Una mujer divorciada y su hija diabética deben tomar refugio en la habitación del pánico de su nuevo hogar, cuando tres hombres irrumpen en ella.Una mujer divorciada y su hija diabética deben tomar refugio en la habitación del pánico de su nuevo hogar, cuando tres hombres irrumpen en ella.Una mujer divorciada y su hija diabética deben tomar refugio en la habitación del pánico de su nuevo hogar, cuando tres hombres irrumpen en ella.
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- 1 premio ganado y 9 nominaciones en total
Ty Copeman
- Truck Driver
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Nicole Kidman
- Stephen's Girlfriend on the Phone
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In her first suspense-thriller since her Academy-Award winning turn in "The Silence of the Lambs", Jodie Foster registers quite well as middle-aged New Yorker Meg Altman, who moves into an EXTREMELY spacious brownstone with her daughter Sarah (Kristen Stewart), a diabetic tomboy. The building is equipped with a special shelter designed in the event of a break-in, known as a 'panic room'. Meg and Sarah waste no time in putting the claustrophobic area to use (on their first night, no less) when a trio of burglars (Forest Whitaker, Jared Leto and Dwight Yoakam) make their way into her building to retrieve a large sum of money. The catch is that the burglars' stash is in the very room in which Meg and her daughter are hiding! While 'Panic Room' is not exactly white-knuckle suspense, it definitely has its moments, especially the heart-pounding moment when Meg leaves the panic room to grab her cell phone, and the the tension-building scene when Whitaker and Yoakam enter the panic room when Foster leaves. The only main plot hole is clear in the very beginning: Why would a recently separated woman with one child want to purchase a four-story brownstone? What does she need all of that space for? Besides that, 'Panic Room' is an intelligently written and directed thriller from director David Fincher (Fight Club). The only characters that don't make sense are Meg's friend in the opening scenes and her husband (Ann Magnuson and Patrick Bauchau). They both seem hopelessly unnecessary; otherwise, 'Panic Room' is a first-rate thriller with similarities to several shockers of the early 1990s, 'Unlawful Entry' (1992) being one in particular. Whitaker has to be one of the nicest thieves in recent film history!
David Fincher directs this cleverly conceived thriller about a mother and daughter trapped inside a panic room by three criminals. The film is well-paced and the camera work is slick. The film does well in exploring the confines of the house. Jodie Foster is effective and maintains a high intensity throughout. Kristen Stewart is decent as her daughter. Forest Whitaker plays a slightly sympathetic criminal and does well. Unfortunately, after an engrossing game of cat and mouse, the conclusion is weak. Staple clichés crop up and the film goes for a crowd-pleasing finale that doesn't quite feel right. Still watchable.
Overall 7/10
Overall 7/10
Panic Room (2002)
There are three reasons to see Panic Room. 1) The titles: understated, gorgeous, uncanny letters floating in the Manhattan cityscape. 2) The photography: camera moving like an animal, slipping between tiny spaces, swinging across rooms and through floors, inhabiting the screen like another character. 3) Forest Whitaker, again (he's so good so often it's hard to not expect a great performance).
The rest of the film is very good, directed with style and intelligence as usual by David Fincher (who did Seven and Fight Club). The plot is good, but maybe a little conventional overall, and if the details aren't completely predictable, the general flow of events is. The whole cast is quite good--Foster in a familiar embattled, determined role, and Jared Leto is an appropriately crazed, if slightly caricatured, bad guy who just wants money. Don't we all.
I saw this when it came out and was dazzled and yet disappointed by the plot. The second time, knowing the events, I was able to just watch how they unfolded, and it was much better. Expect suspense, intensity, and beautiful camera-work.
There are three reasons to see Panic Room. 1) The titles: understated, gorgeous, uncanny letters floating in the Manhattan cityscape. 2) The photography: camera moving like an animal, slipping between tiny spaces, swinging across rooms and through floors, inhabiting the screen like another character. 3) Forest Whitaker, again (he's so good so often it's hard to not expect a great performance).
The rest of the film is very good, directed with style and intelligence as usual by David Fincher (who did Seven and Fight Club). The plot is good, but maybe a little conventional overall, and if the details aren't completely predictable, the general flow of events is. The whole cast is quite good--Foster in a familiar embattled, determined role, and Jared Leto is an appropriately crazed, if slightly caricatured, bad guy who just wants money. Don't we all.
I saw this when it came out and was dazzled and yet disappointed by the plot. The second time, knowing the events, I was able to just watch how they unfolded, and it was much better. Expect suspense, intensity, and beautiful camera-work.
This was a very suspenseful and exciting thriller from David Fincher who is responsible for my all time favourite film which is Seven. This new film has another very good performance by Jodie Foster but the acting standout of the film has to go to Dwight Yoakam with awesome performance as Raoul. The only problem i had with this film was its ending which was a bit of a let down but did not really spoil the film at all.
8 out of 10
8 out of 10
This movie is a nice piece of work! Those expecting or needing an edgy film ala Seven or Fight Club, don't bother. This movie does not pretend or intend to be what it is not. The camera work is great, the photography is great, and the acting is note-perfect given the script.
Nothing over-ambitious and the Fincher flick with the most appropriate running time and the least false notes so far. This is a classic thriller, much better than the negative reviews from other people led me to believe.
The photography is perfect for the movie. That includes the virtual camera work. Yes it looks like a David Fincher movie, but no it is not intentionally depressing and ugly as his others. The lighting works with the settings (3am in a huge house.)
Yes it's violent, that's why it's R rated. No, it's not something you'll necessarily want to watch a second time. This 90 very entertaining minutes of "now what's gonna happen"?
So suspend your disbelief a tad, sit back, and be entertained.
Nothing over-ambitious and the Fincher flick with the most appropriate running time and the least false notes so far. This is a classic thriller, much better than the negative reviews from other people led me to believe.
The photography is perfect for the movie. That includes the virtual camera work. Yes it looks like a David Fincher movie, but no it is not intentionally depressing and ugly as his others. The lighting works with the settings (3am in a huge house.)
Yes it's violent, that's why it's R rated. No, it's not something you'll necessarily want to watch a second time. This 90 very entertaining minutes of "now what's gonna happen"?
So suspend your disbelief a tad, sit back, and be entertained.
¿Sabías que…?
- TriviaAccording to David Fincher, Kristen Stewart grew more than three inches during filming of this project. She was smaller than Jodie Foster when the production started and towered over her when the final shots were done.
- ErroresWhen Meg starts searching for a "chocolate bar" once Sarah's sugar level drops, Sarah says she had already searched in the box and had found nothing. Yet we clearly see standard U.S. Military M.R.E. (meal ready to eat) packages which include a high sugar ration (in the form of, or in addition to, a dessert with the meal itself and sugar to be used with the included instant coffee), when Sarah was first searching.
- Créditos curiososOpening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings.
- Versiones alternativasThe film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there is more picture at the top and bottom of the frame than on DVD, which presents the original theatrical aspect ratio (2.39:1).
- ConexionesEdited into HBO First Look: The Making of 'Panic Room' (2002)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Panic Room
- Locaciones de filmación
- 38 West 94th Street, Manhattan, Nueva York, Nueva York, Estados Unidos(townhouse exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 48,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 96,397,334
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,056,751
- 31 mar 2002
- Total a nivel mundial
- USD 197,079,546
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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