it at least an easy PG-13 rating.
In conclusion, the movie and the documentary combine to make "61*" a great buy, especially if you find it at as low a price as I did! 9/10.
10donwan47
As a Scotsman raised on football and rugby American sports have often left me cold and were a subject of derision in my household as a child. This film ,brilliantly directed by Billy Crystal, changed all that for me. I bought this film through a region 1 DVD supplier as it is unavailable in the UK and was moved to tears by its moving and heartfelt depiction of the late great Roger Maris who in one season became the most misunderstood and hated figure in baseball history. His crime- he dared to challenge a thirty four year old record set by Babe Ruth for the most home runs scored in a single season and even worse he was in competition with teammate Mickey Mantle for the record. Mantle at the time was the darling of NY Yankee fans and was probably the greatest player of his day, Maris was a small town boy who played the game only as a means to an end, to provide for his family, and cared little for public opinion or the press. The venom to which he is subjected to by the press and fans, brought on by immoral reporters, will make any sports fan angry. This film was a work of joy for director Billy Crystal and his love for the project shows in every shot and especially in the directors commentary. Barry Pepper is an uncanny Roger Maris and his amazing performance pulls us into the suffering the player must have felt. Thomas Jane is a brilliant Mickey Mantle playing the role of American legend with biblical sincerity. The whole project feels classy at all times, despite being made for T.V, and is a monument to both players and the era in which they lived. The film is rounded of by an appearance during the credits by Mickey Mantle's son and grandson, pure class and a tribute to the boyhood idol of Billy Crystal All in all well done to Billy Crystal and cast. Thank you for a wonderful 2hrs and 9mins. I am only sad it wasn't longer. But it has introduced me to the sport of baseball and has compelled me to learn more of both Maris and Mantle. So it has placed me on a journey of discovery. What higher compliment can I pay?
¿Sabías que…?
- TriviaBecause there was no accurate documentation of it, no one knew what the precise color of the Yankee Stadium seats were in 1961. When faced with this dilemma, production designer Rusty Smith was told that Billy Crystal had an old bleacher seat from Yankee Stadium. Though the seat was completely painted blue, Smith found one small chip of green on the seat that proved to be the true Yankee Stadium green.
- ErroresWhen Maris is talking with his wife from a payphone after the birth of their son, he's talking on a payphone that is a single-slot model. In 1961, the three slot version (25 cent, 10 cent 5 cent) was still in use. The single-slot phone was not introduced until 1965.
- Créditos curiososYankee Stadium played by Tiger Stadium
- Bandas sonorasDream Lover
Written and Performed by Bobby Darin
Courtesy of Atco Records
By Arrangement with Warner Special Products
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 61
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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