CALIFICACIÓN DE IMDb
5.1/10
1.7 k
TU CALIFICACIÓN
Una detective privada lesbiana se sumerge de lleno en el asesinato, la manipulación y el poder devorador del sexo.Una detective privada lesbiana se sumerge de lleno en el asesinato, la manipulación y el poder devorador del sexo.Una detective privada lesbiana se sumerge de lleno en el asesinato, la manipulación y el poder devorador del sexo.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 4 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
McGillis really steals the show.Even in her former parts ,she was an ambiguous androgynous person (in "the accused" which gave Foster her first Oscar,she had something male in her).She literally explodes here,she mesmerizes the audience,in her part of a lit professor in love with a lesbian private investigator.The movie contains plenty of gay women sex scenes ,so be warned:it's not for all tastes .
As for the plot itself it's not really exciting.The characters are not very interesting,it's a pity that the victim's parents' parts should be so underwritten.The same goes for Nick.The soundtrack is good ,including excellent songs and haunting music.But it's not enough.Without Kelly McGillis,the movie would be completely undistinguished.
As for the plot itself it's not really exciting.The characters are not very interesting,it's a pity that the victim's parents' parts should be so underwritten.The same goes for Nick.The soundtrack is good ,including excellent songs and haunting music.But it's not enough.Without Kelly McGillis,the movie would be completely undistinguished.
I could not find anything interesting in this film. Prose and poetry divided into chapter headings and dished up as an experimental film failed as a piece of entertainment. Let it be a lesson to other film makers.
Don't be misled by the title. The writer chose the title before she wrote the book because she rather liked the Japanese haiku of that name. Believe me, there are no monkeys or masks, but after due consideration they might have livened up the film.
The sex scenes were passable but with little delicacy. The writer said she had hoped for a more grubby presentation of those scenes. I could not see much point in the scene where the woman walks into a room with her panties off. Do lesbians like to advertise their pubic hair? On the positive side the cinema photography was excellent. Glimpses of Sydney harbour and its famous bridge put me in a great mood anticipating what beautiful scenes might follow. Alas! What a strange mixture.
In one of the final scenes we see a notice warning people to take care because the Sydney Harbour rocks are slippery. I waited in trepidation because i was sure something terrible was about to take place. But no! We hear a man addressing a lesbian investigator ...."Thank you for making love to my wife; you sure put a light in her eyes".
I'd be surprised to learn if a film like this could prove to be a profitable venture. My recommendation: AVOID!
Don't be misled by the title. The writer chose the title before she wrote the book because she rather liked the Japanese haiku of that name. Believe me, there are no monkeys or masks, but after due consideration they might have livened up the film.
The sex scenes were passable but with little delicacy. The writer said she had hoped for a more grubby presentation of those scenes. I could not see much point in the scene where the woman walks into a room with her panties off. Do lesbians like to advertise their pubic hair? On the positive side the cinema photography was excellent. Glimpses of Sydney harbour and its famous bridge put me in a great mood anticipating what beautiful scenes might follow. Alas! What a strange mixture.
In one of the final scenes we see a notice warning people to take care because the Sydney Harbour rocks are slippery. I waited in trepidation because i was sure something terrible was about to take place. But no! We hear a man addressing a lesbian investigator ...."Thank you for making love to my wife; you sure put a light in her eyes".
I'd be surprised to learn if a film like this could prove to be a profitable venture. My recommendation: AVOID!
Private Investigator Jill Fitzpatrick (Susie Porter) is trying to find a missing girl. While looking for clues she encounters Diana (Kelly McGillis), a poetry professor. Jill is overwhelmed by her attraction to this beautiful, older, married woman.
The two soon hook up and the proverbial sparks fly!
Everything seems fine until the missing girl case takes a tragic turn, and the parents want Jill to catch the person responsible. This leads to threats on Jill's life and a growing sense of paranoia and dread.
Meanwhile, Jill discovers that Diana has a very dark, cold side to her nature.
THE MONKEY'S MASK is an erotic thriller with a nice noir atmosphere. The story is intriguing and unsettling. Parker and McGillis have great chemistry, and the love scenes are convincing.
Highly recommended for fans of the genre...
The two soon hook up and the proverbial sparks fly!
Everything seems fine until the missing girl case takes a tragic turn, and the parents want Jill to catch the person responsible. This leads to threats on Jill's life and a growing sense of paranoia and dread.
Meanwhile, Jill discovers that Diana has a very dark, cold side to her nature.
THE MONKEY'S MASK is an erotic thriller with a nice noir atmosphere. The story is intriguing and unsettling. Parker and McGillis have great chemistry, and the love scenes are convincing.
Highly recommended for fans of the genre...
Caught this on cable last night and I've decided that I like Susie Porter very much - she's got an incredibly expressive face (along with her adorable body, which we get to see a LOT of) and she was thoroughly convincing as the p.i. trying to solve the murder of a teenage poet while falling in love with the poet's teacher (Kelly McGillis, not quite believable in her role but she still looked good with Porter in the bathtub). Not very well-written or directed either - it's too long, too self-conscious and too convoluted - but it does have a certain style. . .and it DOES have the very appealing and watchable Porter.
An interesting film, since there are only a few of this kind. It seems that is hard to convince the viewer in the beginning but as it runs it gets better. Bear in mind that K.McGillis is older than the woman she's impersonating, same stands for S.Porter. The story has some unclear points, but the director has managed to cover them. In a few words, a nice try - next time better luck (or script). It is not a 'MUST' film to see, but I do recommend it (at least is far and away more interesting from many others of its kind).
¿Sabías que…?
- TriviaGigi Edgley was unable to complete her scenes for this film because she was needed back on Fuga en el espacio (1999) to film the episode "Dream a Little Dream/Re:Union".
- Citas
Mickey Norris: [Opening scene; standing before an audience] Love is a torture - love tortures me. Does love torture you? If it does, why are you laughing? I feel you in the room like a knife. You cut out my cunt, so why not cut out my heart? Your prick is a knife that hurts me. You grunt like a beautiful pig
[audience laughs]
Mickey Norris: . I wish my cunt could hurt you.
- ConexionesFeatured in Lesbian Film Review: The Monkey's Mask (2021)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- El círculo íntimo
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 6,831
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was The Monkey's Mask (2000) officially released in India in English?
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