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IMDbPro

Seom

  • 2000
  • Not Rated
  • 1h 30min
CALIFICACIÓN DE IMDb
6.9/10
15 k
TU CALIFICACIÓN
Seom (2000)
Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.
Reproducir trailer1:59
1 video
57 fotos
DramaThriller

En un centro de pescadores en un lugar idílico en el que trabaja y rodeada de varias facetas del malestar humano, una joven muda se enamora de un hombre que huye de la ley por cometer un ase... Leer todoEn un centro de pescadores en un lugar idílico en el que trabaja y rodeada de varias facetas del malestar humano, una joven muda se enamora de un hombre que huye de la ley por cometer un asesinato.En un centro de pescadores en un lugar idílico en el que trabaja y rodeada de varias facetas del malestar humano, una joven muda se enamora de un hombre que huye de la ley por cometer un asesinato.

  • Dirección
    • Kim Ki-duk
  • Guionista
    • Kim Ki-duk
  • Elenco
    • Jung Suh
    • Kim Yu-seok
    • Cho Jae-hyun
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    15 k
    TU CALIFICACIÓN
    • Dirección
      • Kim Ki-duk
    • Guionista
      • Kim Ki-duk
    • Elenco
      • Jung Suh
      • Kim Yu-seok
      • Cho Jae-hyun
    • 72Opiniones de los usuarios
    • 85Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 6 premios ganados y 7 nominaciones en total

    Videos1

    Trailer
    Trailer 1:59
    Trailer

    Fotos57

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    Elenco principal12

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    Jung Suh
    Jung Suh
    • Hee-Jin
    Kim Yu-seok
    Kim Yu-seok
    • Hyeon-sik
    Cho Jae-hyun
    Cho Jae-hyun
    • Mang-chee
    Jang Hang-seon
    • Middle-aged man
    • (as Hang-Seon Jang)
    Son Min-seok
    • Dal-Soo
    Ji-Seon Han
    • Jeong-Ah
    Jeong-sik Kang
    • 40-Year-Old Fisherman
    Hye-kyeong Choi
    • Young lady 1
    Seon-hwa Jeon
    • Young lady 2
    Won Seo
    Song Seung-heon
    Song Seung-heon
      Kim Yeo-jin
      Kim Yeo-jin
      • Dirección
        • Kim Ki-duk
      • Guionista
        • Kim Ki-duk
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios72

      6.915.4K
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      Opiniones destacadas

      CinemaClown

      A Deliriously Dark Love Story Between Two Broken Souls

      Introducing the world to the wickedly disturbing yet thoughtful style of one of South Korea's most prolific & controversial filmmakers, The Isle is a deliriously dark story of love, obsession & salvation that follows two broken souls who find comfort in each other's company but is notorious for its grisly & graphic imagery of stomach-churning gore.

      Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.

      The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.

      Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
      9InzyWimzy

      So many levels

      Now this is a great example of horror. Not your slasher, undead walking, predictable spoon fed story. Instead, the Isle's simple setting proves that looks can be deceiving as calm waters and clear blue skies belie the murky depths and secrets hidden within.

      I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.

      I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.
      Ali_John_Catterall

      Float Your Boat?

      There are two immutable truths in matters of the heart. None more desirable than those who do not want you; none less desirable than those you could possess with ease. Somewhere between these two axioms fall the doomed lovers of this spellbinding offering. Beautiful Hee-Jin (Jung) is the grounds keeper for a dingy Korean fishing resort, selling snacks, bait, her tits 'n' ass, to the tourists she ferries between flotillas of fishing huts.

      Fugitive Hyun-Shik (Yoo-Suk) shows up one day, shivering, suicidal, utterly alone. Another lost soul, Hee-Jin's smitten because, unlike her sleazy clientèle, Hyun-Shik's different. He doesn't abuse her or make fun of her muteness. And he fashions exquisite little wire sculptures for her, as they study one another across the rain-spattered lake. He in his unreachable desolation, she in her shore-side cabin, cat-like and inscrutable. The first time he tries to kill himself, by swallowing fishing hooks, she brings him back to life – to love – the only way she knows. From suicide to sex in three minutes. And nobody is going to get in her way. Director Kim Ki-duk, responsible for surprise Art-house hit Spring, Summer, Autumn, Winter…and Spring, has crafted another beautiful-horrible movie; gorgeous to look at, and often between splayed fingers. It's as minimal and soulful as a haiku. And as painful as falling in love
      7Smallclone100

      Beautiful but gruesome

      Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.

      What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.

