Investigating Sex

Directors need to learn that audiences watch a film for the characters, and they need to understand the characters. "Investigating Sex" illustrates characters that are so narcississtic the audience is annoyed from first frame to last. I saw the film at a screening with Alan Rudolph with a discussion afterwards, and he didn't even really appear to know what the film was about either. He just used the phrase "sexually compelling" a bunch of times. I didn't care about the characters, I frankly didn't the film had any characters to offer. Just a lot of actors spreading paint on themselves and turning into donkeys and mules in order to say something profound about sexual relations and sexual attraction. Robin Tunney is great as usual, and the other actors do what they can. If you want to try to beat the meaning out of a movie and read into things that aren't there, this movie is for you. If you actually want to learn something or see a great film, don't watch "Investigating Sex." Because it certainly isn't entertaining. It's really pretty ridiculous.

As a volunteer at the Denver Film Festival, I was given the opportunity to attend a screening of this movie tonight, and I am very happy to have done so. At times I think I was the only person in the theater laughing, but I found this movie hilarious, yet relatable. The ensemble cast has wonderful chemistry, including great performances by Alan Cumming, Nick Nolte, Tuesday Weld, Robin Tunney and Neve Campbell. Though the film might seem farfetched, it is actually based on real events, and I especially enjoyed Robin Tunney's performance as a woman with a refreshingly healthy attitude towards sex. Neither a "virgin" nor "whore," she has slept with a few men, knows what she wants and how to get it, and rather than begging the man she goes to bed with to love her and marry her, she simply asks him not to analyze it to anyone, whether it lasts or not. Another special treat is a series of films-within-the-film, shot in black and white and made (apparently through a very complicated process) to look as they would have looked in the 1920's. A lovely character-driven film that is quite different from most things you will see these days. Go see this if you get the chance.

Pretentious, pseudo-intellectual, pre-frontal foreplay without substance or passion. Wooden acting by all except, Robin Tunney, who displayed unusual adeptness for her characters' misunderstood, Zoe. Neve Campbell wasted here as a rather prim and prudish, librarian type and Dermot Melroney as the rather starched, disillusioned and distant group discussion leader. It was to be a critical expose on the fragility of the Male orgasm and all its unreasonable expectations. It missed. It made men out to bestial, carnivorous, exploratory and very misinformed about women's bodies. On that note it was right on the mark. But from the very nature of the questions asked in the film it was obvious that the filmmaker was only expressing his limited scope and hoping to get a generous amount of love and money for his attempts at honesty apparently since he could not get a date.

I had the pleasure of seeing this film recently at a film festival. The crowd loved the film and gave it a standing ovation. I may be bias though, because I'm a huge Neve Campbell fan, and this is surely her sexiest role yet- even more so than Wild Things. Robin Tunny gives a great performance as well, she is an actress that I've been following ever since The Craft. Terrence Howard, also an amazing actor (did you see Hustle & Flow?!?)has a great role in this film. I also believe that Nick Nolte gives the performance of his career! Combining sex, mystery, excellent actors- this film is definitely a MUST SEE, just look at the incredible cast.. you can't go wrong!

I generally like Rudolph's work, even when it borders on the pretentious, but this one plain reeks of it, to the point where I was shaking my head at the screen, not believing what I was hearing and seeing during most of the film's running time. The premise is interesting and somewhat perverse ~ the men hire two stenogs to transcribe every stupid word they utter; one of them is played by the always-good Robin Tunney, who's sexually evolved a bit, having at least 3 conquests under her belt, and the other is the squirmy, virginal Neve Campbell, who's never been worse. A ridiculous part, no question, but someone with some panache - I kept picturing Geraldine Chaplin when she was younger - might have at least brought some fun and believability to the proceedings.

Good cast, and good performances, otherwise (considering the material). Nick Nolte's a hoot, raving about his sexual encounters with a particularly attractive donkey, whom he'd enjoyed on Tuesdays and Thursdays, he tells us, in his drunken stupor, and on Wednesdays there was a goat he'd set his sights on but said goat was too fast and he never could catch him. Him. That's right. His character professes to be an equal-opportunity bestiality master, who is married to Tuesday Weld, who talks with a ridiculous sort of German accent part of the time and sounds like she's from the Bronx for the rest.

Alan Cumming, who is always fun to watch, is fun here as well, relieving himself of his shirt every chance he gets and posing like a Greek god around the room these clowns are supposedly 'investigating' sex in.

By the end, it means absolutely nothing, of course, except that you wasted a little time hoping for some clever titillation at the very least and some possible insight on the subject. There's more insight to be had in any Will Ferrell movie, folks, and that's a harsh indictment.