Seom

This is definitely not a film for all tastes. "The Isle" not only shows some of the most disturbing images on film but it also makes the viewer work hard to try and figure out what it all means. Especially the very last scene which I think was put there for each viewer to make they're own interpretation, as Kubrick did for the end of "2001, A Space Odyssey". Suh Jung plays Hee-Jin who rents out floating fish cabins and supplies bait, food and prostitutes. She also is a prostitute and she never utters a single word in the film. Some have called her character a mute but towards the end of the film she screams so I am thinking her silence might be of her own doing! She is attracted to one of the renters who is suicidal and is hiding out. Suh Jungs performance is very strong and its difficult to carry a film without speaking a word and the actor has to rely to a great length on how well and interesting the story is. Her performance reminds me of Isabelle Huppert in "The Piano Teacher". The amount of pain between the two characters is what they have in common. This is a film about relationships in a very strange setting with two strange people. Each character has a scene involving fish hooks and when they take place its up to the other character to try and ease the pain. Good cinematography with shots of the lake at dawn or sunset with mist and fog on the water. Very tough film to view with all the self mutilation and animal cruelty. For those of you who have viewed Asian films before then you should check out this very well made film.

Now this is a great example of horror. Not your slasher, undead walking, predictable spoon fed story. Instead, the Isle's simple setting proves that looks can be deceiving as calm waters and clear blue skies belie the murky depths and secrets hidden within.

I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.

I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.

The film gives you that heavy, unexplainable, load after watching. There's not much child-friendly scenes going on, and that's what made me love this. There's cruelty and profanity everywhere, with the injection of, on its face, irrelevant scenes which were either intentionally placed to stir our brains, or were unintentionally left by a director who lacked ideas. I have to believe its the former.

The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.

The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.

I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.

The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.

Ki-duk Kim's "Seom"/"The Isle" has to be one of the most beautiful movies I have ever seen.The cinematography,the silence and the themes under the surface are incredible.The film explores human relationships and the pain of being in love,and being loved.Both characters(Hyun-shik and Hin-jin)are lost human beings searching for love.They crave love,yet shun it when it comes to them,as they are deeply aware of the destructive qualities it brings out in them.Suh-Shik Hwang's cinematography is absolutely beautiful and captures many impressive visuals.Still there are some horrific images that will shock casual viewer,so the viewer should be prepared.9 out of 10.

Another movie that has attained a little notoriety from the number of walk-outs at festival screenings, and even a couple of audience members passing out. Whilst it is not hard to see why, it is a shame that is what the film is known for, as there is much more to it than *those* scenes. A mute girl makes a living running a kind of retreat, where men can rent a floating cabin on a lake in the mountains and spend their days fishing, and their nights sleeping with prostitutes. The mute girl makes ends meet by taking on this role as well. A young man arrives and rents a cabin, clearly not their for the fish. We see that he is tortured and suicidal - you wouldn't guess why from the 5 second flashback that is meant to explain it, but the 'filmography' section of the DVD explains it in more detail. The mute girl is drawn to the man's desperation, perhaps feeling sympathy/protectiveness, or perhaps simply relating to another deeply unhappy soul.

The relationship between these two characters, and several other characters that come to the lake for one reason or another, is the main focus of the film. The difficulty some people have with relationships is the topic being studied, particularly when they are not happy in their relationship with themselves. The inner feelings of the characters receive expression in scenes whose 'shock factor' has drawn inevitable comparisons with Takashi Miike, especially AUDITION. Director Kim Ki Duk doesn't seem to mind these comparisons:

"KK: I saw Audition at Toronto and that movie made me realize that there is someone else out there like me. We are two of a kind"

If you couldn't sit through the last half hour of AUDITION, you'll probably want to give THE ISLE a miss too. It's also definitely not a film for animal lovers... there is absolutely zero chance of the film being released intact in the UK or the US, as the treatment of the animals in the film (mainly fish) is far outside what is permissible in either country's regulations.

But there is much more to THE ISLE than the scenes that make keeping your eyes on screen a challenge. In between, the film is absolutely ravishing, and will keep your eyes glued there. The setting of the lake, mostly bathed in deep fog, and the fantastic wordless performance from actress Jung Suh (and the rest of the cast) are beautiful and powerful. The loneliness and sadness of the characters is reflected brilliantly in the total isolation of the floating cabins. There is a deep message in the film, and it is presented to us beautifully.

Like Miike, Kim Ki-Duk makes us work for our reward when we watch THE ISLE... if you want to take away the beauty of his film, you have to be willing to pay the price of the horror. Thoroughly recommended!

One note: the film is another one of those great films that just doesn't know how to end itself. Actually, we get the perfect ending... a nice long shot and a fade to white and it should have been over, but

apparently Kim Ki Duk wasn't quite satisfied to leave it at that and tacks on two extra scenes, about a minute of footage, that are simply inexplicable and serve only to confuse and spoil the mood. My recommendation... when it fades to white, simply stop the DVD