      It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
      7rosscinema

      Very painful view of relationships

      This is definitely not a film for all tastes. "The Isle" not only shows some of the most disturbing images on film but it also makes the viewer work hard to try and figure out what it all means. Especially the very last scene which I think was put there for each viewer to make they're own interpretation, as Kubrick did for the end of "2001, A Space Odyssey". Suh Jung plays Hee-Jin who rents out floating fish cabins and supplies bait, food and prostitutes. She also is a prostitute and she never utters a single word in the film. Some have called her character a mute but towards the end of the film she screams so I am thinking her silence might be of her own doing! She is attracted to one of the renters who is suicidal and is hiding out. Suh Jungs performance is very strong and its difficult to carry a film without speaking a word and the actor has to rely to a great length on how well and interesting the story is. Her performance reminds me of Isabelle Huppert in "The Piano Teacher". The amount of pain between the two characters is what they have in common. This is a film about relationships in a very strange setting with two strange people. Each character has a scene involving fish hooks and when they take place its up to the other character to try and ease the pain. Good cinematography with shots of the lake at dawn or sunset with mist and fog on the water. Very tough film to view with all the self mutilation and animal cruelty. For those of you who have viewed Asian films before then you should check out this very well made film.

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      • Trivia
        This fell foul of the British Board of Film Classification who demanded cuts, not because of the scene where a metal object is inserted into a vagina but of cruelty to fish, which director Kim Ki-duk admitted was genuine.
      • Versiones alternativas
        The cut UK print was submitted to the Irish censor who cited the violence as causing concern - he gave the distributor (Tartan Films) two options:
        • Resubmit the same version (presumably for an appeal/reconsideration)
        • Submit an altered version to secure a certificate
        They went with the latter, despite the changes not being required under law - this censored version was certified 18 on September 29, 2004. The cuts totaled 3m 15s on top of the UK's 1m 50s to animal cruelty - the running time of the Irish print is 84m 53s compared to the UK's 88m 8s. No details for the cuts or justification for the decision were made available. An article in the Irish Times issue dated October 1, 2004 explains it in further detail: "The Isle was due to open at UGC Cinemas in Dublin on September 10th as part of the touring Asia Extreme season organised by the London-based distributors, Tartan Films. On that date, showings of the South Korean film were listed in all the daily UGC advertisements, and a display ad for the film was run in The Ticket, as was Donald Clarke's review. But the film never opened and has yet to receive a public screening in Ireland. The Isle was submitted to the censor's office on September 8th, just two days before it was due to be released - very late notice at an exceptionally busy period for new releases. John Kelleher, the film censor, made time to view it the next day, but found that some elements of the film required serious consideration. "We contacted Tartan and drew attention to scenes of sexual violence and explicit self-mutilation that were causing us concern," he says. "It was entirely up to Tartan Films if they wanted to resubmit the same version of the film, or a different version." Tartan subsequently submitted an altered version of the film, which was viewed by Kelleher on Wednesday morning and passed with an 18 certificate. The film had already been cut by 110 seconds by the British Board of Film Classification because of a scene of animal cruelty. In his three-star review, Donald Clarke noted "the notorious scene in which the female lead, part avenging angel, part lady of the lake, inserts fishhooks into her vagina and then, as if that were not uncomfortable enough, hauls them out again". He also noted that in the film's "envelope-pushing shock therapy, the hero does something similar to his esophagus." The Isle will probably open at the end of the Asia Extreme season, on November 5th."
      • Conexiones
        Referenced in Las estaciones de la vida (2003)

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      Preguntas Frecuentes19

      • How long is The Isle?Con tecnología de Alexa

      Detalles

      Editar
      • Fecha de lanzamiento
        • 22 de abril de 2000 (Corea del Sur)
      • País de origen
        • Corea del Sur
      • Idioma
        • Coreano
      • También se conoce como
        • The Isle
      • Locaciones de filmación
        • Corea del Sur
      • Productoras
        • Myung Films
        • Nova Media
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

      Editar
      • Presupuesto
        • USD 1,000,000 (estimado)
      • Total en EE. UU. y Canadá
        • USD 20,666
      • Fin de semana de estreno en EE. UU. y Canadá
        • USD 4,546
        • 25 ago 2002
      • Total a nivel mundial
        • USD 24,963
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

      Editar
      • Tiempo de ejecución
        • 1h 30min(90 min)
      • Color
        • Color
      • Mezcla de sonido
        • Dolby Digital
      • Relación de aspecto
        • 1.85 : 1

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