Pinocho

I am so relieved to finally watch a movie that tells the story along the lines as it was originally told rather than rewriting it and watering it down or sugar coating it to make it more acceptable for those who can't take dark situations from a child's story. This movie, with its sets, not-so-mind-blowingly-overdone effects, and layout makes it a very charming retelling of the classic tale, though I have sadly seen the horribly done dubbed version and wish to see the subtitled one instead. People would be turned off seeing grown men playing as boys, especially by Roberto Benigni playing the titular character... however, once you watch it, you can see how well they play the part, giving the whole movie a rather different kind of charm where grownups play boys. I find it sad that this charming movie is bashed and even nominated a Razzie just because they only minded the dubbing or the fact it's nothing like the Disney movie. Give this movie a chance and watch it in a different way if you are truly an aficionado for the classic tale; you will then really love this film.

nice. but not convincing. beautiful. but not enough. amusing. only for few sequences. touching. for good intentions. its sin - each viewer has his image of Pinocchio. and this image is very and deep different by Benigni work. his ambition to create the Collodi legendary character is far to be inspired. it is silly and too strange. because, unfortunately, it is not a joke but a movie , not a parody but adaptation of a great book. sure, poor Benigni is innocent. but his innocence, his desire to do a good work remains a failure. not for acting but for mixture between costumes, delicate images and his old humor recipes. he is saboteur of his labor. explanation - no measure of ingredients and the sparkles of ridiculous. but it is an exercise. not catastrophic. only very far by expectations.

First a warning - do not watch the dubbed release of this film - it's terrible. Watch the original Italian version with English subtitles - it makes all the difference in the world. Visually stunning while only partially flawed by Benigni's casting of himself in the lead role (you have to like him to like the movie), this film is wildly entertaining - more in the vain of Terry Gilliam's The Adventures of Baron Munchausenthan the Disney classic Pinocchio.

Although far from a great film, this is certainly not the worst thing I've ever seen. I saw without prejudice and enjoyed it although I did find it full of oddities. I was very surprised when I looked it up afterwards and saw all the hate being spewed out, which is why I felt I should write this review. Sure it has some curious ideas such as: The boy Pinocchio played by a 50 year old man. Actually once you get over his age, he puts in a playful joyful performance which reminded me of Danny Kaye at times.

Bad dubbing. Not much can be said in defence of this, but the voices used, such as John Cleese and Glen Close are appropriate in themselves, it is just the bad syncing that is annoying.

Some rather cheap-looking special effects. This could certainly have been better but it is sad that people can no longer use their imaginations.

As said, these detract from an honest attempt to remake the children's classic. But why the hate? As many have said, I think that this is a much less sentimentalised version of the Disney, closer to the original story and some have taken against it.

All in all, children of all ages will enjoy this film and probably learn some valuable life lessons from it. See for yourself and make u your own mind.

First thing I did was to erase from my head the version of the puppet that was created by the Disney factory. Then I had to struggle to admit old Roberto as a kid, and his wife as a fairy, but now I am old enough to admit both licenses, especially from someone who did something as silly as "La vita è bella". But most of all, I had to have a bigger, harder struggle to take off those stupid glasses we wear more often than not, to see everything through Hollywood eyes. And there I was: watching an Italian film about an Italian puppet, based on an Italian book, with an old Italian clown in the main role, done with a lot of affection, with great cinematography by Spinetti, and great art work by Donati, to whom the film is dedicated... I enjoyed it very much, and even if it is hated by almost anybody that saw it, I still would recommend it to my dearest friends.