Krámpack

The really attractive aspect of this movie is the sympathy for all the characters, not just the two boys who form the mainspring of the action. This covers familiar territory - adolescent growing pains, sexuality, friendships, etc - without once being condescending. I showed to this to a Thai friend and his comment was simply, 'this is a true story. it happens to so many boys in Thailand" Not just in Thailand I might add. The film is fluent, unsensational and quite superbly acted in a very naturalistic style. It is more explicit than the not dissimilar Amice Per la Pelle (Friends for Life) from Italy, but in a similar league. I won't bother with the details of the story since many reviews cover them: but the person who found it offensive and only about sex must have seen another movie. This is a film about growing up, about real relationships boasting super locations, tender moments, a few amusing ones and above all no false emotions. BB

Nico travels from Barcelona to visit his friend Dani at his summer home. Dani's parents are away. The two teenagers, like all teenage boys share their interest in the physical aspects of sex. Dani becomes more than casually curious with regard to his friend, Nico. Nico does not quite get the picture, nor does Dani for that matter. Dani becomes displeased with Nico's persistent attempts to seduce a girl. The outcome of this summer experience is that both boys discover something about their own particular erotic inclinations. Nico's straight preference is unmoved by Dani's obvious physical desire and attraction to him. Dani confirms his own preference for other males in a kind of "half way" encounter with an attractive young male friend of his father. Nico returns to Barcelona. The two part as friends, their friendship apparently unaffected by their different sexual preferences. This film is warm and entertaining and a sensitive and respectful meditation on human sexuality and human development. In all honesty, I cannot agree with those who compare this film to "Beautiful Thing." In "Nico and Dani" there is no pathos, just experience. There is no real sadness or depression, just a normal struggle to find one's own self. That is the happy ending of Nico and Dani. They part as friends, each having discovered, without ambivalence, their true sexual selves.

"Nico and Dani" is as true as a film on adolescence and sexual awakening can get. A key is that the title characters are not sleazy party animals, taking advantage of women and not thinking twice about it (seen more times than one in American teen comedies that are driven by zero morals)...they are not jock-ey savage pigs, but sensitive and confused. Without guidance, reasoning is tough for them...especially because they are searching for who they really are, and this entails coming to terms with their sexuality. The film takes place over a long, blurry muddle of a summer with many wonderful (as well as dark) moments of self-discovery. Dani is left alone for his vacation minusing a sexually frustrated cook/caretaker. He invites a longtime friend named Nico, who is sprightly and refreshing...but also very much in a perplexing state of identity awareness. He tries on homosexuality with Dani, but leans toward the other side when he meets the a great summer girl who he becomes fascinated with. This provokes Dani's envy and sadness and their friendship is tested when he realizes he is gay. Like even the best of summers, ones sexual awakening has its share of fond and bad memories. It is a time to cherish and learn from, although there is pain as well as hapiness...rain as well as sunshine. And the girls of summer always become that distant memory of something special, but left behind for good reasons as well as bad.

Krámpack supposedly means mutual masturbation, so it goes without saying that the U.S. theatrical release would be retitled with the names of the two best friends who shamelessly do so. That said, the film is SO far removed from the typical American teen fare, like American Pie, that the unusual degree of friendship between the two boys is but a small part of the overall European-ness of the film.

The boys have known each other since grade school but are now just past puberty, and their minds are filled with sex, Nico obsessing about his Adam's Apple and his need to lose his virginity, and Dani entranced by his best friend. Dani is just plain sexy, and he knows it. At first it seems like a collision course, but as might be true for the adolescents they are, they start and end as friends. Both learn that they can be the objects of sexual desire -- and the comfort that this brings to a teenager -- but that their sexual paths are diverging.

The movie is well written and achingly sincere, more so than Trick or Get Real, both of which had a Fairy Tale (pardon the pun) quality about them. This film lies closer to the French films Wild Reeds and Full Speed than these. In Nico and Dani the passion seems real, and there is sour with the sweet.

The Spanish seacoast location is gorgeous, as are the characters, who are hardly stereotypes for the most part. The two guys are believable as 16-year-olds (even though about 20). For this reason my rating is a 9, well above the 7+ average rating that is current.

I completely missed the boat on this one - KRAMPACK (a.k.a. NICO & DANI) is an excellent film. To temporarily ditch any pretense of objectivity, this was very nostalgic - my adolescence was a good bit more modest, but the experiences and conversations (even the summertime setting) at many points through this film hit close to home. I won't rehash the plot, which is well-covered by previous reviewers here, but I will say that the film really gets the mix of unease and anticipation right in depicting the evolving relationship between Nico & Dani. On this front, it's a five-star gay-themed drama.

The performances are quite expressive and naturalistic - no movie-of-the-week feelgood speeches appear here, and none are needed. The slightest changes in expression (contrast Nico's responses to Dani through the first 2/3 of the film, to his responses during the last 20 minutes or so) convey great warmth and understanding, giving him the ability to reaffirm his friendship with Dani (in a 'positive' statement greater than any speech) even as they both understand by film's end that the dynamic of their friendship won't ever be quite the same.

On this note the film does have something to offer anyone - it's universal without getting saccharine, and deeply committed to the humanity of its' characters. There aren't any complex philosophical or political undercurrents here, but none are needed - the respect and graceful treatment afforded to two ultimately different characters are more than adequate. A fine flick.